RT @nytimes: Reporters from Time magazine and The Associated Press chose not to attend in protest of the White House’s actions https://t.co…
Ron Howard (born 1.3.1954) Ron Howard is an American film producer and director. He rose to fame, however, working as an actor in The Andy Griffith Show and on Happy Days.
Childhood: Ron Howard was born to Jean and Rance Howard, in Duncan Oklahoma. The family then moved to Burbank in California. Ron graduated from John Burroughs High School and then went on to attend the University of Southern California's School of Cinematic Arts, though he did not graduate.
Career: Ron Howard's debut film role was in The Journey, in 1959, with Deborah Kerr and Yul Brynner. He then appeared in The DuPont Show with June Allyson, as well as The Twilight Zone.
In 1960, Howard was cast as Opie Taylor in The Andy Griffith Show. He revised the role in 1968, when he starred with Griffiths in Return to Mayberry. In the 1962 film The Music Man, Ron Howard played Winthrop Paroo, alongside Robert Preston and Shirley Jones. The following year, he starred in The Courtship of Eddie's Father with Glenn Ford and in 1966, he appeared in an episode of the NBC series I Spy, which starred Robert Culp and Bill Cosby. He also made a guest appearance on M*A*S*H.
In George Lucas' American Graffiti, released in 1973, Ron Howard played the role of Steve Bollander, with Richard Dreyfuss also in a starring role. It was this performance that led to Howard being given the role of Richie Cunningham in Happy Days. His character was the opposite to Henry Winkler's character, 'The Fonz' (Arthur Fonzarelli). At the same time as appearing in Happy Days, Ron Howard also directed his first feature film, Grand Theft Auto.
In 1976, Ron Howard starred in The Shootist, with John Wayne (in one of his last films) and Lauren Bacall.
In 1982, Howard then starred in Night Shift, his big theatrical break, with Michael Keaton, Henry Winkler and Shelley Long.
When Howard moved away from acting and into directing, he worked on a number of high profile and successful films, such as Splash, which propelled the careers of Daryl Hannah and Tom Hanks, as well as starring John Candy. He also directed Steve Martin and Martha Plimpton in Parenthood, Don Ameche and Jessica Tandy in Cocoon, Val Kilmer and Warwick Davis in Willow and Tom Hanks and Kevin Bacon in Apollo 13. The later was nominated for nine Oscars, winning two of them.
Ron Howard's next film, A Beautiful Mind, earned him the Best Director Oscar. The film starred Russell Crowe and Jennifer Connelly.
In 2005, Ron Howard directed Russell Crowe again, this time in Cinderella Man, as well as Renee Zellweger and Paul Giamatti.
Howard then took on the directorial role for the film adaptations of Dan Browns best-selling novels, The Da Vinci Code and Angels & Demons. The films starred Tom Hanks, Ewan McGregor and Audrey Tautou.
Ron Howard was then nominated for the Best Director Oscar once more for Frost/Nixon. The film was the story of TV presenter David Frost and the US president Richard Nixon. The title roles were played by Frank Langella and Martin Sheen.
Ron Howard is also the co-chairman of Imagine Entertainment, which has released a number of notable film projects such as Friday Night Lights (Billy Bob Thornton), 8 Mile (Eminem) and TV series such as 24, starring Keifer Sutherland. Howard also narrates the popular TV comedy series Arrested Development, starring Jason Bateman.
Personal Life: Ron Howard married his childhood sweetheart, Cheryl Alley in 1975. They have four children and one grandchild.
The third installment in the Da Vinci franchise struggles in its opening weekend.
Inferno, the third installment in the Da Vinci franchise, is having a hard time in the US Box office. The film has made a disappointing $15-16m after making $5.6m in 3576 theatres on Friday. The result of this is that the film, that was expected to make between $20-30m, is an alarmingly close battle with 'Boo A Madea Halloween' for the no.1 spot over the Halloween weekend.
Tom Hanks at the Inferno premiere in LA
Director Ron Howard's mystery thriller, starring Tom Hanks and Felicity Jones, has fallen a long way behind the $77m that 'The Da Vinci Code' made in the US, even sequel 'Angels & Demons' made $46m back in 2009.
