Robin Weigert

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Mississippi Grind Review


As the story snakes south through the United States along the Mississippi River, this movie builds up a bleak, mopey vibe that's difficult to engage with. It's the story of two gambling addicts who think that the answer to all of their problems lies just around the next bend in the river, and it's sharply well written and directed, with astute performances from the lead actors. But it's also relentlessly grim and unsympathetic.

They start their journey in Iowa, where estate agent Gerry (Ben Mendelsohn) is at the end of his rope when he meets cocky gambler Curtis (Ryan Reynolds). There's a spark of recognition between them, as Gerry sees Curtis as himself 10 years younger, thinking maybe he can kickstart his life again. So they hit the road together, heading for a high-stakes poker game in New Orleans. Along the way, they stop to visit Curtis' favourite prostitute (Sienna Miller) in St. Louis and Gerry's bitter ex-wife (Robin Weigert) in Little Rock. And in between, they visit Memphis to win some extra cash. But by the time they reach New Orleans, things are starting to look desperate again.


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Pawn Sacrifice LA Premiere

Robin Weigert - Premiere of 'Pawn Sacrifice' at Harmony Gold Theatre - Arrivals at Harmony Gold Theater - Los Angeles, California, United States - Tuesday 8th September 2015

Robin Weigert
Robin Weigert
Robin Weigert
Robin Weigert

Pawn Sacrifice Trailer

Sometimes, the greatest conflicts and clash with smaller and internal conflicts in a major way. Bobby Fischer (Tobey Maguire) is the greatest chess player in the United States, and he is desperate to seek out the greatest players in the world. The problem is, they happen to be Russian, and with the Cold War at its height, the American government steps in to inform him that his game will be used as propaganda. This sends him down a path of introspection, as the pressure of a simple chess match holds the weight of the Cold War upon his shoulders.

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FX's 'Sons Of Anarchy' Premiere

Robin Weigert - FX's 'Sons Of Anarchy' premiere - Arrivals - Los Angeles, California, United States - Saturday 6th September 2014

Robin Weigert
Robin Weigert

2014 Emmy Awards Gifting Suite

Spencer Garrett - 2014 Emmy Awards Gifting Suite - Arrivals - Los Angeles, California, United States - Sunday 24th August 2014

Steven W. Bailey
Tiphany Adams
Sandra Taylor
Robbie Kaller
Sean Maguire

Concussion Review


A sharply observed odyssey of middle-aged self-discovery, this strikingly offbeat film may feel a little vague in its approach, but it carries a strong kick. And watching the central character work out what she really wants in life is thoroughly involving, finding universal truths in a situation that few in the audience can, or would be willing to, identify with.

It begins with a blow to the head in a playground accident, after which 42-year-old Abby (Robin Weigert) begins feeling unsettled in her life. She's tired of her high-maintenance kids and is more aware of the growing distance between her and her wife Kate (Julia Fain Lawrence). Then her home-decorating colleague Justin (Johnathan Tchaikovsky) makes a suggestion: if all she really needs is intimacy, Abby could make a reasonable living as a prostitute. So she gives it a go, stipulating that she meets her clients for coffee before anything else happens. But things take an unexpected turn when her friend Sam (Maggie Siff) hires her services.

Writer-director Stacie Passon gives the film a warmly comical tone, undercutting the serious premise with acerbic humour and small surprises. There's an unusual honesty to everything, as Passon and her cast refuse to play the usual Hollywood game: these women are in charge of their sex lives in ways rarely seen on-screen. They're also unusually complex characters who do things they know they probably shouldn't, but they carry on in an effort to make sense of their lives. This approach makes it impossible to just sit back and watch: we get intimately involved in every decision each person makes.

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Video - 'Orange Is The New Black' Stars Honoured At The 25th Annual GLAAD Media Awards - Part 3

'Orange Is the New Black' was honoured at the 25th Annual GLAAD Media Awards in New York and among those who arrived to accept the award were the show's stars Selenis Leyva, Yael Stone, Samira Wiley, Dascha Polanco, Emma Myles and Taryn Manning. The show is a comedy drama based in an American women's prison.

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25th Annual GLAAD Media Awards

Robin Weigert - 25th Annual GLAAD Media Awards - Manhattan, New York, United States - Sunday 4th May 2014

Robin Weigert
Robin Weigert

25th Annual GLAAD Media Awards - Arrivals

Queen of Studio 54 Rollerena - 25th Annual GLAAD Media Awards held at the Waldorf Astoria Hotel - Arrivals - New York, New York, United States - Sunday 4th May 2014

Queen of Studio 54 Rollerena

Concussion - Green Band Trailer

When Abby suffers a mild concussion after getting hit by her son's baseball, she begins to yearn for a life of excitement outside the realm of her house, wife and kids. In a dramatic attempt at escape, she secretly buys a small pied-a-terre in New York where she becomes a high-class escort named Eleanor and indulges in days and nights of female pleasure which she sees as the ultimate release. However, things get complicated when her two lives cross over and she is set up on a 'date' with a woman she recognises from her hometown, Sam. Nonetheless, the women quickly get over their shock and waste no time in setting out on a full-blown passionate affair. When the women begin to regularly bump into each other in other circumstances, Sam begins to suspect that she is being followed and when Abby discovers she is in a happy relationship with a man, things get even more complicated. Abby herself is shocked by her inability to separate her feelings and starts to suffer the backlash of her no-strings exploits.

