Ever since he was a little boy, Maximo has been interested in living the high life, but certainly not in working for it. He decides to marry a rich older woman, in the hopes that she'll die soon and leave him her enormous house and her money. But after 25 years, she's still alive and kicking - that is, kicking him out. She dumps him for a younger man, forcing him to abandon his life of luxury and move in with his sister Sara, who happens to be actually making something of her life. She gets increasingly frustrated by Maximo's attitude, but her young son Hugo takes an unlikely shine to his homeless uncle. Thus, Maximo decides to try and bag himself another grandmother by helping Hugo get closer to his rich classmate, whose grandma Celeste is a widow with billions in the bank. However, as time goes on, he starts to realise there's more to life than riches, and that love is far more valuable than he could ever have realised.
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'Hot Tub Time Machine 2' is a whirlpool of pointlessness.
Hot Tub Time Machine 2. Oh, you didn't know it was happening? Well it is. This one actually got green-lit, which probably fills genuine interesting independent filmmakers with a sense of despair, pointlessness and anger. But anyway.
Rob Corddry is back for Hot Tub Time Machine 2 - but John Cusack is nowhere to be seen
Director Steve Pink returns to the helm for the sequel set 10 years in the future. Clearly John Cusack managed to slip away quietly after the original, though Rob Corddry is back, alongside Adam Scott, Craig Robinson, Chevy Chase, Gillian Jacobs and Clark Duke.
Continue reading: Is 'Hot Tub Time Machine 2' The Worst Movie Of The Year?
Following their adventure in 1986, Nick (Craig Robinson) and Jacob (Clark Duke) are visiting their old friend, Lou (Rob Corddry) who has steadily become incredibly famous and wealthy for the creation of things like the internet. Someone, however, is displeased with this turn of events, and Lou is shot during a party and comes close to dying. Nick and Jacob realise that the only way to save him, is to take him back in time to before he was shot, and shot it from ever happening. They pile back into the hot tub time machine once again, getting stupidly drunk along the way, and are suddenly blasted through time. But when they wake up, they find out that they have not gone back in time as they first though, and have instead travelled ten years into the future.
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Although it presents itself as a rude sex comedy, this movie is actually a prudish exercise in simplistic moralising. A glut of sweary dialog and leery innuendo is certainly no replacement for properly adult-oriented humour. At least Cameron Diaz and Jason Segel are relatively reliable as actors who can keep their characters likeable, but even they struggle with the trite material. And as a cowriter, Segel only has himself to blame.
Diaz and Segel play Annie and Jay, a couple whose courtship consisted mainly of having lots of sex in as many unusual places as they could think of. So it's hardly surprising that marriage and parenthood feel like a disappointment. They never have time for sex now, so when Annie's blog improbably wins a lucrative publishing deal, they celebrate by leaving the kids with the grandparents for a sexy night on their own. To get things going, they decide to film themselves on their iPad, oblivious to the fact that the video is synchronised to all of the iPads they've given to their family, friends and clients over the last few months. So now they're in a mad dash to find them all and delete their sex tape.
Honestly, does anyone actually give iPads to everyone they know? This is such a naggingly stupid premise that it leaves everything that happens feeling utterly inane, especially their contrived ignorance about how the Cloud works. Diaz and Segel bring enough charm to the film to keep the audience watching, playing even the lamest jokes as if they're hilarious. And as they race between their friends and family members, each side actor gets their cameo-style moment in which they can try to steal the show. Although even here director Jake Kasdan (Bad Teacher) hedges away from the genuine gross-out comedy, which leaves first-rate comical performers like Corddry, Lowe and Black looking a bit lost.
Continue reading: Sex Tape Review
One couple fall victim to the perils of the internet age in this hilarious new comedy.