Continue reading: 'Inferno' Fails To Ignite The US Box Office
Since novelist Dan Brown wrote a new thriller featuring the symbologist Robert Langdon, Tom Hanks and director Ron Howard have reteamed to bring it to the big screen. But this second sequel to The Da Vinci Code feels like a pale imitation of the original. Gone are the clever, fake-academic revelations and rather wacky action antics, and in their place are clues that feel utterly irrelevant, accompanied by fights and chases that are incoherent.
At least it opens well, with Langdon (Hanks) waking up in a Florence hospital without a clue how he got to Italy. Then when a sexy cop (Ana Ularu) tries to kill him, Robert's hot doctor Sienna (Felicity Jones) helps him escape. She also has an unusual knowledge of antiquities, so she travels with him to figure out why he's being chased by the police, an army of World Health Organisation officials (led by Sidse Babett Knudsen), a man (Omar Sy) leading a team of violent goons and a shady businessman (Irrfan Khan). Robert traces all of these shenanigans to the recently deceased billionaire anarchist Bertrand (Ben Foster), who was plotting to release a virus that would kill off half of mankind to halt overpopulation. Is his plan still going forward? Can Robert stop it in time? The next clues are in Venice and then Istanbul.
The settings are gorgeous, and Howard knows how to use them to pack the film with old world elegance. But while David Koepp's script keeps the mayhem moving along whether or not it makes any sense, Howard directs everything at a glacial pace. So it looks like Hanks is in danger of falling asleep at any time, even in the middle of a car chase. There's also the problem that the central premise is utterly preposterous: if you're planning a terrorist attack that will kill four billion people, would you take the time to set it up as an elaborate scavenger hunt? And it doesn't help that everyone in the movie seems untrustworthy. The script sorts the good from the bad as it goes along, but it never matters.
Continue reading: Inferno Review
The band made their world views well-known during their reign.
The world's most successful pop group The Beatles is re-visited in Ron Howard's comprehensive documentary 'The Beatles: Eight Days a Week', released today. They were a band that had a massive impact on the pop culture in the 60s, but also on the political views of the world, in particular - it has emerged - racial segregation.
The Beatles refused to play a segregated concert in Florida
There's no denying the effect the Beatles had on the music industry in the 60s, and indeed the impact they had on the cultural enjoyment of music. With that popularity came responsibility, and they used that put across their libertarian views as often as possible. The Beatles left a mark on the world with their social and political opinions, and even lent a hand to the breaking down of racial segregation in the American south.
Continue reading: The Beatles Helped Break Down Racial Segregation By Refusing To Perform
A-list director Ron Howard worked with the surviving Beatles to assemble this engaging documentary, which offers an inside look at Beatlemania, the three years when the best pop band in history toured the world. The messy title is a hint as to how compromised this film is: it's not a proper journalistic look at the band, but rather an approved portrait with the rough edges removed. But with its never-seen footage and lots of great music, it can't help but be hugely entertaining.
John Lennon, Paul McCartney, George Harrison and Ringo Starr spent years developing their sound before they hit the big time. And when they set off on their first tour in 1963, things immediately went crazy, with unprecedented displays of fan adoration. Fans couldn't get enough of these cheeky young guys from Liverpool, and their irreverent antics during interviews further endeared them to their audience. As they embarked on their first major tour of America, young journalist Larry Kane was sent to accompany them. Initially annoyed at this fluffy assignment, Kane was won over by their talent and the way they stood up to segregation laws in the South. But by 1966, they found that playing concerts in stadiums was simply too exhausting (they couldn't hear themselves above the screaming), so they abruptly stopped performing in public. The rest of their career took place in the studio.
All of this is recounted in a terrific range of home movies, archive footage, snapshots and interviews from the time, plus present-day recollections from Paul and Ringo. Added to this are interviews with celebrities who as children saw them perform, artists who worked with them and historians who examine their talent and impact. With access to this kind of material and a skilled editing team, Howard creates a film that's energetically gripping, offering a perspective on the Beatles that we may not have seen before.
