Roger Allers

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Director/writer Roger Allers - Kahlil Gibran's The Prophet Special Screening held at LACMA's Bing Theatre at LACMA’s Bing Theatre - Los Angeles, California, United States - Thursday 30th July 2015

Roger Allers
Roger Allers

Aladdin Review


Extraordinary
Disney's version of Aladdin and his magic lamp is one of its best animated features -- or features, period -- with terrific songs and gorgeous colors, thrilling action sequences and big laughs. It doesn't have the classical emotional weight of Beauty and the Beast, which came out a year earlier, but it's one of the only Disney films to break out of that nebulous "family" genre and function as a genuine comedy/adventure.

What everyone remembers, comedically speaking, is Genie, a blue whirling dervish of impressions and wisecracks as vocalized by Robin Williams in 100 percent inspiration, negligible perspiration mode. But Aladdin also features what may be the only tolerable role for Gilbert Gottfried, period: Iago, the cranky parrot sidekick of evil villain Jafar. Even Aladdin and Jasmine, while essentially bland, have likeably cynical streaks (Jasmine is disgusted by the parade of handsome princes sent to woo her, as if she's just finished watching a Disney movie marathon). These characters would have significant goodwill flogged away by a TV series and the pair of direct-to-video follow-ups that bookend it, but on its own, Aladdin is a rollicking good time. And although the contribution of Williams is immeasurable, the Disney team rises to the occasion with some terrific, fast-paced gagwork and visual mastery.

Continue reading: Aladdin Review

Aladdin Review


Extraordinary
Disney's version of Aladdin and his magic lamp is one of its best animated features -- or features, period -- with terrific songs and gorgeous colors, thrilling action sequences and big laughs. It doesn't have the classical emotional weight of Beauty and the Beast, which came out a year earlier, but it's one of the only Disney films to break out of that nebulous "family" genre and function as a genuine comedy/adventure.

What everyone remembers, comedically speaking, is Genie, a blue whirling dervish of impressions and wisecracks as vocalized by Robin Williams in 100 percent inspiration, negligible perspiration mode. But Aladdin also features what may be the only tolerable role for Gilbert Gottfried, period: Iago, the cranky parrot sidekick of evil villain Jafar. Even Aladdin and Jasmine, while essentially bland, have likeably cynical streaks (Jasmine is disgusted by the parade of handsome princes sent to woo her, as if she's just finished watching a Disney movie marathon). These characters would have significant goodwill flogged away by a TV series and the pair of direct-to-video follow-ups that bookend it, but on its own, Aladdin is a rollicking good time. And although the contribution of Williams is immeasurable, the Disney team rises to the occasion with some terrific, fast-paced gagwork and visual mastery.

Continue reading: Aladdin Review

Roger Allers

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'Modern Family' Casts TV's First Transgender Child Actor

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Jackson Millarker will star in episode ‘A Stereotypical Day’ set to air in the US on Wednesday evening.

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'Will And Grace' Comes Back For Mini Episode To Voice Support For Hillary Clinton

The cast had teased something big was coming and all was revealed on Monday night.

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Drake Launches Intense New Short Film 'Please Forgive Me'

Drake Launches Intense New Short Film 'Please Forgive Me'

The rapper teams up with Apple Music on his latest project.

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Roger Allers Movies

Open Season Trailer

Open Season Trailer

Open Season Trailer In Sony Pictures Animation's first feature film, the animated action adventure comedy...

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