Liza Minnelli has been admitted into rehab but is progressing well. Here are five things you need to know about the 69-year-old entertainer.
Liza Minnelli has recently been admitted into rehab so she can get help with substance abuse problems. The 69-year-old reportedly checked herself in early this week and is already showing signs of "excellent progress". Just in case you're struggling with the Minnelli trivia, here are five things you need to know about the Cabaret actress:
Liza Minnelli has checked herself in to rehab.
Continue reading: 5 Things You Need To Know About Liza Minnelli
Sean Sasser, an AIDS activist who featured on 'The Real World: San Francisco', has died at the age of 44. Sasser died of a rare form of lung cancer mesothelioma.
Sean Sasser, who featured in the reality show The Real World: San Francisco, has died aged 44. Sasser was featured on the show owing to his relationship with primary cast member Pedro Zamora.
David "Puck" Rainey who starred on The Real World: San Francisco with Sasser's partner Pedro Zamora. Photographed with his son at the 2010 'Reality Bash' in L.A.
Sasser was HIV positive and died of a rare lung cancer, mesothelioma. This cancer, according to Queerty, has been linked to the weakened immune systems of those suffering from HIV.
That's not to say that Sirk's 1954 remake of a 1935 film, and adaptation of the 1929 novel by Lloyd C. Douglas, is not a melodramatic gem. The story focuses on reckless playboy Bob Merrick (Rock Hudson, in his first leading role), whose boat-crashing antics inadvertently kill Helen Phillips' (Jane Wyman) husband. When Merrick falls for the widow, he learns a lesson in selflessness and giving to others -- but not before Helen is blinded in an accident that was once again a result of Merrick's actions. Whereas the melodrama in Sirk's major works are supported by substantive themes that still resonate today -- the racism that forces Sarah Jane to abandon her mother in Imitation of Life, for example -- Magnificent Obsession drowns in its sentimentality.
Continue reading: Magnificent Obsession Review
An old friend phones him out of the blue: Come to this address and prepare for an unimaginable new future. Indeed, no sooner has Hamilton entered the building (couriered there from a meat-packing plant, naturally) than he has become a customer, willing or not, of "the organization," which provides a radical plastic surgery regemin to cut about 30 years off the looks of its clients. Oh, and it also fakes the death of the client and provides a new identity -- and the client's new life is paid for with backdated insurance policies (after the organization takes its cut, of course).
Continue reading: Seconds Review
Cary Scott (Jane Wyman) is an attractive, wealthy New England widow who falls for her much younger gardener Ron Kirby (Rock Hudson). Though she is sure of her love for him, Ms. Scott turns back on plans to remarry after her friends and children Kay and Ned (Gloria Talbott and William Reynolds) express reservations. Kirby may be handy with his hands, but Scott is devastated by the small town gossip and her children's bitter rebuff of her newfound love.
Continue reading: All That Heaven Allows Review
Problem #1 can be seen in a premise: It's a film that no self-respecting studio head should have ever greenlit, but inexplicably somebody did. Who in their right mind could have thought that anyone would want to see a musical about Mata Hari? Not even the real Mata Hari, but a Mata Hari-like character plying her trade during World War I.
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Regardless, James Dean (in one of only three roles on film) makes quite an impression, and Taylor reminds us why we ever liked her to begin with. The cinematography is equally Giant as well -- showing off the dusty nothing of central Texas, long low plains with brush and low hills in the distant background. George Stevens (Shane) has always had a knack for landscapes, and he's at the top of his game here. On the new DVD (two restored discs, one of which is double-sided), Stevens' son asks us to reconsider the film and enjoy it one again, 45 years after the making. In a commentary track with critic Stephen Farmber and writer Ivan Moffat, he reflects on his departed father and the trio reflect on Giant's legacy. That second disc has all the usual retrospectives and testimonials we've come to expect.
Continue reading: Giant Review