Adam Scott Miller - Shots from the American Music Awards Gifting Suite which a host of celebrities attended at the W Hotel in Hollywood, Los Angeles, California, United States - Saturday 22nd November 2014
Ashley Campuzano and Hector David - 'Mantervention' premiere at TCL Chinese Theatre - Arrivals - Hollywood, California, United States - Friday 18th July 2014
Armando Gutierrez - 'Mantervention' premiere at TCL Chinese Theatre - Arrivals - Hollywood, California, United States - Thursday 17th July 2014
The latest clip from 'Oldboy' featuring a very unstable and mentally damaged Joe Doucett on his release from his 20 years imprisonment is now available to watch online. When Joe finds himself trapped in a cell with no window and barely more than a bed, a TV and a bible, it's only the beginning of a nightmare that would potentially be endless. He discovers that he is wanted as the prime suspect in the brutal murder of his ex-wife who leaves behind a daughter. All he can do is work out, grieve over her death and ponder the whereabouts of his beloved little girl. Eventually, 2 decades later, he is released with a wad of cash in his jacket though it seems he is not free from the taunts of his captor who forces him to wonder just why he was released.
'Oldboy' is a twisted thriller based on the original 2003 South Korean movie of the same name which was written by Garon Tsuchiya and Nobuaki Minegishi. This adaptation has been directed by the Oscar nominated Spike Lee ('Malcom X', 'Do The Right Thing') and written by Mark Protosevich ('I Am Legend', 'The Cell'). It is due to be released on November 27th 2013.
'Oldboy' is an intense mystery thriller about a man who is locked up for 20 years before being suddenly released with a pocket full of cash and no explanation. Main star Josh Brolin, his co-star Michael Imperioli, director Spike Lee and screenwriter Mark Protosevich among others talk about the flick in a short featurette.
Continue: Oldboy - Featurette
When Joe Doucett suddenly wakes up one morning to find himself imprisoned in a cell with little more than a bed, a TV and a bible, his first thought is some sort of terrible nightmare. But things get worse when a news broadcast states that he is the prime suspect in the murder of his ex-wife and mother of his child Donna Hawthorne, and his daughter has been subsequently adopted. He spends his hours dwelling on Donna's death, working out, boxing, self-harming and talking to stray mice until one day, 20 years later, he finds himself climbing out of a trunk in a field very well-groomed and dressed smartly with a wad of cash in his jacket. He embarks on a mission to kill the man who took his liberty while falling in love with the beautiful Marie, who tries to help him re-build his life. However, he soon releases that he is less free than he thought as his captor continues to taunt him with questions of why he imprisoned him and why he let him go.
Continue: Oldboy Trailer
What could have been an intriguing look at how Alfred Hitchcock created one of his most iconic masterpieces is instead turned into a gently entertaining romp. We may enjoy watching the twists and turns as this troubled project takes shape, but the script simply never breaks the surface or gives its stars any real depth to play with. So in the end, the most engaging thing about the film ends up being the portrayal of Hitchcock's marriage.
The story starts with the 1959 premiere of North by Northwest, a hit that critics dismissed as more of the same from a master resting on his laurels. So Hitchcock (Hopkins) decides to give them something unexpected, and takes his first foray into horror based on the little-known novel Psycho, a fictionalised story about a real serial killer. Working closely with his wife Alma (Mirren) on every aspect of the film, he is in constant conflict with the studio chief (Portnow) and the chief censor (Smith), who both believe the material is too strong. Meanwhile, Alma is tired of him flirting with his leading ladies (Johansson and Biel), so she takes a side job with a writer (Huston) who wants to be more than friends.
Oddly, neither director Gervasi (Anvil) nor writer McLaughlin (Black Swan) seems interested in getting beneath the surface of their central character, so Hitchcock is little more than the jovial caricature we saw in his TV anthology series. Hiding under layers of prosthetic face and body fat, Hopkins is good but never seems to break a sweat in the role. Which leaves Mirren to steal the film as Alma, mainly by departing from reality to create a more intriguing movie character instead. And Collette adds some spice as Hitchcock's assistant. But as the cast of Psycho, Johansson (as Janet Leigh), Biel (Vera Miles) and D'Arcy (Anthony Perkins) are only given small details to define them, which leaves them lurking uninterestingly around the edges.
