Corman's 400 films have tapped into youth culture in ways that studios never could. This documentary traces his career with interviews and clips, but also explores his impact on the industry at large. Clearly, he's not only an important filmmaker, but he's also a genuinely nice man (at one point, Nicholson breaks down and cries while talking about him). We also get glimpses behind-the-scenes on 2010's hilarious-looking Dinoshark, proving that his filmmaking methods haven't changed much in nearly 60 years. And we discover that his favourite filmmakers include Bergman, Fellini and Truffaut, whose films he distributed in America.
Continue reading: Corman's World: Exploits Of A Hollywood Rebel Review
Technically, it's a remake of Paul Bartel's schlocky Death Race 2000 from 1975. But director Paul W.S. Anderson also uses his gig as an excuse to revisit every innocent-man-behind-bars cliché that has been introduced from then 'til now.
Continue reading: Death Race Review
Using Bonnie & Clyde as its obvious base, producer Roger Corman and director Steve Carver add in a second Clyde, plus a little extra skin in the form of two teenage daughters who always seem to be falling out of their slips. Holding this clan together is Wilma McClatchie (Dickinson), who almost accidentally launches on a career of crime -- robbery, bank heists, and kidnapping, with an unknown goal in sight.
Continue reading: Big Bad Mama Review
Continue reading: X: The Man with X-Ray Eyes (1963) Review
The Independent is Jerry Stiller's show, starring him as Morty Fineman, a Roger Corman/Andy Sidaris-style filmmaker who makes lovingly crafted low-budget, borderline-exploitation films that the world largely dismisses as junk. The film follows Morty and daughter Paloma (Garofalo) as they try to revive Morty's sagging career and reflect on decades of schlocky work like Brothers Divided (about Siamese twins in Vietnam) and Foxy Chocolate Robot (about a foxy chocolate robot). The film uses present-day footage intercut with scenes ostensibly from Morty's body of work, all appropriate in graininess, streaks, and rotten acting quality. Real-world directors like Roger Corman and Ron Howard appear to offer commentary on Morty's oeuvre, all of whom declare him an underrated genius.
Continue reading: The Independent Review
Roger Corman's cult classic sends competitors in a dystopic future on a Cannonball Run-style cross-country race, but you get bonus points for killing men, women, and children along the way. Never mind that there's only one survivor by the end (and thus, the scoring is irrelevant), the fun's in the getting there.
Continue reading: Death Race 2000 Review
Well, in title, anyway. The story, about a man trapped in the torture chamber during the Spanish Inquisition isn't so well-known itself. And Corman and writer Richard Matheson (The Omega Man) take some extensive liberties with the story, turning into a tale about the son (Vincent Price) of a Spanish Inquisitor who inherits his father's house of horrors (torture chamber included). His adulturous wife (Barbara Steele) has faked her own death and is trying to drive her husband crazy... and when she succeeds, she gets more than she bargained for.
Continue reading: The Pit and the Pendulum Review