Continue reading: The Beatles: Eight Days A Week - The Touring Years Review
In 1962 The Beatles were signed to a management deal with a local record shop owner called Brian Epstein after he heard the band playing at their local venue, The Cavern Club, this was the first step in a series of events that soon saw the four lads from Merseyside become the biggest phenomenon the world had ever seen.
Once George Martin signed the band to Parlophone Records, it didn't take long for them to make their first visit to Abbey Road Studios and once they found themselves a permanent drummer in the form of Ringo Starr, the band had a number of possible singles recorded with the likes of 'Love Me Do' and 'Please Please Me', as good as the songs were, their reputation was still unknown and their first single peaked on the singles chart at #17. Their first number one came about after re-recording 'Please Please Me' at a faster tempo and the band began to make TV appearances. The clean shaven boys had style and an edgy quality that attracted young girls and their music was good enough that boys liked them too.
Thousands of fans followed them wherever they went and it lead to the band touring and promoting themselves and their music continually.
Not broadcast in its entirety since 1967, a full restoration will be played in select cinemas to support Ron Howard's 'Eight Days a Week' touring documentary about the band in September.
With Ron Howard’s documentary movie Eight Days a Week: The Touring Years hitting cinemas in a couple of months’ time, it has been announced that a specially restored film The Beatles’ iconic concert performance at Shea Stadium in 1965 will receive a limited theatrical run at the same time.
On Thursday (July 28th), it was revealed that a fully-restored 4K version of the show that the Fab Four played at New York’s Shea Stadium on August 15th 1965 will be released in certain cinemas to support the roll-out of Howard’s documentary, which will premiere on September 16th.
Professor Robert Langdon wakes up in a hospital feeling terrible and suffering from serious nightmares. His dreams are lifelike and appear to predict a vicious and unprecedented attack on humanity. As the professor begins to come around, his nurse, Sienna, is on hand to treat his head injuries and inform him of his concussion and the side effects he might experience.
Before he can fully understand what brought him to Italy - Langdon's last memories were from Harvard University - a woman enters the hospital and kills the professor's doctor. With the help of Sienna, Robert escapes and the pair retreat to Sienna's apartment. Whilst searching his pockets Langdon finds a vile with a hazardous label on it.
The vile is the start of Langdon's latest mission, he must find the source of a deadly virus that is thought to be capable of killing half the world's population. Without knowing who's on his side, it looks like Langdon is being hunted by multiple organisations all wishing to cash in on the powerful weapon.
Continue: Inferno Trailer
Ron Howard has always been an ambitious director but his latest film In The Heart Of The Sea is arguably his hardest production to date.
Here Ron talks about some of the modern day filming and production methods he used to try and get the maximum out of the film - in stark contrast to other sea based movies which might require the audience to slightly suspend their disbelief to get the most out of them.
He also talks about some of the predicaments they encountered whilst trying to make such a cinematic film whilst shooting on the ocean.
Ron Howard also talks about how he originally found the script (through Chris Hemsworth who also stars.)
In The Heart Of The Sea is the true seaman's tale based on the last outing of the Whaling Ship Essex. After setting sale from the port on Nantuckett the 20 man crew expect their journey to be much like the others they've been on, very long and tough but on an old but very trusty ship.
After leaving the port, almost immediately the men are hit by a powerful storm which damages the boat. knowing they must make money and make the trip profitable before returning home, the men continue with their mission. After months of good fishing, the men doc at various ports for supplies. Almost a year into their trip and the Essex is struck by a gigantic whale which causes irreparable damage to the ship's hull.
Stuck with no other choice the surviving men must board one of the incredibly small whaling boats that they have on board. The remaining crew members find themselves stuck in a life-threatening situation, 1000 miles from land, incredibly tight rations and stuck at sea for an unknown amount of time, the crew must find a way to endure - both mentally and physically.
Continue: In The Heart Of The Sea Trailer
The actor will star in Ron Howard's third adaptation of Brown's Robert Langdon novels.
Tom Hanks has captivated us with his role as a brooding Harvard professor since 2006, when he appeared in the adaptation of Dan Brown's 'The Da Vinci Code'. Now on to the third film, he returns for another dose of menacing mystery, death-defying adventure and intellectual premise.
