Director Antoine Fuqua brings his usual fascination with violence to this remake of the iconic 1960 Western, itself a remake of the masterful 1954 Japanese original Seven Samurai. Reteaming with his Training Day stars Denzel Washington and Ethan Hawke, Fuqua injects some very manly grit into the tale of a ragtag gang of mercenaries who find themselves trying to save a town in peril. It's a great story, and Fuqua delivers plenty of punch in the action set-pieces. But the characters and situations never quite rise beyond the usual Wild West cliches, and toning everything down for the required PG-13 rating creates an oddly celebratory tone, as if the brutality isn't that bad, really.
In a peaceful village in the middle of nowhere, greedy corporate baron Bogue (Peter Sarsgaard) has discovered gold, so he decides to buy up everyone's land. When the homesteaders resist, Bogue turns vicious, and the newly widowed Emma (Haley Bennett) refuses to go quietly. Instead, she hires notorious gunslinger Chisolm (Washington), who in turn rustles up six more desperados: hard-drinking sharpshooter Faraday (Chris Pratt), fading legend Goodnight (Hawke), burly bear-man Horne (Vincent D'Onofrio), blade expert Billy (Byung-hun Lee), Mexican outlaw Vasquez (Manuel Garcia-Rulfo) and Native American warrior Red Harvest (Martin Sensmeier). Not only do they need to become a team, but they need to teach these timid farmers how to fight against Bogue's approaching army.
Screenwriters Nic Pizzolatto and Richard Wenk have reduced the plot to the bare basics: scrappy good guys versus a slick, well-organised villain. There's never a compelling reason why Bogue wants the farmland (is there gold under the cornfields?), but he's clearly willing to kill everyone and level the entire town to get it. In this sense, Sarsgaard has the least subtle role in the film, but he has a great time snarling and shouting and generally being the devil incarnate. But then all of the roles are fairly simplified, with each of the seven teammates having a basic trait to combine with their general heroism: cool, cheeky, weary, quirky, flashy, rambunctious and lethal, respectively.
Continue reading: The Magnificent Seven Review
Goofy recording engineer Leo (Tatum) and adorable artist Paige (McAdams) had a cute romance, quirky wedding and four happy years together before a car crash changed everything. Leo only has minor injuries, but Paige has lost some five years of memories. Crucially, she has no idea who Leo is. And she doesn't remember turning her back on her law course, smirking fiance (Speedman) and wealthy parents (Lange and Neill). They're all she remembers now, so Leo tries to remind her of who she became after she left them behind. If they'll let him.
Continue reading: The Vow Review
Instead, it centres on the interpersonal drama and exhilarating dance moves.
After his mother dies, Boston teen Ren (Wormald) moves to small-town Bomont to live with his aunt and uncle (Dickens and McKinnon). Teens here are prohibited from dancing due to a tragedy three years earlier, so Ren is soon at loggerheads with the local minister (Quaid), whose daughter Ariel (Hough) is a wild child with a redneck boyfriend (Flueger) and an eye for Ren. As Ren deals with his own issues, he teams up with new friends Willard and Woody (Teller and Blain) to take on the system.
Continue reading: Footloose Review
Elisa (Jolie) is a sleek, overdressed woman of mystery who is being stalked by a tenacious British detective (Bettany). When she boards a train from Paris to Venice, his men are in hot pursuit, so she sidles up to American touristFrank (Depp) to throw them off the scent. He looks similar to her boyfriend, who's wanted by the cops and a vicious Russian mobster (Berkoff). Once in Venice, Frank finds his world turned upside both by this ludicrously elegant woman and the army of goons pursuing him at every turn.
Continue reading: The Tourist Review
Rush Hour 3 plunks our questionable partners, the loose-mouthed Carter (Chris Tucker) and elastic Lee (Jackie Chan), into an international scandal involving the Chinese Triad election that takes them from sunny Los Angeles to gay Paris. Lee's friend and employer Consul Hu (Tzi Ma) is about to blow the lid off the Triads when a sniper snags him a few centimeters north of his heart. Hu's friend Vernard (Von Sydow) OKs Lee and Carter's trip to his hometown of Paris, where, for one reason or another, the Chinese Triad have decided to have an election.
Continue reading: Rush Hour 3 Review
The 2002 incarnation of The Count of Monte Cristo is a remarkably similar experience, full of pleasing flavors yet probably too rich for everyday consumption -- but, as with all things, I figure you'll eat it if you're hungry enough. Sure enough, in this snail-slow winter movie season, Monte Cristo is just about the best thing going. Like the sandwich, this isn't gourmet fare -- it's a crowd pleaser meant to entertain for a few brief moments, nothing more.
Continue reading: The Count Of Monte Cristo (2002) Review
Unfortunately Ratner does not find the same joy in Rush Hour 2, an occasionally amusing comedic adventure that leaves us with a profoundly annoying Chris Tucker fighting for attention while Jackie Chan fights one-dimensional Chinese villains with his bare fists. The film contains some neat action sequences, a great third act, and the most hilarious outtakes I can remember - but the clash of genres feels intrusive and awkward. I wanted more excitement, more character dimension, and a whole hell of a lot less of Chris Tucker's irritating mouth.
Continue reading: Rush Hour 2 Review
The love in Dragonfly is the wife of poor Joe Darrow (Kevin Costner), an emergency medicine doctor in Chicago. She's also a doctor -- a pediatric oncologist named Emily -- and for some reason, she decides to head for Venezuela to do a little Peace Corps-style work, presumably to exorcise her upper class guilt.
Continue reading: Dragonfly Review
The question driving Abandon is who abandoned who? Did charismatic but manipulative Embry (Charlie Hunnam) leave his clingy college sweetheart, Katie (Katie Holmes, who probably would get confused if she and her character didn't share a first name), or is it the other way around? And is Embry alive and kicking on a European jaunt, or dead, as a sleazy, washed-up detective (Benjamin Bratt) believes but can't prove?
Continue reading: Abandon Review
The Rich Man's Wife blindly ignores both of these rules, but still manages to float, thanks to a united effort by an exceptional cast and exquisite production values. Amy Holden Jones directs her own screenplay here, a modern-day reworking of Hitchcock's masterful Strangers on a Train.
Continue reading: The Rich Man's Wife Review
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