Based on a powerful true story from the late 1940s, this drama is packed with present-day resonance as it explores a relationship that sparks intense social and political fallout. And it's made properly engaging with central roles beautifully played by David Oyelowo and Rosamund Pike. So it's a shame that the screenplay is so simplistic, failing to generate any momentum in the story with its awkward structure and paper-thin side characters.
It opens in 1947, as Seretse Khama (Oyelowo) has spent 20 years of his life studying in London and is ready to return to Bechuanaland (now Botswana) to take his rightful place as king. But he has fallen in love with white, working-class Englishwoman Ruth (Pike), and they decide to return to Africa together. This causes a crisis for Seretse's uncle Tshkedi (Vusi Kunene), who has been ruling the country while Seretse was away. And there's even more fierce resistance from the British colonial officials (including Jack Davenport and Tom Felton), who refuse to allow the couple to live together in Bechuanaland because a mixed-race marriage undermines the UK's acceptance of South Africa's policy of Apartheid. So they exile Seretse from the country and manipulate the situation to Britain's political benefit. But Ruth stays and fights on.
The film chronicles this astonishing battle with a fascinating attention to detail, although screenwriter Guy Hibbert struggles to avoid repetition as the events shift between Africa and London, leaving main characters off the screen for what turns out to be years at a time. Meanwhile, the British are portrayed as moustache-twirling villains who lie and conspire to undermine the government of Bechuanaland. A bit more complexity might have made the situation compelling on-screen.
Continue reading: A United Kingdom Review
During WWII, black pilots trained in Tuskegee, Alabama, were sidelined in the segregated US forces. But Colonel Ballard (Howard) gets them an assignment accompanying bombers on raids in Italy. Led by Major Stance (Gooding), the team includes hot-shot Lightning (Oyelowo), self-doubting Easy (Parker), eager Junior (Wilds) and the even less-defined Smoky (Ne-Yo) and Joker (Kelley). As they square off against their Luftwaffe nemesis (van Riesen), the Tuskegee airmen's distinctive red-tailed planes develop a first-rate reputation that begins to break down racial barriers.
Continue reading: Red Tails Review
If this were any other movie, it would have had the most horrible, over-long, dumb-sounding title in history. If this were any other movie, I'd have been laughing at all the wrong places. If this were any other movie... well, this isn't any other movie, is it? Far from it. The most anticipated movie, some say, since Gone With the Wind, and when a screen of blue text reading "A long time ago, in a galaxy far, far away..." gets enormous applause, that's hard not to believe.
Continue reading: Star Wars: Episode I - The Phantom Menace Review
And so we're faced with the third Star Wars prequel, Revenge of the Sith, simultaneously the most anticipated and dreaded film of the summer. Nearly a decade of hype, dashed expectations, and Jar-Jar Binks jokes have finally come down to this, Lucas's third Star Wars prequel and, by all accounts, the last Star Wars movie that will ever be made.
Continue reading: Star Wars: Episode III - Revenge Of The Sith Review
Spider-Man's hype and box office may have stolen some of Episode II's thunder, but Attack of the Clones finally arrives, three years after its predecessor, The Phantom Menace, and picking up the story 10 years after that installment let off.
The story is considerably more convoluted this time out. Former Queen Amidala (Natalie Portman) is now a senator in the Republic, and nefarious parties are repeatedly attempting to have her assassinated. Assigned to protect her are Obi-Wan Kenobi (Ewan McGregor) and a growing-up Anakin Skywalker (Hayden Christensen), now Obi-Wan's apprentice. Soon, Jedi bosses Yoda and Mace Windu (Samuel L. Jackson) split the two up: Obi-Wan is tasked with tracking down the bounty hunter who tried to kill Amidala (which turns out to be Jango Fett (Temuera Morrison), father/clone of young Boba Fett). Anakin is tasked with serving as Amidala's bodyguard.
Obi-Wan scours a "secret" watery planet (there discovering a massing clone army allegedly purchased for the Republic ten years ago), and then tracks Jango to another planet, where he finds the opposition led by (try not to snicker) Count Dooku (Christopher Lee), who is amassing a droid army for war against the Republic.
