Doc is lifelong criminal who goes to meet his best friend Val when he leaves prison following a long sentence, but little does Val know that his crime companion has been forced to kill him by his crook boss Hirsch. It doesn't take him long to realise, however, with Doc's sheepish presence constantly giving him away. The pair decide to enjoy themselves in the only ways they know how; theft, drugs and alcohol, before the time comes when Doc has to do the deed to save his own life. As the time draws nearer, he pleads with Hirsch for mercy, unwilling to shoot dead his best and only friend while Val repents for his sins in confession for the first time in 60 years in a bid to make his peace with God before he dies.
This crime comedy highlights friendship, unbreakable promises and sin as the main themes played out by a star-studded main cast. It has been directed by the Oscar winning actor Fisher Stevens in his second feature film after his 'Just a Kiss', and written by Noah Haidle in his first full length feature film and Dave Weasel his first ever feature film. It is set for release in the US on January 11th 2013.
Starring: Al Pacino, Christopher Walken, Alan Arkin, Julianna Margulies, Mark Margolis, Katheryn Winnick, Vanessa Ferlito, Addison Timlin, Bill Burr, Rick Gomez, Weronika Rosati, Eric Etebari, Courtney Galiano, Yorgo Constantine & Brandon Scott.
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A triptych of dark, violent tales set in a fallen cityof corruption and grime, the film is a collaboration between film directorRobert Rodriguez (of "Desperado" and "SpyKids" fame) and graphic novelist FrankMiller (responsible for the gritty reinventions of Batman and Daredevil),whose unique touch in the unusual role of co-director is unmistakable.
Pages from the "Sin City" books were clearlyused as storyboards for the stunning, stark black-and-white cinematography,which features exclamation points of illustrative color: the golden tressesof a beautiful femme fatale, white-on-black silhouettes, red splashes ofblood from brutal murders that occur just out of frame.
His influence can also be felt (along with that of Rodriguezpal Quentin Tarantino, who is curiously credited as a "special guestdirector") in the "Pulp Fiction"-like plot structure thatlends itself well to the interconnected short stories, each of which makeup in atmosphere what they sometimes lack in profundity.
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At the center of any good biographical feature film is a great performance, like Jamie Foxx's body-and-soul channeling of soul music's original ivory-twinkling innovator Ray Charles in "Ray." But a great performance does not make a biopic great. To rise above the kind of "true stories" that are the fodder of several assembly-line TV movies every year, a biopic needs to be like Ray Charles -- departing from formula and daring to be different.
Director Taylor Hackford (who once helmed the Chuck Berry concert film "Hail! Hail! Rock'n'Roll") doesn't manage that in "Ray," a film that feels more like a two-and-a-half-hour highlights reel from Charles' life. But as a primer on that man's life (musical brilliance, adultery, addiction, and lip service to lyrical controversy and segregation struggles) -- and for a film with a prefabricated story arc and little detail (Charles fathered 12 kids, only three or four of which are even mentioned in the film) -- "Ray" could be a lot worse.
At the very least it has a passionately devoted, dead-on lead actor -- Foxx not only nails the blind soul king's swaying jitterbug body language, but also seems to capture his very essence as a man and musician -- and a whole lot of fantastic, toe-tapping, heart-pumping R&B.
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