The cast and crew of upcoming drama 'True Story', including Jonah Hill, James Franco, Felicity Jones and director Rupert Goold, take us through the plot of the film in a new featurette. They discuss the unlikely relationship between a disgraced journalist and a convicted killer, and what it's like to take on such a sensitive story.
Continue: True Story - Featurette
In 2001, Michael Finkel (Jonah Hill) was fired from his job at the New York Times for creating fictitious characters and using them in an article he published. Not long afterwards, he discovered that Christian Longo (James Franco) had used his name as an alias while on the run after murdering his wife and three children. Finkel confronted Longo in jail, whereupon Longo began to explain what happened and who was really to blame for the murder. As Finkel began to go deeper and deeper into the case, he realised that while this posed a chance to be his comeback, it could also ruin his reputation and career. He desperately hope that he was preparing to publish the true story.
Continue: True Story Trailer
What looks like a rather standard buddy action comedy is elevated by a smarter-than-normal script, skilful direction and surprisingly offhanded chemistry between Washington and Wahlberg. In addition to the usual action chaos, the film lets big issues gurgle under the surface while refusing to play it safe. For example, the villain here is the US government, rather than some cliched foreign nutcase.
It's set on the US-Mexico border, where smooth operator Bobby (Washington) is working with fast-talking Stig (Wahlberg) to make a deal with the drug kingpin Papi Greco (Olmos). When they decide to rob a local bank to get his attention, the whole situation blows up in their faces. Not only does it emerge that both are undercover federal agents (Bobby with the DEA and Stig with Navy Intelligence), but their bosses (Burke and Marsden, respectively) are unwilling to protect them. Even Bobby's colleague-girlfriend (Patton) can't really help. And now they're being chased by everyone, including Papi and a swaggering killer (Paxton) with connections to the CIA.
The rather crazy plot demands that we pay attention as each of these factions is brought into focus, and it's refreshing to see a big movie that never abandons its own internal logic. Everything does indeed fit together into a larger picture, and since Bobby and Stig are alone in trying to figure it out, we happily go with them. Washington and Wahlberg are having a lot of fun with these characters as they jostle against each other in various displays of messy bravado. Opposite them, Patton has a thankless sexy-female role, but Olmos is quietly fierce, and Paxton steals every scene as a cocky, sneering villain who leaves a trail of destruction in his wake.
Continue reading: 2 Guns Review
The stars of crime comedy '2 Guns' including 'Ted' actor Mark Wahlberg and 'The Book of Eli' actor Denzel Washington attend the world premiere of the movie at the SVA Theatre in New York City. In stark contrast to everyone else, Denzel has decided to dressdown in a black t-shirt, black jeans and trainers.
Marcus Stigman and Bobby Trench have, for the last year, been working together as part of a drug organisation; however, neither knows the other's true identity as they have both been sent out undercover as part of their work as federal agents in separate organisations. Their attempt to uncover millions of dollars from a Mexican drug cartel goes badly wrong when the agents turn on each other revealing their true identities; Stig is a Naval Intelligence officer while Bobby is part of the Drug Enforcement Administration. They take the situation to their respective superiors and discover that they have both been set up with the money that they recovered not belonging to who they thought it did. They realise that they must work together to bring down the real criminals while they themselves are wanted dead or jailed.
Continue: 2 Guns Trailer
Ex-cop Luke (Statham) is working as a cage fighter when he runs afoul of the Russian mafia, because they lose millions stupidly betting against him.
Brutally hunted by the boss' son (Sikora), Luke is contemplating suicide when he spots little Mei (Chan) being chased by the Chinese mob. Suddenly kicking into gear, he rescues her and discovers that she's a numerical prodigy who has memorised an important sequence of numbers. But now the Russians, Chinese and a gang of rogue cops led by a New York police captain (Burke) are all after them.
Continue reading: Safe Review
Former elite agent Luke White lives in New York and is all too familiar with the city's seedy underbelly, which crawls with corrupt policemen, killers and gangsters. The policemen, along with the Russian mafia and the Triads, are all looking for New York's Most Wanted, who has memorised a very long safe combination that is of the utmost importance.
Continue: Safe Trailer
Plagued by writer's block, Eddie (Cooper) has become a scruffy loser, which prompts high-flying girlfriend Lindy (Cornish) to dump him. Then his drug-dealing ex-brother-in-law (Whitworth) offers him a clear pill called NZT that lets him access all of his brain. Suddenly, words flow freely and his mind races ahead, learning languages (the better for bedding beautiful women) and working the stock market. But his moneymaking schemes put him in league with both a nasty Russian loanshark (Howard) and a fat-cat businessman (De Niro), just as NZT's dark side-effects kick in.
Continue reading: Limitless Review
Eddie Mora is a wanna-be writer who lacks direction in his life. A former drug addict Eddie's stuck in a job working as a copywriter for a small publishing house and technically this brilliant novelist still has to write the first line of his book. When a dealer offers him a mysterious new drug called NZT that's meant to unlock 100% of the brains capacity, Eddie's dubious of what the drug promises, but almost immediately, he finds himself a new person, focussed and determined the old Eddie is never coming back.
Continue: Limitless Trailer
What happened to Stanley's career (and in particular the sorry fate of his existential sophomore effort, Dust Devil) is a story of almost diabolical circumstance and cold corporate brutality. For a filmmaker like Stanley, starting his career with a genre picture was a fatal misstep but one that couldn't be avoided. Hardware set him up. When U.S. distributors Miramax saw that Stanley had delivered a follow up that was an art film more akin to the work of Alain Resnais than Tobe Hooper, they flipped. Cut from 120 minutes to a trifling 86 minutes, Dust Devil was butchered into incoherence. The British company funding the film went bust and everything went to hell. The cut version (or versions) of Dust Devil were dumped unceremoniously onto a paltry number of screens and quickly relegated to the video graveyard. Richard Stanley limped on, buoyed by a cult fan base, only to see his dream project descend into the creative nightmare that was 1996's The Island of Doctor Moreau.
Continue reading: Dust Devil Review
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