The red band trailer has been released for the hilarious new comedy, Sex Tape, which stars Cameron Diaz and Jason Segel as two characters who, as the title suggests, make a saucy home movie. The Jake Kasdan-directed flick embraces the digital age and its related contemporary concerns whilst exploiting the fear of having your most intimate information unstoppably leaked throughout cyberspace.
'Sex Tape' Sees Cameron Diaz & Jason Segel Explore The Perils Of Trying To Spice Up Their Sex Life In The Internet Age.
Guided by the seasoned comic talents of Bad Teacher's Diaz and How I Met Your Mother's Segel, Sex Tape sees the two unite as a couple named Jay and Annie who, after ten years and two children together, decide to film themselves having sex in order to spice up their sex life. The pair try out numerous positions in an extensive, three-hour home movie and collapse, drained of energy.
Jay and Annie once had a thriving sexual relationship, but now they've been together for ten years and have two children, things are going a little stale. They haven't been properly passionate in months and its starting to take its toll on them both. In a daring move to regain that spark that attracted them to each other in the first place, Annie suggests that she and Jay make a sex tape. The decide to film themselves trying out a variety of different positions in a 3 hour long romp captured on Jay's iPad. Unfortunately, they failed to notice as they were sleeping it off that the video had been uploaded to his Cloud account and thus shared with the entire public. With their professional reputations at risk if their bosses get hold of the film, they make an attempt to steal their iPads while simultaneously trying to find a way to get the tape 'out of the cloud'.
'Sex Tape' is a remarkable comedy about the tragic but true tales of modern technology - and how it frequently betrays us. It has been directed by Golden Globe nominated Jake Kasdan ('Bad Teacher', 'Walk Hard: The Dewey Cox Story') and written by Kate Angelo ('The Back-up Plan'), and is due to be released in the UK on September 5th 2014.
After playing comical sidekicks in rom-coms like No Strings Attached and What Happens in Vegas, Lake Bell emerges as a rising-star filmmaker with the smartest, funniest comedy of the year. Winner of the screenwriting award at Sundance, this script is painfully hilarious, drawing on the characters' personalities to take us into a previously unseen side of the movie industry. It's also a rare Hollywood movie that refuses to shy away from anything.
We're talking about voiceover artists here, specifically those who provide the rumbling commentary for movie trailers. The late Don LaFountaine was the voice behind all of those iconic "In a world..." trailers, and now a studio wants to revive them for a new epic quadrilogy. The top contender for the job is Sam (Melamed), a veteran who decides to let his protege, the egotistical womaniser Gustav (Marino), have the job. Then Sam's voice-coach daughter Carol (Bell) throws her hat in the ring, which is unthinkable because a woman has never narrated this kind of trailer. She prepares for the audition with the help of a love-struck sound engineer (Martin), but is distracted by issues between her sister and brother-in-law (Watkins and Corddry) and the fact that her dad's new girlfriend (Holden) is younger than she is.
Bell juggles all of these plot strands brilliantly as a writer, director and actor, generously giving her costars the most riotously funny dialog while Carol pings around between them. And since we see everything through her eyes, she emerges as a hugely engaging woman who is smart, skilled and also likeably flawed. Every performance is natural and amusing, with the kind of astutely witty dialog actors can really sink their teeth into. And there are some uproarious cameos along the way, including Offerman as a wry colleague, Davis as a studio head, Longoria as a vocal client and Diaz as the star of a Hunger Games-style saga.
Continue reading: In A World... Review
Spirited and very funny, this movie should actually be rather disturbing since it's a true story about torture and murder. But director Michael Bay is so slick with the action and comedy elements that he lulls audiences to sleep, entertaining us with events that really should send chills down our spines. So the movie feels rather tasteless when you begin to think about it.
