Robert Hakim

Robert Hakim

Robert Hakim Quick Links

Film RSS

Belle De Jour Review


Extraordinary
Martin Scorsese has done us all a great service by reviving the little-seen classic, Belle De Jour, Luis Buñuel darkly comic and disturbing 1967 tale of Séverine (Catherine Deneuve), a woman who lives a double life. By evening she is the steadfast, almost-frigid wife of a famed French doctor (Jean Sorel). By day, she is "Belle de Jour" -- her new "stage name" at an exclusive Parisian brothel.

Buñuel weaves masterfully through scenes of Séverine's hum-drum existence with her cold husband, her surreal day job as a wanton prostitute, flashbacks to her childhood, and bizarre daydreams of her humiliation, bondage, rape, and torture. Deneuve is exquisite, playing one of the most difficult roles imaginable with her characteristic grace. I find it incredible that this film has gone unnoticed for so long.

Continue reading: Belle De Jour Review

Belle De Jour Review


Extraordinary
Martin Scorsese has done us all a great service by reviving the little-seen classic, Belle De Jour, Luis Buñuel darkly comic and disturbing 1967 tale of Séverine (Catherine Deneuve), a woman who lives a double life. By evening she is the steadfast, almost-frigid wife of a famed French doctor (Jean Sorel). By day, she is "Belle de Jour"--her new "stage name" at an exclusive Parisian brothel.

Buñuel weaves masterfully through scenes of Séverine's hum-drum existence with her cold husband, her surreal day job as a wanton prostitute, flashbacks to her childhood, and bizarre daydreams of her humiliation, bondage, rape, and torture. Deneuve is exquisite, playing one of the most difficult roles imaginable with her characteristic grace. I find it incredible that this film has gone unnoticed for so long.

Continue reading: Belle De Jour Review

L'Eclisse Review


Very Good
It's impossible not to sound like a snob when writing about Antonioni's movies -- hell, the guy's name is "Michelangelo" -- but writing about the spare L'Eclisse is the worst job of all.

Antonioni's films rarely vary from a tight thematic script that ranges from melancholy to loneliness to despair. In L'Eclisse, he focuses that beam on Monica Vitti, an almost stereotypically detached Italian woman whose engagement falls apart in the opening scenes of the film -- though it's virtually without dialogue for 15 minutes. Eventually Vitti's Vittoria hooks up with Piero (Alain Delon), and the remainder of the film concerns their relationship -- as it were, anyway.

Continue reading: L'Eclisse Review

Pépé Le Moko Review


Excellent
You have to like a movie that was the true inspiration to that famous animated skunk Pépé le Pew.

1937's Pépé le Moko was directed by Julien Duvivier and was an immediate critical and box office success. Viewed in hindsight it's easy to see that the film captures a few stylistic aspects important to the French cinema and stands as a major influence to Hollywood in the 1940s; particularly poetic realism, crime noir, and the policier genre (i.e. cops and robbers). Poetic realism in this case is closer to fatalistic romanticism, which never really got a foothold in Hollywood, but the noir characteristics and the policier aspect was played out throughout the 1940s and '50s and goes on straight through to today. The film spawned two Hollywood remakes and there are also obvious parallels with Casablanca, which came out in 1942.

Continue reading: Pépé Le Moko Review

Purple Noon Review


Very Good
Thirty-six years after its release, Purple Noon is back as part of Martin Scorsese's revival of underseen foreign classics.

This time out it's Rene Clement's mystery-drama (based on the book The Talented Mr. Ripley) about wealthy jerk Phillippe, his adoring (but poor) best friend Tom (Alain Delon), and the redhead (Marge) they both adore (Marie Laforet). Caught up in the greed and envy that comes along with wealth like Phillippe's, Tom hatches a plot to rid the world of Phillippe and take over his life. Fine, well, the only suprising thing about this is how quickly he succeeds at the plan (after about 30 minutes) -- at which point, the movie becomes one of Tom hatching part 2 of the plan... and the movie starts to get interesting.

Continue reading: Purple Noon Review

Robert Hakim

Robert Hakim Quick Links

Film RSS
Advertisement

Occupation

Filmmaker


'Modern Family' Casts TV's First Transgender Child Actor

'Modern Family' Casts TV's First Transgender Child Actor

Jackson Millarker will star in episode ‘A Stereotypical Day’ set to air in the US on Wednesday evening.

'Will And Grace' Comes Back For Mini Episode To Voice Support For Hillary Clinton

'Will And Grace' Comes Back For Mini Episode To Voice Support For Hillary Clinton

The cast had teased something big was coming and all was revealed on Monday night.

Advertisement
Justin Theroux Reveals Why Marriage To Jennifer Aniston Works

Justin Theroux Reveals Why Marriage To Jennifer Aniston Works

The couple have recently found themselves dragged into the Brangelina divorce and even forced to deny split rumours.

Drake Launches Intense New Short Film 'Please Forgive Me'

Drake Launches Intense New Short Film 'Please Forgive Me'

The rapper teams up with Apple Music on his latest project.

Advertisement

Robert Hakim Movies

Advertisement
Purple Noon Movie Review

Purple Noon Movie Review

Thirty-six years after its release, Purple Noon is back as part of Martin Scorsese's revival...

Advertisement
Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.