Continue reading: Les Uns et les Autres Review
In Roger Vadim's interpretation of the Latin lover, Jeanne (Bardot) eats men for breakfast, lunch, and dinner. She takes a married politician and immediately ruins him by having him photographed at one of her orgies. She uses a hapless folk singer for sex and then leaves, prompting him to slice his wrists and bleed to death while strumming his guitar. She even extends her wiles to corrupting women, luring the innocent wife of a grotesquely self-absorbed businessman into the sack, then turning the tables on both members of the couple.
Continue reading: Don Juan (Or If Don Juan Were A Woman) Review
Rififi, a French film originally released in 1955 as Du rififi chez les hommes, is a film noir. Which means, of course, we're going to get the heist.
Continue reading: Rififi Review
Pity poor Angèle (Nathalie Baye). She toils away at the titular French beauty salon during the day, and looks for quick sexual encounters at night. In her 40s, she feels too burned by the loves in her past to get hurt again, and instead finds her happiness in hunting down men with whom to have trysts. Early in the film, she quickly approaches a stranger in a cafeteria, tactlessly luring him away from dinner so they can do it in his car. We get the feeling that she wants more -- a funny opening sequence where she gets dumped helps -- but she's too headstrong for that.
Continue reading: Venus Beauty Institute Review