Roman Polanski's Repulsion has been rightly hailed as a chilling examination of a woman going mad. With unnerving intensity, it places us in the shoes of Catherine Deneuve's fragile beautician, whose unexplained trauma and sexual repression induce bizarre, frightening hallucinations that ultimately drive her to murder. But just as powerful is its notion of an outside world incapable of aiding her. Polanski's penchant for exploring helplessness and indifference has seen more overt expression in other films, but here it forms a haunting counterpoint to the central drama, a statement both on insanity and the banal monstrosities which enable it.
Continue reading: Repulsion Review
Let's get the story out of the way for those few who haven't heard it. Sweet, young Oliver Twist (Barney Clark) is cast out of his orphanage when he is picked to ask the cook for more porridge and is sent to work for a kind casket maker who is controlled by his wife. He escapes to London where he makes friends with a charming thief nicknamed The Artful Dodger (Harry Eden). As it happens, Dodger is part of a gang of thieving youths who work for the persuasive Fagin (Sir Ben Kingsley), a decrepit old man with too much hair and too few teeth. The storm really swells when Twist tries to go straight with a rich book collector named Mr. Brownlow (Edward Hardwicke) and gets on the bad side of a few of Fagin's friends and partners. The most nefarious of the partners is Billy Sykes (Jamie Foreman), a terribly mean thief who is followed around by an ugly dog named Bullseye. This all leads to a plot between Sykes and Fagin to kill poor little Oliver, but that proves to be pretty difficult.
Continue reading: Oliver Twist (2005) Review
Set amidst the ruins of another infamous ghetto -- Warsaw's Jewish district -- The Pianist recounts the horrors that Polanski could not face a decade ago. The movie tells the true story of pianist Wladyslaw Szpilman's escape from Nazi persecution and his subsequent struggle to survive. Unlike other mainstream Holocaust movies, though, this one doesn't try to portray heroism and selflessness as much as it does the actual process of surviving. In other words, it is about the constant act of searching -- for food, for water, for a new place to hide, and for a way out.
Continue reading: The Pianist Review
Tess Durbeyfield (Nastassja Kinski) is a naive English country girl sent to do good by her family. She's not two feet out of her cottage when she encounters the aristocratic Alec d'Urberville (Leigh Lawson). Legend has it the similarity in names is no coincidence -- the two families descended from the same royals centuries ago. Never mind the incest, though, here comes the lovin', and before you know it, Tess isn't just taking care of chickens at d'Urberville manor, she's pregnant to boot.
Continue reading: Tess Review
The production design is murky, as though everything were taking place after a storm, with the actors wearing drab brown under heavy, tangled hair and beards. Everyone looks grim and unhappy, and they don't emote very much. The killers, including Jon Finch's Macbeth, stumble semi-moronically into their choices -- even would-be good guy MacDuff (Terence Bayler) comes off as less of a heroic avenger than an ignorant thug.
Continue reading: Macbeth Review
In the film, Polanski plays a quiet man who moves into a small apartment recently vacated by a woman who committed suicide by jumping out of the window -- for unknown reasons. Polanski's Trelkovsky quickly becomes embroiled in mysterious goings-on, including a dalliance with a stranger (Isabelle Adjani) he encounters at the hospital while visiting the former tenant's death bed, endless creepy apartment-mates, and a slow descent into insanity as he becomes obsessed with the life of the former tenant.
Continue reading: The Tenant Review
Fortunately, The Ninth Gate is neither of these. In actuality, it's a mystery with Johnny Depp as the unlikely hero, Frank Langella as the perfectly-cast antagonist, and Lena Olin and Emmanuelle Seigner as the femmes fatale. Under the direction of Roman Polanski, you can rest assured that these characters get mixed up quite a bit en route through a serpentine plot that is far more interesting than its subject matter would imply: The search for a couple of rare books.
Continue reading: The Ninth Gate Review
Why is he bound to a wheelchair? How did the innocent couple turn so perverted? Coyote's story talks about bondage, golden showers, and even ends up with Coyote crawling around on the floor, grunting while he wears a pig mask.
Continue reading: Bitter Moon Review
Sellers may very well have had no idea what he was getting into with this movie, an adaptation of the cult novel by the same name from author Terry Southern. The film concerns Sellers' business magnate Guy Grand, who adopts a homeless man (Starr) and presents him to the board as his son.
Continue reading: The Magic Christian Review
Water is a small but incredibly engaging movie, taking place during a day trip on a Polish lake. In the film, upscale couple Andrzej and Krystyna (Leon Niemczyk and Jolanta Umecka) drive out to the marina to take a little ride on the water, picking up a tenacious, beefcake hitchhiker (Zygmunt Malanowicz, whose character is unnamed in the film) and letting him go along on the trip. Andrzej goes to outrageous lengths to belittle his passenger, as the two men obliquely battle for the attention of Krystyna. It all comes to a head with Andrzej pushing the non-swimming blonde kid into the water, right after tossing his beloved knife into the drink. And there's more to come after that.
Continue reading: Knife In The Water Review
Date of birth
18th August, 1933
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