When Williams was good--let's say 1982 to 1994 -- the results were oftentimes spectacular, such as 1993's Mrs. Doubtfire, when his cleverness and comic timing transcended the saccharine boundaries of the typical family film and made it legitimately funny. For younger readers looking for a relatively contemporary comparison, Will Ferrell did the same thing in Elf.
Continue reading: Mrs. Doubtfire Review
The film remains, next to Field of Dreams, one of the world's oddest baseball movies. Roy Hobbs (Redford) is a child wunderkind at the game. After playing some ball at a carnival, he's summarily shot in the chest by a femme fatale (Barbara Hershey), who is clearly working for agents that want him not to be the greatest player of all time, which Hobbs says he aims to be.
Continue reading: The Natural Review
In fact, people expecting another Three Men and a Baby are going to be sorely disappointed: For such a frivolous image and goofy title, this is serious stuff. Wilder plays a comic strip artist who finds he's really, really anxious to have a kid. Unfortunately, things don't quite click biologically with his new wife (Christine Lahti), and after years of trying, they call it quits -- not just on the baby, but on the marriage too.
Continue reading: Funny About Love Review
Dudley Do-Right, a film from Hugh Wilson, the director of Blast from the Past, is a movie so unbearably stupid that it is an utter insult to the industry as a whole for it to have even been created. In Dudley Do-Right, the title character (Fraser) is pitted against his arch-rival Snidley Whiplash (Alfred Molina) when the town of Semi-Happy Valley falls victim to massive consumerism after Whiplash takes over the town and creates an artificial gold rush by placing gold in the streams. At the same time, Whiplash and Do-Right engage in a battle for the affections of Nell (Sarah Jessica Parker). This battle includes, but is not limited to, miniature golf, Indian tribes from Brooklyn, and paint-by-numbers portraits.
Continue reading: Dudley Do-Right Review
Essentially remade as Heat in 1995, Thief doesn't just focus on the job, it focuses also on the man. Caan's criminal is complex and troubled, with a sterile wife (Weld) and a dying friend (Nelson) he wants to remember. Good guys and bad guys have never been harder to peg, which is why Thief is so much fun, filled with nuance and subtlety not often found among caper flicks.
Continue reading: Thief Review
The essence of Jay Ward's delightfully dolt-driven cartoons like "Rocky and Bullwinkle," "George of the Jungle" and "Dudley Do-Right" was always a resourceful, goofball mix of silliness, self-cognizance and good, dumb laughs -- a combination that might seem difficult to duplicate outside the medium of deliberately dorky animation.
But two years ago, the balance was mimicked surprisingly well in the live-action "George of the Jungle," with a perfectly cast, pratfall-proficient Brendan Fraser in the title role. But that balance is conspicuously absent as Fraser tries to fill the clumsy shoes of another Jay Ward character -- his vapid but lovable, lantern-jawed Canadian Mountie -- in the almost completely giggle-free "Dudley Do-Right."
Not only does the dilly dorkiness turn to idiocy, which in turn runs rings around the infrequent laughs, but just about the only engaging moment in the entire movie isn't even a sight gag or a goof. It's a completely serious stunt.
Continue reading: Dudley Do-Right Review
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The essence of Jay Ward's delightfully dolt-driven cartoons like "Rocky and Bullwinkle," "George of the...