John Frankenheimer crafts a surprisingly rich and interesting movie that's set during the rise of auto racing. Not only does it capture the spectacle of these tiny little open-air cars hurtling around European village streets (no ovals here), it also builds an interesting story of rivalries, friendly and otherwise.
Continue reading: Grand Prix Review
On the surface, the movie is the autobiographical story of Fosse going through a physical/emotional breakdown during the making of the original stage version of Chicago in the mid-1970s. Roy Scheider plays the Fosse stand-in, Joe Gideon, as a pill-popping, compulsively womanizing, perfectionist, son of a bitch who finds happiness only in his work. But Fosse rips apart the standard showbiz puff piece right from the start, by dropping viewers right into the frenzied mess of Gideon's life, and mixing up the already-fractured storyline with a recurring sequence where Gideon talks over his life with a glowing, radiant Muse figure (Jessica Lange).
Continue reading: All That Jazz Review
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