Robert Loggia and Audrey O'Brien - Robert Loggia and Audrey O'Brien Monday 19th November 2012 The Weinstein Company presents a special screening of 'Silver Linings Playbook' at the AMPAS Samuel Goldwyn Theater - Arrivals
Robert Loggia, Audrey O'Brien and Grauman's Chinese Theatre - Robert Loggia and wife Audrey O'Brien Friday 2nd November 2012 "Hitchcock" World Premiere - AFI FEST 2012 Presented By Audi, held at Grauman's Chinese Theatre
Henry Carter (Spacey) is a celebrity psychiatrist unable to rebound after a terrible personal tragedy. Anaesthetising himself with alcohol and drugs, he wonders if the fact that he can't help himself indicates that he's useless to his patients too. He's also annoyed that his family keeps trying to help him, from an intervention to a pro bono assignment to treat a troubled teen (Palmer), who has had a similar experience. The fact is that he just has patients, not friends, and the only person he can talk to is his dealer (Plemons).
Continue reading: Shrink Review
Most of us couldn't tell the difference between a back-end hedge and a backhoe. So, when Delaney & Strong's hot shot investment banker Tom Grover (Christian Slater) is asked to manage a Russian oil company called Black Star in a $20 billion sale to Condor Oil & Gas, the technical details are about as clear as, well... a barrel of crude.
Continue reading: The Deal (2005) Review
Something good did come out of the decade: a slew of great date movies. Not surprisingly, there was a formula to it. The typical woman would get a love story usually featuring a hunky, emotionally lost male lead. The typical man would get a macho storyline featuring slapstick, sports, violence, or male bonding. Sometimes he got to see bare breasts. It all led to movies that didn't require three days of negotiation: Hoosiers, Witness, Field of Dreams, Tootsie, Say Anything (for the music geek subset), and the John Hughes stuff for the teens.
Continue reading: An Officer And A Gentleman Review
Pacino and producer Martin Bregman had a good idea in wanting to make an updated version of the original 1932 Scarface, which chronicled the rise and fall of a Prohibition-era Capone-like criminal overlord (screenwriter Ben Hecht was a Chicago journalist with a lot of intimate knowledge of Capone). Handing it over to director Brian De Palma (who had specialized mostly in psychosexual thrillers like Dressed to Kill and The Fury), and screenwriter Oliver Stone (whose credits included an Oscar for 1978's Midnight Express but also Conan the Barbarian), was a daring move. Stone did a lot of research for the screenplay, hanging out and doing coke with drug lords all over Latin America, and De Palma promised to bring a certain visual flair to the proceedings.
Continue reading: Scarface Review
And yet here it is, Oliver & Company, wherein an orphaned kitten falls in with a crowd of dogs-cum-hustlers, only to end up adopted into a rich girl's house. A kidnappng and rescue plot (pushing the boundaries of the G rating) ensues -- ironically, it's the best part of the movie.
Continue reading: Oliver & Company Review
That's a tricky place to start, and it doesn't go entirely well. Finally acknowledging the death of Peter Sellers three years earlier, Curse posits that Clouseau is still missing and that, well, somebody ought to find him. Enter what the studio obvious hoped would be a replacement for Sellers, Ted Wass, playing "the world's second best detective," Sergeant Clifton Sleigh. (Of course, Wass didn't really take, the movie flopped, and that was that. Wass is now a television director, but he's best known for his work playing the dad on TV's Blossom.)
Continue reading: Curse Of The Pink Panther Review
Trail certainly isn't historically unique in its use of archival footage to create a role for a passed-on movie star, but it's inarguably one of the ballsiest attempts at it. Sellers isn't some bit player (like Lawrence Olivier in Sky Captain and the World of Tomorrow), he's the star. He's Inspector freakin' Clouseau, and he's in more than half of the running time of the film.
Continue reading: Trail of the Pink Panther Review
In this awful, Saturday Night Live sketch gone bad, Jeff Goldblum stars in a thankless role as an infomercial executive who needs to find good product or he'll be fired. He stumbles upon G (Murphy), a mysterious man in a white sheet who speaks eloquently about.... uh....stuff. Goldblum has the inevitable romance with co-worker Kelly Preston, who are about as compatible as Catherine Zeta-Jones and Walter Mathau.
Continue reading: Holy Man Review