The last five minutes of Bernardo Bertolucci's "The Dreamers" is a sublimely spot-on graduation for its main character, an unripe American student on a proverbial journey of self-discovery in this erotic drama set against the backdrop of the 1968 Paris riots.
But in the preceding five reels, there isn't much I'd call compelling in its story of a trio of 20-year-old bohemian wannabe-intellectuals who have yet to be comfortable with their own identities, yet frequently launch into polemic and nebulously philosophical pontifications about politics and movies.
The narrating young drifter named Matthew (pouty, ambiguous Michael Pitt from "Hedwig and the Angry Inch") answers the siren song of Isbelle (Eva Green) and Theo (Louis Garrel), a pair of alluringly charismatic, possibly incestuous fraternal twins who invite the American to live in their large, labyrinthine flat for the summer while their bourgeoisie, former poet-bohemian parents are away on holiday.
Continue reading: The Dreamers Review
Chris Pratt loved having Kurt Russell as his on-screen dad so much he asked him to take it on as a permanent role.