Dom Hemingway is a rather adept safecracker with serious anger issues and an addiction to drinking, women and partying. Having just completed a draining 12-year stint in prison, he's desperate to make up for lost time by teaming up with his old partner Dickie who has agreed to assist him in tracking down the money owed to him by his former boss Mr. Fontaine. On the way, there's plenty of boozing, sex and debauchery, but he's not happy when Fontaine offers him a price smaller than what Dom thinks his decade of silence is worth. Needless to say, the money doesn't last long as it disappears during one major bender; however, there's more than just money on his mind. His young daughter has grown up and is now a mother and he finds himself eager to rebuild a relationship with her. But making a fresh start after 12 years of absence is harder than expected.
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Definitely a film of two halves, this crime comedy kicks off with a spark of witty energy as the title character blusters his way through a series of events with hilariously profane rants. Then the plot kicks in. And from here on, it's a dull slog as we lose all interest in what happens next. It's well-played and stylishly directed, but it feels pointless.
We meet Dom Hemingway (Law) just before he gets out of prison after serving 12 years for refusing to rat out his boss Ivan (Bichir), a Russian mobster now living the high life on the French Riviera. So Dom and his sardonic friend Dicky (Grant) travel from London to see Ivan. After a very rocky start caused by Dom's loose tongue, they're in the middle of wildly hedonistic holiday when things take a sudden turn. Dom finds himself penniless back in England, turning to his daughter Evelyn (Clarke) for help. When she refuses to talk to him, he seeks work from a young thug (Hunter).
Up until the mid-point plot-shift, the film is a lot of fun, mainly because Dom's tirades are riotously rude but still have a literary lilt to them. This man clearly has no filter on what he says or does, so he goes from one spot of trouble to another. Law plays him with gusto, winning us over in the comical first half then struggling to keep even a hint of sympathy in the much mopier drama that follows. Frankly, we begin to think that Dom is finally getting what he deserves; we certainly don't want him to come out on top.
Continue reading: Dom Hemingway Review
Dom Hemingway has recently completed a 12-year stint in prison for his criminal exploits as a talented safecracker but, needless to say, he is anything but reformed. On his release, he meets up with his balding, glove-wearing partner Dickie who helps him track down his old gangster boss Mr. Fontaine to retrieve a large sum of money owed to him for keeping his silence on his criminal past for so long. The first thing he does when he gets hold of it? He throws a massive, alcohol-fuelled, women-laden party to celebrate his freedom, but with dire consequences. When he wakes up outside in the worst state he's been in for a while, he realises that his money has completely disappeared, but that's not the only thing he has to seek out. His daughter Evelyn is now a mother, and he's determined to re-build a relationship and get to know his grandson. However, getting his life on track proves more difficult than he imagined.
This gritty British crime thriller has been directed and written by Primetime Emming winning Richard Shepard ('The Matador', 'The Hunting Party', 'Oxygen'). It has a wicked humour in all the right places but looks like it could be a pretty touching story too. It is set to be released on November 15th 2013.
Simon Hunt (Gere) has had enough. After years spent covering the atrocities of war with fearless cameraman Duck (Howard) in tow, Hunt lets his wearied emotions get the better of him during a live segment. His meltdown doesn't approach Howard Beale's "mad as hell" level, but it's enough to pull the plug on Hunt's career for the time being.
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The plot sounds like the beginning of a bad joke: A hit man with some time to kill between jobs strikes up a meaningless conversation with a tourist sitting near him at a Mexico City hotel bar. The characters come from different walks of life, but manage to find a connection that we as an audience can invest in.
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And miraculously, she turns up the evidence, by questioning bar bums and drug dealers, and eventually uncovering some photographs shot by her bro which implicate some Mexican higher-ups in the drug trade.
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The last place I'd expect to see a Shakespearean adaptation of Macbeth to occur would be in a backwater town in the middle of Pennsylvania circa 1972. But it provides a dark and menacing backdrop to this loose - and do I mean loose - adaptation of Shakespeare's ever-popular tragedy of a incompetent husband and power-hungry wife weaving murderously toward power and riches.
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