Michael Gondry's 'Mood Indigo' has received mix reviews from critics on the day of its US release. Whilst some appreciate the Gondry's whimsy, the majority have panned the abundant use of visual effects, claiming it's simply too much.
Mood Indigo has not fared well with critics on the day of its release in the US. The French language film has been described as "whimsical" but the focus on visual effects is somewhat overwhelming.
Colin (Romain Duris) is a rich inventor living in fantasy Paris who has focused his career on advancing his latest machine, the pianocktail; a piano that can also make cocktails for the thirsty instrumentalist. But his sights are soon turned away when he discovers that his best friend Chick is in love with a woman called Alise. Aggrieved by the thought of a life of loneliness, he decides to embark on a romantic adventure himself when he meets the quirky Chloe (Audrey Tautou) at a party. Initially a little awkward, Colin and Chloe fall dazzlingly in love. However, their happiness is soon compromised when Chloe falls deathly ill with a rare disease whereby a waterlily is growing inside her lung. Her only cure is to be surrounded by fresh flowers, but the question is, just how long can Colin keep up the treatment?
Originally entitled 'L'écume des jours', 'Mood Indigo' is a French fantasy romance based on the 1947 cult novel 'Froth on the Daydream' by Boris Vian. The movie has been directed by Academy Award winner Michel Gondry ('Eternal Sunshine of the Spotless Mind', 'The Science of Sleep') and co-written by Luc Bossi ('The Prey', 'L'empire des loups'). It won a Cesar Award at the 2014 ceremony where it was nominated for a further two awards, and it was also nominated for four prizes at the Lumiere Awards. 'Mood Indigo' is due for UK cinematic release on August 1st 2014.
Rose Pamphyle is a 21-year-old French girl in the 1950s living in dread of the inevitable life of a housewife; invisible to the rest of the world and living in the shadow of her fiancé, a local mechanic. Desperate to pave a more fulfilling path in life, she seeks out a job as a secretary and lands an interview with the head of an insurance company who happens to be the handsome and magnetic Louis Echard. Unfortunately, she makes a terrible mess of the interview and proves to be unfit for the important role. However, Echard is taken aback when he witnesses Rose's fingers flying across a typewriter at an incredible speed and decides to offer her a job - at a price. She has ignited a sporting passion in him and he is determined that she compete in the Regional Championship of Touch Typing with personal training from him. Working so closely together, Echard finds him more and more captivated by Rose, but will his competitive streak form a wedge between them?
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Paul (Duris) is a successful Paris lawyer living in suburban bliss with his wife Sarah (Fois) and two lively sons (Cacote and Antic). But just as his boss (Deneuve) offers him the chance of a lifetime, Sarah pulls the rug out by asking for a divorce. So Paul confronts the man (Ruf) he holds responsible, and this starts a dizzying journey as Paul makes a series of decisions that change his life completely. Along the way he meets a drunken newsman (Arestrup) and a sexy editor (Katic) who spark even more unexpected actions.
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Paul Exben has it all: a job at one of Paris' most exclusive law firms, where he's tipped for promotion, a beautiful wife and two sons and a big house which he bought with his big salary. But lately his wife has been rather cold towards him - she has been cheating on Paul with a local photographer, Greg Kremer.
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Alex (Duris) is a charming rogue makes a living breaking up undesirable relationships. Working with his sister (Ferrier) and her husband (Damiens), he woos women away from unsuitable suitors. His next assignment is in Monaco, where he must pry the wealthy Juliette (Paradis) from her lovely, wealthy British fiance (Lincoln). Posing as her bodyguard, Alex succeeds in catching her eye, but will she fall for him in time to stop the wedding? And what if Alex falls for her?
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It's Zano who has the dreamier outlook. Naima is up for an adventure, but he's the one who feels that something is missing in their lives, that they're somehow disconnected from who they are and they must seek out their heritage. They hop trains without tickets, hang out and camp with gypsies, and seek out music and dancing wherever they go. Zano is rarely without his Walkman, and Naima will find any excuse to put on a little dance show, even in the middle of a field.
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Though it is a solid movie with some astute observations, L'Auberge Espagnole constantly pushes you away like a busy parent on a deadline. The movie never makes a connection because it's too busy tackling too many subjects, instead of focusing on doing one thing well.
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Though there are several minor stories here, one sucks up most of the screen time. We start with Xavier (Romain Duris), whose career as a writer hasn't exactly been a hit: He's now co-writing a TV soap opera. His love life looks pretty sweet, though: A parade of women who speak every known language. Unfulfilling, but quite interesting for the audience, no?
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The story tracks closely with the original: Thomas Seyr (Romain Duris) is a wayward twentysomething who, with partner Fabrice (Jonathan Zaccaï) is trying to make a name for himself by completing shady real estate deals half done with cash and half done with muscle. Thomas is the muscle. Meanwhile, his life is a shambles -- his ailing father (Niels Arestrup) can't get the Russian mafia to pay him the money he's owed, but he's marrying a "glorified prostitute" anyway. Fabrice, meanwhile, is cheating in his lovely wife (an unforgettable Aure Atika), and eventually Thomas fills in for him.
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Date of birth
28th May, 1974
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