Blinky Bill has always considered himself an explorer, the kind of Koala that's willing to put everything on the line to take the next adventure. Some might say he got his wild streak from his father who left home to go and find The Sea of White Dragons. Everyone in Blinky's home town of Green Patch say that Blinky's father is no longer alive but Blinky is convinced that his dad IS alive and a recently uncovered clue could just be the thing that leads Blinky to his father.
Setting out on his Outback adventure, Blinky is joined by two friends, a Koala from a zoo called Nutsy and a frilled lizard called Jacko who's happy to exclaim 'I'm Jacko who can track-o' and also likes to think that his frilled neck helps hone is radar skills. As much fun as the trio have together, they're also being chased by some nasty feral cats who want to ruin their adventure.
Blinky Bill The Movie is based on the 1933 childrens books by Dorothy Wall.
In 2005, Australian author Tim Winton collected a series of 17 short stories and published them under the title 'The Turning'. The stories revolve around the character Vic Lang (Dougie Baldwin, Richard Roxburgh, Josh McConville, Casey Douglas and Dan Wyllie), with themes involving companionship, sentimentality and drug abuse. The book received multiple awards for the stories, and went on to become a part of the Western Australian English curriculum in schools. In 2013, the book was turned into a movie, nominated for numerous awards at the Australian Academy of Cinema and Television Arts Awards.
Continue: The Turning Trailer
Life-changing moments feature in each of the nine short films in this Australian anthology, and each is told with remarkable artistry and sensitivity. While the filmmakers use different styles of filmmaking, there's a clever connection between the shorts, as themes of inner longing are made resonant by earthy honesty. So even if each brief segment film feels like just a fragment of an idea, taken together the film is remarkably moving.
It opens and closes with the animated "Ash Wednesday", using the T.S. Elliot poem to explore the idea of communal memory. From here a variety of mini-stories unfurl, often using the same character names even though the films are dramas, comedies or documentaries, and many have no dialogue at all. The lighter clips include "Reunion", in which a couple (Cate Blanchett and Richard Roxburgh) are surprised that spending Christmas with his mum isn't as awful as expected. "Cockleshell" follows a young guy (Toby Wallace) who's obsessed with the girl (Brenna Harding) next door. And both "Big World" and "Boner McPharlin's Moll" take lively kaleidoscopic looks at how reality is often nothing like our idea of how things should be.
Other segments are dark and provocative, including "Aquifer", about a man (Callan Mulvey) who is pushed by a news headline to recall a painful childhood memory. Two young boys (Jakory and Jarli-Russell Blanco) have a creepy adventure while on a beach day out with their dad and uncles in "Sand". The most moving film is "Commission", in which a young man (Josh McConville) drives to the outback to tell his estranged dad (Hugo Weaving) that his mother is dying. The best performance comes from Rose Byrne in the eponymous "The Turning", as a trailer-trash wife and mother whose friendship with a rich woman (Miranda Otto) sparks a religious epiphany. And the most unforgettable short is "Long, Clear View", impressively directed by Mia Wasikowska, which follows a young boy (Matthew Shanley) playing with his dad's rifle.
Continue reading: The Turning Review
Fit young Aussie Josh (Wakefield) travels to a remote cave in Papua New Guinea with American financier-adventurer Carl (Gruffudd) and his girlfriend (Parkinson). There they join a team, already deep underground, led by Josh's hard-man dad Frank (Roxburgh). Having just discovered a massive new water-filled chamber, everyone's shocked by the accidental death of a team member (Cratchley). And then a tropical storm descends, flooding their base camp and forcing the spelunkers deeper underground in search of another way out. But the already strained team finds it difficult to work together.
Continue reading: Sanctum Review
The Guardians of Ga'Hoole are sworn to protect the innocent from trouble and vanquish evil. Soren is a young owl who's grown up listening to his father tell the stories of The Gaurdians. His dream is to one day join his heroes and be a part of that noble life he's learnt so much about.
Filled with virtuoso special effects and spectacular song-and-dance sequences, Baz Luhrmann's long-awaited Moulin Rouge makes every minute of our collectively held breath worthwhile. In fact, during its opening hour, this critic found it hard to look away even for a second to jot down a note, for fear of missing even a nuanced sparkle in the eye of some French whore.
Continue reading: Moulin Rouge Review
Because studio execs are still strangely demanding that directors include human beings in their films, Stealth provides us three Navy test pilots who were chosen to fly the top-secret, experimental Talon planes. Played by Jamie Foxx, Jessica Biel, and Josh Lucas, they're sort of a holy trinity of hotness, flying their sleek craft in perfect formation, and eager for whatever life-threatening emergency gets tossed their way. Unfortunately, they've just been saddled with a fourth wingman: an unmanned plane named EDI, for Extreme Deep Invader, which sounds like something purchased by seedy men in certain disreputable shops on the dark fringes of the San Fernando Valley. The three are none too happy with having EDI along on the secret mission they're given early in the film: Take out a Rangoon high-rise that's empty save for a number of high-level terrorists. And they're resentful not just because EDI talks like HAL's drugged younger brother, but because they're worried about getting replaced by machines, which is just what their commander officer (Sam Shepard) wants to happen - with a little help from a shadowy buddy of his in D.C.
