Will and Lynn (Owen and Keener) are parents of three lively, independent-minded kids. Peter (Curnutt) is just heading off to university, 14-year-old Annie (Liberato) is starting high school and Katie (DeButch) is still too young to understand much of what happens next. Annie is chatting online with Charlie, a teen in another city who slowly becomes her closest confidant. So she's a bit startled when he confesses that he's 20. Then 25. Then he agrees to meet her and turns out to be closer to 35 (Coffey). But he loves her and makes her feel beautiful.
Continue reading: Trust Review
There's a serious losing streak as far as "true stories" in cinema are going. It's an open invitation to drizzle overdone sentimentality and turn crass tear-jerking into box office gold (see Glory Road or North Country?). That being said, that kind of stuff is spun gold in the face of the haphazard bile that is being thrown at the audience in Sidney Lumet's latest film, Find Me Guilty.
The film opens with Tony Campagna (Raul Esparza) making a panicked phone call to an unnamed person. He immediately goes from there to the home of his cousin, "Fat Jack" DiNorscio, a lone shark and cocaine dealer, and shoots him five times. For reasons unknown, DiNorscio survives, but refuses to rat on Tony. To him, ratting on family and friends is worse than death, and he tells his daughter that as she sits next to his hospital bed. Soon enough, Jack is in jail and part of a massive trial with most of the New Jersey crime family. In court, Jack befriends a lawyer (Peter Dinklage) but refuses his council, deciding to represent himself instead, against the wishes of mob boss Nick Calabrese (Alex Rocco). DiNorscio makes terrible jokes, but like all naïve if not honest men, he's endearing in a certain way, especially to Judge Finestein (Ron Silver). His charming and quirky attitude in court is hard to stand but seems to work on the jury, as they go in the room to deliberate on what would become the longest court case in U.S. history.
Continue reading: Find Me Guilty Review
Henry (Harrison Ford) is a typical bad father and no-good husband. An overworked, big-shot lawyer idolized by his co-workers (he's the money guy), he's hated by his wife (Annette Bening) and teenage daughter (Mikki Allen). Why? Well, as far as I can tell, when his daughter spills orange juice he's real strict in punishing her, he never holds his wife's hand in public, and he won't buy his daughter a puppy. The movie doesn't much show or explain this side of Henry's personality, so I guess it's a given that he's an all-around, self-obsessed, insensitive jerk. As these plots go, Henry needs to get his priorities straight; he's due for a knockdown, a comeuppance.
Continue reading: Regarding Henry Review
The film concerns aspiring comedian and completely obtuse Rupert Pupkin, played by Robert De Niro in one of his few comic performances. Kings, however, is no Analyze This or ; De Niro gives a brilliant and, at times, disturbing portrayal of a man so obsessed by fame and enthralled with his idols that he kidnaps comedian and late night talk show host Jerry Langford (Jerry Lewis in a thinly veiled parody of his own star image) in order to get his big break and show the world that Rupert Pupkin is the new king of comedy. The problem is that he is not that funny, and his self-deprecating brand of humor quickly becomes sad as it traverses the line from joke to personal trauma.
Continue reading: The King Of Comedy Review
Strange then: Nicholson isn't funny at all, and only the quirky charms of Meryl Streep make Heartburn remotely palatable. Heartburn is Nora Ephron's first comedy, based on her novel of the same name -- a thinly veiled expose about her life with journalist Carl Bernstein. The film casts Streep as a New York food writer and Nicholson as a Washington columnist. They meet, fall in love, decide to marry, have kids. Unfortunately, Nicholson can't keep it in his pants -- and all manner of trouble ensues.
Continue reading: Heartburn Review
This sounds ridiculous, and sometimes it is -- when this mash-up isn't telling an engagingly off-kilter story with clever and/or strange details. For example, when Mark keeps a '40s-style pin-up in his Marine locker, there's a weird joke in the fact that the poster actually is the girl waiting for him back home. And that it's actually the '80s (you can tell because, like seemingly all quasi-hip characters in a sensitive youth-driven indie movie, everyone is constantly going to see The Evil Dead in theaters).
Continue reading: Stateside Review
Eventually, this sends the studio into a tizzy, and the actor who plays the movie star shows up to try and coax his alter-ego back onto the screen. Meanwhile, the fictional character learns that you can't use fictional money in a restaurant and that cars don't just start on their own without keys. It's all lighthearted and full of whimsy, and that's about it. Allen presumably is trying to make a statement here about wanting what we can't have, and how harsh reality can be, but it doesn't really come across. Purple Rose is just too goofy to carry much of a punch.
Continue reading: The Purple Rose Of Cairo Review
If you're tired of the ugliness surrounding the summer sport, or just need to be entertained, than you should check out A League of Their Own, now out on DVD. Like most great sports movies, League is more than just a series of dazzling feats between the lines. It features laughs, drama, and excitement... in short all of the aspects that make the sports section of the newspaper so captivating.
Continue reading: A League Of Their Own Review
The '12 Years A Slave' director will receive the accolade at the London Film Festival in October.
Critics from all over the world were asked to name the best movie of the past 16 years.