Wahlberg stars as Daniel, an obsessive bodybuilder in 1990s Miami who works as a personal trainer at a local gym. But he's becoming increasingly annoyed by the fact that his clients are much wealthier than he is. So he convinces his steroid-addicted colleague Adrian (Mackie) to help him kidnap a customer (Shalhoub) and steal his fortune. Realising that they need some help, they enlist born-again ex-con Paul (Johnson) in their plan. But none of them is very smart, and the kidnapping goes badly wrong from the start. Still, they manage to steal quite a lot before a tenacious private detective (Harris) notices something isn't right.
For a story that deals with such intensely serious themes, this is an oddly broad comedy. Bay never even tries to find dark irony here; he just focusses on how stupid these criminals are, convinced that they are as cool as the characters from their favourite movies and eerily unbothered by the fact that they are inflicting pain and even death on people for their own greedy ends. The actors inhabit the roles with a disarming naivete, so we can't help but laugh at their idiotic actions. Wahlberg plays Daniel as a muscle-head so focussed on getting what he wants that he doesn't notice the carnage in his wake; Mackie at least gives Adrian a sense of self-doubt, plus some comical romance (with scene-stealer Wilson); and Johnson has a tricky role as a religious guy with a weakness for drugs and women.
Continue reading: Pain & Gain Review
An especially strong script gives actors plenty to chew on in this comedy-drama, in which writer-directors Faxon and Rash (The Descendants) take an observant look at the awkward connections we make with each other. Using sparky humour and emotion, the filmmakers and cast create vivid characters we can't help but identify with, even when they do all the wrong things.
At the centre, Duncan (James) is a 14-year-old who dreads spending the summer at a beach house owned by Trent (Carrel), the cruelly critical new boyfriend of his mother Pam (Collette). When they arrive, they meet gossipy neighbour Betty (Janney), who has a whole season of neighbourhood parties planned. And her daughter Susanna (Robb) looks just about as miserable as Duncan does. As he tries to escape, Duncan finds a local water park run by colourful misfit Owen (Rockwell), who takes Duncan under his wing and offers him a summer job. And being on his own gives him the badly needed self-confidence to talk to his mother honestly, take on Trent and maybe even ask Susanna out on a date.
Even though this is essentially a standard coming-of-age movie, the script never falls into the usual cliches. For example, when Duncan's first kiss comes along, it plays out in an unexpected, realistic way. This is a generous, honest comedy packed with terrific characters and resonant situations. Supported by the all-star cast, James delivers an impressive performance as a sullen teen struggling to face the world around him , growing up while remaining awkward and likeable. Meanwhile, Stockwell keeps us laughing with a lively party-boy turn that's underscored with sympathy. Collette beautifully layers the repressive, conflicted Pam. Carell goes nicely against type as the cruelly passive-aggressive Trent. And Janney steals the show with the most hilarious lines.
Continue reading: The Way, Way Back Review
The trailer for new horror comedy 'Hell Baby' has dropped giving us a glimpse of exorcisms, bad language, and fearsome foetuses.
Hell Baby is about to implant itself within US cinemas with a comedy horror experience that follows the story of Vanessa , played by Leslie Bibb (Confessions of a Shopaholic, Iron Man 2) and her husband Jack, played by Rob Corddry (Hot Tub Time Machine, Blades of Glory) as they move into a dilapidated New Orleans house with dreams of fixing it up, but the expectant couple miss the warning signs of 'Maison de Sang' (House of Blood), and know little of the house's dark history. Soon Vanessa begins acting in a disturbing, almost possessed way, requiring the intervention of two Vatican exorcists to find out what's really growing inside the housewife's body.
Something Strange Is About To Emerge From Leslie Bibb...
Hell Baby writer-directors Thomas Lennon and Robert Ben Garant are known for their work on Reno 911! and Night at the Museum and Hell Baby will be the pair's directorial debut together. The trailer promises a lewd, crude affair, with plenty of lampooning of classic paranormal horror clichés, such as scenes from the notorious The Exorcist. The film is low-budget and low-brow, with the trailer only giving a flavour of the boobs, f-bombs and over-the-top gore that is to come.
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