Continue reading: Stealth Review
Amid the music-video dogfight sequences (including a trulyspectacular slow-motion crash and a scary pilot-eject at 35,000 feet) andgratuitous shots of requisite hottie Jessica Biel in a bikini, screenwriterW.D. Richter ("Big Trouble in Little China") slips in undercurrentsabout the dangers of win-at-all-costs counter-terrorism and a solid search-and-rescuethird act that has little to do with the crazy runaway plane.
Biel ("Blade:Trinity"), Josh Lucas ("SweetHome Alabama") and Jamie Foxx (contractedto a supporting role before "Ray"put him on Hollywood's A-list) play hot-dogging Navy pilots who make upan elite emergency strike force in ultra-high-tech jets that fly in toblow up terrorists and stolen nuclear warheads on a moment's notice. Thespecifics of these incidents are often off-the-charts ridiculous, and theyget even more so after the team is forced to accept the computerized planeinto their ranks as an experiment. When a lightning strike turns its circuitsinto B-movie bunk ("EDI is war plane. EDI must have targets,"it declares in a menacing monotone), the fight is on to bring the thingdown.
So far, so bad. But as the plot unfurls, there's almostalways something extra in its folds. Director Rob Cohen sets the stagewith satellite shots showing worldwide locations, then zooms in and inand in to catch up with realistic (albeit CGI-generated) canyon-chargingflight sequences jazzed up further with creative editing. He hires greatactors like Sam Shepard and Joe Morton for supporting roles as the pilots'clashing commanders, one of whom knew the dangers of the rogue plane andlet it fly anyway.
Continue reading: Stealth Review
Writer-director Baz Luhrmann wastes no time getting to the flamboyant and cinematic razzle-dazzle of "Moulin Rouge," a spectacular near-opera that breathes 21st Century life into the movie musical by invoking the wildest cultural spirits from the dawn of the 20th Century.
In the film's opening sequence Luhrmann pushes into the frame of a scratchy, grainy silent film image of Paris, circa 1900. We're swept over sepia-toned rooftops and down into the deteriorated hotel room of the broken-hearted hero, a once-idealistic young writer named Christian (Ewan McGregor) who sits at a typewriter about to pour out the tale of his doomed love for a beautiful courtesan who had been the star of the floor show at the infamous Moulin Rouge cabaret.
When Christian's flashback to happier days begins, Luhrmann reverses out of this antiquey image of Paris until he reaches the same starting vantage point. Suddenly bright, rich color bleeds into the frame and the camera zooms forward once again, into a now effervescent, vital and fantastical City of Lights in all its bohemian splendor.
Continue reading: Moulin Rouge Review
The epitome of everything that's wrong with $150 million B-movies, "Van Helsing" is an inane, soulless, 19th century vampire-hunting action flick of computer-F/X overkill and ham-fisted actors chewing on stale catch-phrase dialogue (when dialogue is even allowed) as if it's a mouthful of bubblegum with the flavor long gone.
Despite being inspired (if you can even call it that) by a character in "Dracula" and lifting a slew of monsters from other classic horror tales too, the picture has little story to speak of -- just a few minutes about Bram Stoker's bloodsucking Count using the electrifying re-animation technique of Mary Shelley's Dr. Frankenstein to zap life into thousands of his gestating offspring that hang in slimy pods all over his castle lair.
So since writer-director Stephen Sommers (who clearly blew all his talent on "The Mummy" -- as anyone who's seen "The Mummy Returns" can attest) couldn't be bothered with anything more than Cliffs-Notes plot and character development, I'm going to respond in kind -- not bothering with a structured review and instead simply listing examples of the twaddle and tripe that pass for script and storytelling in this laughable example of Hollywood's numbing, style-without-substance approach to summer movies.
Continue reading: Van Helsing Review
Blinky Bill has always considered himself an explorer, the kind of Koala that's willing to...
In 2005, Australian author Tim Winton collected a series of 17 short stories and published...
Life-changing moments feature in each of the nine short films in this Australian anthology, and...
Inspired by a true story and executive produced by underwater-film fanatic James Cameron, this cave-diving...
The Guardians of Ga'Hoole are sworn to protect the innocent from trouble and vanquish evil....
Editor's Note: Rarely have two so divergent reviews for one movie crossed my desk on...
When a red curtain opens and an orchestra conductor emerges to "direct" the unmistakable 20th...
Sometime in the near future, the Navy will develop extremely cool new fighter jets called...
Mary Shelley and Bram Stoker receive zero writing credit for Stephen Sommers' lopsided Van Helsing,...
"Stealth" may be little more than a popcorn-chomping"Top Gun" rehash in which a pilot-less futuristic...