Tom Hanks will star in Dan Brown's 'Inferno'
'The Da Vinci Code' (Dan Brown's second novel) was a global phenomenon which portrayed Hanks' character Robert Langdon on a quest for the Holy Grail. The following prequel 'Angels & Demons', explored the creation of the universe and conspiracy within mankind. 'Inferno' - the third film directed by Ron Howard - takes another turn completely and sees Langdon with a lot more of a challenge on his hands.
Continue reading: Tom Hanks Summarises Dan Brown Series As He Continues To Shoot 'Inferno'
Ron Howard and Cheryl Howard - A host of stars were photographed as they attended the Vanity Fair Oscar Party which was held at the Wallis Annenberg Center for the Performing Arts and The Beverly Hills City Hall in Los Angeles, California, United States - Sunday 22nd February 2015
RT @nytimes: Reporters from Time magazine and The Associated Press chose not to attend in protest of the White House’s actions https://t.co…
RT @SenSanders: Republicans love to talk about freedom except when it's the freedom to protest. https://t.co/EKwSbRRyso
RT @SethMacFarlane: So the guy who did coke during the debates wants to take away our weed. Got it.
RT @Vallmeister: Excluded from Press briefing: - NY Times - BBC - L.A. Times - Politico - Buzzfeed - Daily Mail - The Hill - CNN Boycotte…
RT @CNN: .@jaketapper: This White House does not value an independent press. There is a word for that: Un-American. https://t.co/Ks7fCmAwl0…
go get 'me Daughter! can't wait to see it on the big screen! https://t.co/2TvPe3Ucao
RT @MagnumCallahan: Peter Morgan parece haber enseñado a hacer películas a Ron Howard #Rush es magnífica,comolo fue Frost contra Nixon. htt…
many thanks! it was a hell of a film making experience. a joy https://t.co/is5JJZ4L6E
glad you enjoyed it https://t.co/UCk53cDiW9
RT @neverdontgiveup: Ron Howard, Helen Mirren and Peter Morgan attend the annual BFI Chairman's Dinner honouring Peter Morgan with the BFI…
RT @BryceDHoward: Love that my guys have been there for each other for so long--happy birthday @joshgad 🎉🎂🎉 https://t.co/3T2lBT5Y4E
yes, on all political sides. we need to demand honest reporting and a delineation between straight factual reportin… https://t.co/rU0H0O1ksC
yes, anything can be distorted, but direct and accurate quotes ought to be reliable https://t.co/utmrYDyLWf
RT @tomtwittmorin: @RealRonHoward A mans word is all we have predict his future actions. 1 expects a leader to say what he means & do wha…
RT @LemarGuillary: @RealRonHoward If its true our prez is breaking all the methods of the position, so to should the press. Step 1 Stop cov…
a terrific evening and a deserving honoree. glad to have been a part of it https://t.co/MYLiGI2MFJ
RT @BFI: "Filmmaking is a chance to live many lifetimes" - Robert Altman, #bornonthisday in 1925 https://t.co/16OyEKyaHu
RT @CNN: The universe is about to get a little more crowded with planets https://t.co/AsKxozqLBX https://t.co/FhUVgnQ57k
when a prez makes a statement in a speech or interview & then press assumes it reflects his position & reports it -… https://t.co/Tb4Pn3EIvp
check out my pal's act. Don's been getting great reviews, and he deserves 'em. Really fun show https://t.co/knseVKdgJY
Since novelist Dan Brown wrote a new thriller featuring the symbologist Robert Langdon, Tom Hanks...
A-list director Ron Howard worked with the surviving Beatles to assemble this engaging documentary, which...
In 1962 The Beatles were signed to a management deal with a local record shop...
Professor Robert Langdon wakes up in a hospital feeling terrible and suffering from serious nightmares....
Inferno comes as the third in the series of Ron Howard's film interpretations of Dan...
With a huge budget and a relatively small story, this is an intriguingly offbeat blockbuster...
In The Heart Of The Sea is the true seaman's tale based on the last...
In August of 1819, The Essex set sail from New England. The whaling ship set...