The hero from Lee Child's series of novels is back - well, the Tom Cruise version of the hero. He may be a 6-foot-5 blond muscle-man in the books, but Cruise weathered the storm with the unusually smart first movie, and now he returns for a remarkably gritty action thriller that feels like the antithesis of his Mission: Impossible movies. This is an ageing hero who gets hurt and recognises the laws of gravity.
As he roams around America helping strangers, Jack (Tom Cruise) keeps in touch with Susan (Cobie Smulders), who took his old job as commanding officer of a military police base. But just as he decides to drop in to meet her, she's arrested on trumped-up charges. And he is also promptly framed for murder and locked up. All of this happens just as he discovers that 15-year-old Samantha (Danika Yarosh) is his daughter. So Jack and Susan break out of prison and take Sam along as they try to sort out why they are suddenly on the wrong side of the law. Everything seems to trace back to a shady private contractor (Robert Knepper) who has sent a ruthless killer (Patrick Heusinger) to stop them.
In normal action blockbusters, this kind of plot would play out with massive explosions, physics-defying car chases and superhuman characters who take a hit and keep on going. But director Edward Zwick (who directed Cruise in The Last Samurai) takes a much more thoughtful, realistic approach that sometimes makes the film feel like it's moving in slow motion by comparison. Cruise is decidedly mortal in this role, needing to take a moment to recover after every punch. Since he's not invincible, Jack is far more engaging as a character, especially as he grapples with issues surrounding unexpected fatherhood. He also strikes just the right balance of flirtatious camaraderie with Smulders' Susan, never tipping over into a corny action-movie romance.
Continue reading: Jack Reacher: Never Go Back Review
Director Antoine Fuqua brings his usual fascination with violence to this remake of the iconic 1960 Western, itself a remake of the masterful 1954 Japanese original Seven Samurai. Reteaming with his Training Day stars Denzel Washington and Ethan Hawke, Fuqua injects some very manly grit into the tale of a ragtag gang of mercenaries who find themselves trying to save a town in peril. It's a great story, and Fuqua delivers plenty of punch in the action set-pieces. But the characters and situations never quite rise beyond the usual Wild West cliches, and toning everything down for the required PG-13 rating creates an oddly celebratory tone, as if the brutality isn't that bad, really.
In a peaceful village in the middle of nowhere, greedy corporate baron Bogue (Peter Sarsgaard) has discovered gold, so he decides to buy up everyone's land. When the homesteaders resist, Bogue turns vicious, and the newly widowed Emma (Haley Bennett) refuses to go quietly. Instead, she hires notorious gunslinger Chisolm (Washington), who in turn rustles up six more desperados: hard-drinking sharpshooter Faraday (Chris Pratt), fading legend Goodnight (Hawke), burly bear-man Horne (Vincent D'Onofrio), blade expert Billy (Byung-hun Lee), Mexican outlaw Vasquez (Manuel Garcia-Rulfo) and Native American warrior Red Harvest (Martin Sensmeier). Not only do they need to become a team, but they need to teach these timid farmers how to fight against Bogue's approaching army.
Screenwriters Nic Pizzolatto and Richard Wenk have reduced the plot to the bare basics: scrappy good guys versus a slick, well-organised villain. There's never a compelling reason why Bogue wants the farmland (is there gold under the cornfields?), but he's clearly willing to kill everyone and level the entire town to get it. In this sense, Sarsgaard has the least subtle role in the film, but he has a great time snarling and shouting and generally being the devil incarnate. But then all of the roles are fairly simplified, with each of the seven teammates having a basic trait to combine with their general heroism: cool, cheeky, weary, quirky, flashy, rambunctious and lethal, respectively.
Continue reading: The Magnificent Seven Review
Little more than a paint-by-numbers action thriller, it's anyone's guess why the filmmakers have bothered to make a connection with the 1980s TV series of the same name. Because this film bears almost no resemblance to it. Instead, this is a reunion of Denzel Washington and Antoine Fuqua, who last collaborated on the Oscar-winning Training Day. And since it's packed with brutal violence and questionable morality, that's clearly where this movie's roots truly lie.
Washington stars as Robert, a meek shelf-stacker at a DIY warehouse store in Boston. He can't sleep at night, so he heads to the local diner to read classic novels. That's where he meets Teri (Chloe Grace Moretz), a teen hooker who is having problems with her psychotic Russian pimp (David Meunier). Ever so quietly, and clearly relying on some external source of income, Robert goes about helping Teri secure a free future. But when he offers to settle her debts, the pimp and his thugs just laugh at him. So Robert mercilessly kills them all, drawing on his secret past as a black-ops agent. The problem is that this puts Robert at odds with the top Russian boss Teddy (Marton Csokas), who heads to Boston to get even.
In standard action movie tradition, Robert works his way right through the entire Russian mob, along the way cleaning up Boston's corrupt police force before the requisite final confrontation. His only distraction is a brief visit to his old CIA boss (Melissa Leo) and her husband (Bill Pullman) for a bit of moral support and added starry cameo value. Yes, there isn't much about this movie that doesn't feel concocted for the box office, which means that the story is both achingly predictable and littered with gaping plot-holes. And with Washington in the focal role, everyone else fades into the woodwork. Moretz is excellent but badly underused, while Csokas is never given much to do with his one-note villain.
Continue reading: The Equalizer Review
Richard Wenk and Jody L Wenk - Stars were snapped as they took to the red carpet at the Screening of action, crime thriller 'The Equalizer' in New York City, New York, United States - Monday 22nd September 2014
Barney (Stallone) and his team of ageing mercenaries are coerced by Church (Willis) into heading into hostile territory to retrieve a top secret electronic gadget. Most shocking is the fact that Church insists that a woman, Maggie (Yu), joins them. And when things go wrong, Barney leads the gang on a grisly revenge mission against a nasty villain (Van Damme) who's callously putting humanity in peril. Along the way they're joined by Church and Trench (Schwarzenegger), and get help from lone-wolf Booker (Norris).
Continue reading: The Expendables 2 Review
Elite hitman Arthur (Statham) lives a solitary life in a New Orleans bayou with his stinking wealth and exquisite taste. But he's shocked when his boss (Goldwyn) gives him his next assignment: to kill his mentor Harry (Sutherland).
Arthur is a cool professional, but now he's also wracked with guilt. So he takes Harry's wastrel son Steve (Foster) under his wing, teaching him the assassination trade and letting him practice during a few jobs. But the work gets increasingly dangerous, and soon it becomes apparent that Harry was set up. Revenge is in the air.
Continue reading: The Mechanic Review
As a short story in some pulp magazine of a sadly bygone era, 16 Blocks would be a dirty little gem. Crooked cops, lots of twists and turns, some tough-guy badinage spit out on the knife's edge. In the hands of Richard "Lethal Weapon" Donner, however, it morphs into a strange and weak buddy flick that mixes 48 Hrs., Die Hard: With a Vengeance, and about a dozen other cop movies together in a desperate attempt to seem vital and gritty. The result is something more than a complete failure (unlike, say, Donner's last one, Timeline) but something quite a bit less than good.
Continue reading: 16 Blocks Review
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The hero from Lee Child's series of novels is back - well, the Tom Cruise...
Director Antoine Fuqua brings his usual fascination with violence to this remake of the iconic...
Little more than a paint-by-numbers action thriller, it's anyone's guess why the filmmakers have bothered...
Although there's been no attempt to tone down the first film's bloodthirsty hyperviolence or dim-witted...
Remade from Michael Winner's 1972 thriller, this action movie can't be bothered to get as...
It's just about eight in the morning, and the worst cop in the world needs...