Before its last-reel nosedive into bullpucky about a parallel world of the dead, the hip-hop horror flick "Bones" is gutsy, stylish and inventive.
Building on the foundation of a haunted house plot, director Ernest Dickerson mixes great B-movie goosebumps with a revenge fantasy that takes aim at how drug culture has overrun black neighborhoods turning them into ghettos.
He introduces a trio of young urban entrepreneurs who plan to renovate a long-abandoned, ominously cathedral-like brownstone in a bad neighborhood, opening it as a nightclub when they're done. But we know from the get-go that the deck is stacked against them. In the movie's opening scene, two white-bread frat boys looking to score dope get dragged into the place and gored by a red-eyed demon dog that the whole 'hood likes to pretend doesn't exist.
Continue reading: Bones Review
The actor had an important goal after Paul Walker's death.
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