After a 26-year career of coming off like fingernails on a chalkboard, Melanie Griffith has finally begun to mature as an actress.
In 1996 she stood out from the otherwise sorry "Mullholland Falls" in an emotional role as a cheating cop's heartbroken wife. Early this year she was a revelation as an aging heroine addict and ironically motherly, career petty thief in "Another Day in Paradise." And now there's "Crazy In Alabama," an daffy, obliging murder farce set precariously against more serious undertones of 1960s racial strife.
Griffith was the perfect choice to star as Lucille, a dizzy, Southern, '60s sex bomb housewife, on the lam and headed for Hollywood after offing her abusive husband. Of course, the part was hers anyway, since this picture is the directorial debut of her husband, smoldering Spanish sex symbol Antonio Banderas.
Continue reading: Crazy In Alabama Review