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Concussion: One Woman, Two Lives...Talk About A Character Arc [Trailer]

Robin Weigert

In Concussion, Abby (Robin Weigert) is a successful businesswoman, a good mother and a satisfied customer. But when she takes a hefty blow to the head from her son’s baseball, all of that changes. She finds herself severely unsatisfied with the monotony of domestic life.

Concussion Poster

This leads her to begin a double life as an escort in Manhattan that lands her deeply into a world of prostitution for women. Weigert and Maggie Siff star in Stacie Passon’s debut flick Concussion, which made quite and impact when it screened at Sundance earlier this year.

Continue reading: Concussion: One Woman, Two Lives...Talk About A Character Arc [Trailer]

Concussion Trailer

Abby is a lesbian whose life seems wonderful on the outside with her wife, kids and a beautiful house. However, after an incident whereby she got struck hard in the head by her son's baseball, she begins to suffer from a concussion that convinces her to seek other pleasures in life. In order to live a life that she believes offers more excitement, she buys a small apartment in Manhattan and becomes a high-class escort named Eleanor for other women seeking similar thrills. Letting her desires reign free gives her a sense of liberation, that is, until she is set up on a 'date' with Sam - a woman she knows from her town. The women are shocked, but the pair embark on an illicit no-strings affair anyway and, understandably, wind up bumping into each other in various parts of the city. However, when Abby discovers Sam is with a man, she finds that she now has to deal with some unwarranted emotions towards her new lover.

A story of self-discovery, 'Concussion' talks about finding true inner peace within one's own life and shows how real happiness and contentment can be disguised as mundane. It has been directed and written by Stacie Passon in her feature film debut and is due out in cinemas on October 4th

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The Private Lives Of Pippa Lee Review

As a more emotional take on the themes examined in American Beauty, this internalised drama is subtle and unpredictable. It also features terrific performances from an eclectic cast.

Pippa (Wright) is married to the much-older Herb (Arkin), a publisher who hates that he's now retired. But it's Pippa whose world is starting to unravel, as she reaches the point where she needs more than being a trophy wife and mother to two now-grown kids (Kazan and McDonald). Her sleepwalking antics indicate that her subconscious has already figured this out, but it'll take a look at her childhood (played by Lively and youngster Madeline McNulty) to help her see what she needs to do next.

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The Good German Review

Those who will hate The Good German will do so not because of its time-appropriate look and technique (more on that in a moment), but because it wants to be a wartime drama stripped of romance -- those movie stars may be standing in the rain next to a plane with its engines running, but this isn't Casablanca. Paul Attanasio's bruiser of a script (based on Joseph Kanon's novel) has all the hallmarks of a classy WWII drama. World-weary reporter Jake Geismer (George Clooney) shows up in Berlin two months after the collapse of the Reich to cover the Potsdam Peace Conference, at which the three Allied powers will carve up Europe like so much pie. His driver, Cpl. Tully (Tobey Maguire, sublimely sleazy), is a big fixer in the thriving local black market, and just so happens to be shacking up with statuesque Berliner Lena Brandt (Cate Blanchett), an ex-girlfriend of Geismer's who's so far out of Tully's league he should need a passport to get within five hundred yards of her. But, it's Berlin 1945, and a German woman with a shady wartime past is going to sleep with who she has to in order to get out. Geismer can sense a story in all of Brandt's meaningful silences -- that, and the moment when Tully shows up dead in Potsdam with 100,000 marks in his pocket.Romance, murder, corruption, the looming mood of great historical events, The Good German has all the hallmarks of a well-meaning, by-the-books Hollywood period drama. But director Steven Soderbergh is after something else. There's that shockingly brutal sex scene between Tully and Brandt, a couple of nasty back-alley fights that leave nobody looking good, and an overall mood of tired cynicism that doesn't leave much room for heroics. This is Berlin, after all, the heart of evil, in ruins. Hitler has been dead a mere two months, and while the Americans are hunting down Nazis for war crimes, it's already obvious they will look the other way when it comes to rocket scientists. The grand crusade has already been corrupted, and the Americans and Russians are just squatting in the ruined city fighting over the spoils while their soldiers deal in whores and whiskey.More unsettling than the script's cynicism is how it's presented. Soderbergh -- who once worried that the disastrous response to Kafka meant he'd never have a chance to work in black and white again -- not only shot The Good German in black and white, but he did so in the style of the time period. The sound is echoey and occasional poor, the acting somewhat stiff in that studio film manner, while the film itself comes close to mimicking the very appearance of work from the time period. Soderbergh went so far as to dig up old 1940s Panavision camera lenses, and even utilized unused footage shot in a still-bombed-out 1948 Berlin by Billy Wilder for A Foreign Affair. It's a stunning creation, one of the most gorgeously-composed films of recent years, and accomplishing the seemingly impossible: showing that Blanchett actually looks more beautiful in monochrome.While the visual verisimilitude is a shocking contrast with the script's modernity (swear words, a lack of staginess), it quickly makes a great deal of sense as we realize this isn't meant to be a romantic drama, a la Casablanca, it's a noir thriller in the manner of The Third Man. While the script's game of "who's the patsy?" spins about, it also plays with some weightier topics, most importantly the guilt of everyday Germans who may not have had an active role in the war but didn't necessarily do anything to stop it. In 1945, could there be such things as a good German? As Brandt says at one point, "It's very easy to blame everything on the war."Thick with hypocrisy and corruption, the world of The Good German is more that of Graham Greene and a wearied Europe than that of the sun-dazed California dream factory who would continue to mine happy fake fantasies out of the war for decades later. For this it will be hated, though wrongly. Noirs this good don't come along every day, or even every year.Good evening, ladies and germs.
Robin Weigert

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