Meanwhile, Amidala and Anakin fall in love (awwwwwwwwwwwww), but since she's a politician and he's a Jedi (bound to supress emotion -- which just ain't takin'), they have to keep their romance a secret (just like in The Bodyguard!).
Side stories galore take characters all over the galaxy far, far away... including the inevitable stop on Tatooine to help Anakin's mother and long spells on Coruscant, the 100%-urban capital planet.
On to the nagging questions: Foremost, Jar-Jar is back, and his part is not insubstantial; the character is as grating as ever. But all eyes are on Christensen, and he fills the shoes of Skywalker admirably, though he has apparently been given the sole direction to act like a really bratty teenager.
The use of CGI is on overload, and while many of the sets (real or digital) are quite successful, many of the backdrops are not -- notably the cheesy oceans on the clone planet and an especially flat cathedral-like hallway Yoda scoots through. When the CGI interacts with real-world elements (like when Anakin rides a fat sheep-like creature), the effect is about as believable as Barney being a real dinosaur.
Also out of place is the movie's silly patriotism, with frequent pontification about loving democracy (and this from a former queen -- albeit an "elected" queen... uh, okay) and the Republic. One speech actually includes the earnestly corny line, "The day we stop believing in democracy is the day we lose it!" I say the day Star Wars becomes nothing more than a political platform is the day we lose it.
At 2 1/2 hours in length, this installment is a bit long-winded and bladder-challenging (compared to 2:13 for Episode I and a little over 2 hours for A New Hope), but the decision to go "epic" at least makes room for lots of action when Amidala and Anakin aren't busy smooching. The action starts right at the beginning, with an impressive skycar chase through Coruscant, and ends with an equally smashing "big battle scene" that easily outdoes the one in Menace. Best of all, though, is the already famous Yoda light-saber battle, which is as funny as it is thrilling. That said, the pod race in Phantom is still probably the best action sequence in the series so far.
Less impressive are the talky parts, which haltingly attempt to create a romance between Amidala and Anakin. The love story just doesn't work and it's very awkward, maybe because George Lucas is simply out of touch with the realities of youthful romance, or maybe because the leads didn't have chemistry. I don't know for sure. I do know, however, that if Anakin Skywalker is going to play the cool outcast he shouldn't act like a baby around his would-be girlfriend. And Amidala's 11th hour confession of love comes completely out of left field, a necessary plot point because we know she has to eventually bear two kids by the guy.
In fact, much of Episode II feels like it's ticking off items to make sure we get to the appropriate state of the galaxy by the end of 2005's Episode III. There's still a long way to go -- Anakin has to turn evil and disfigured; Amidala has to have two kids, split them up, and have one become the princess of a planet still not introduced in the series; Yoda and Obi-Wan have to become hermits; and then there's the matter of the Death Star, which has to be built. Episode III is either going to be a complete disaster or a work of genius.
Altogether, the movie is enjoyable despite its nagging script inadequacies and crummy "down" scenes. The action is fun, the acting is good enough, and the direction is capable, if not inspired. If you're a die-hard Star Wars fan, you will like this better than Episode I (though I grade them roughly equal), but it still won't hold a candle to the earlier films.
But chances are when it's said and done, you aren't going to be talking about Episode II for its good things. An impromptu conversation with another filmcritic.com staffer set us off on a number of incongruities and simply baffling moments that might be pointing to Lucas's senility. For example: When did R2-D2 become able to fly? When did Obi-Wan become afraid of flying (or afraid of anything for that matter)? What's with Jimmy Smits and his Elizabethan collar? Since when does a Jedi Knight have to go to a library to figure out where a planet is? And why didn't Lucas get the hint about Jar-Jar Binks the first time around?
Mysteries of the universe, I tell ya.
The DVD answers few of these mysteries, with eight deleted scenes (see Natalie Portman lose her accent!) and various effects-oriented documentaries. There's even a trailer for a mockumentary about R2-D2. Amusing.
Teddy bears' picnic.
Seven songs to take you to victory, or seven songs to dry your eyes to.
Idris Elba has unveiled his new indie imprint 7Wallace Music.
It's that time of year again. 'Today we celebrate our Independence Day!'
We could watch this guy all day.
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