Continue reading: Hitchcock Review
Alfred Hitchcock was in his sixties and struggling to come up with a fresh idea for a new movie; that was until the notoriously terrifying story of 'Psycho' by Robert Bloch came along in 1959. Arguably one of his best ideas for a movie to date, the Oscar nominated Hitchcock set to work pulling it together despite the extreme scepticism of his wife Alma Reville and Paramount Pictures who disapproved of the degree of horror the movie maker was planning to utilise. In fact, he was so confident that he was willing to pour in thousands of dollars for the film to be made when he was refused his usual budget from the studio; an action that Alma found irresponsible and rather worrying.
'Hitchcock' is drama biopic strongly focused on Alfred's often strained though very loving relationship with his wife and has been based on the book 'Alfred Hitchcock and the Making of Psycho' by Stephen Rebello. Directed by Sacha Gervasi ('Anvil: The Story of Anvil' documentary) and written by BAFTA nominee John J. McLaughlin ('Man of the House', 'Black Swan'), this is story of how 'Psycho', one of the greatest films of all time, was made including its inspiration from real-life Winconsin murderer and grave robber Ed Gein. It is set for release on February 8th 2013 in the UK.
Starring: Scarlett Johansson, Anthony Hopkins, James D'Arcy, Jessica Biel, Michael Stuhlbarg, Ralph Macchio, Toni Collette, Judith Hoag, Danny Huston, Michael Wincott, Kurtwood Smith, Richard Portnow, John Rothman, Tara Summers, Helen Mirren.
Continue: Hitchcock Trailer
Richard De Lancy Sunday 18th September 2011 100 Starz Emmy Viewing Party & Gifting Suite at Infusion Lounge in Universal City Los Angeles, California
Er, well, would you believe it's not that bad? Now that your expectations are appropriately middling, you might be able to appreciate Double Bang, a reasonably entertaining cop drama about an NYPD officer (William Baldwin) who gets all upset when he crooked partner (Adam Baldwin) ends up dead. Billy heads out on a vigilante mission, interrogating the usual suspects and dishing out his own brand of justice by turning the bad guys against their own.
Continue reading: Double Bang Review
Ghost Dog studies the early eighteenth century Japanese warrior code from the book, Hagakure: The Way of the Samurai, and the story is told as a sequence of verses from the ancient text. Each morning he bows to the altar he has constructed and practices the ancient disciplines of the samurai training. In the spirit of the ancient warriors, he has pledged his loyalty to a single master, a small-time mobster named Louie (John Tormey - Kiss Me Guido, Jungle 2 Jungle), who saved Ghost Dog's life when he was young. As an assassin, Ghost Dog communicates only via carrier pigeon and moves through the night like a phantom, killing with the skill and speed of a true Samurai.
Continue reading: Ghost Dog: The Way Of The Samurai Review
Recovering co-dependent Ruby Weaver has such bad luck with men that she and her girlfriends keep a shoebox of photos called "The Ex Files."
In the beginning of "Happy Accidents," writer-director Brad Anderson ("Next Stop Wonderland," "Session 9") shows us a comical montage of progressively eccentric examples: The Bad Actor, the Artist, the Fetishist, the Frenchman, the Junkie and the Abductee, who thought he'd been kidnapped by aliens.
Ruby (Marisa Tomei in an amusingly harried performance) hopes she's seen the worst of this trend and is, with the help of her intrusive therapist (the wonderfully wry Holland Taylor), beginning to curb her pathological urge to try to fix men that are beyond repair.
Continue reading: Happy Accidents Review
Mixing ancient Eastern philosophy with hip-hop street smarts and a Scorsese undercard gangland atmosphere, fiercely independent filmmaker Jim Jarmusch paints a strangely serene portrait of a surgical, stealthy and enigmatic hit man in the understated and penetrating "Ghost Dog: The Way of the Samurai."
Deeply immersed in the title role is the stoic Forest Whitaker as an assassin with unshakable focus. A high-tech thief, a loner from a ghetto background, a taciturn savant and a proselyte of 18th Century Japanese warrior code, he performs hits for a mobster (John Tormey, "Safe Men") who once saved his life. But after his most recent job -- killing a mafia turncoat in front of the mob boss' daughter -- he has a price on his head and is forced to eliminate his enemies before they eliminate him.
Jarmusch and Whitaker have conspired to lend a mesmerizing calm to this uncommon story of a violent but internally peaceful life. The simultaneous union and juxtaposition of oil-and-water elements -- the deeply reflective samurai mentality, ghetto life, the mafia honor, a surprisingly light comedic vein and a hardcore rap score by the RZA -- left imagery and axioms tripping around in my head for days after seeing the film.
Continue reading: Ghost Dog: The Way Of The Samurai Review
Johnny Depp has described the time his daughter was admitted to hospital in Britain...
The Californian rockers were defiant in their intention to play the venue once again.
Some films perform below expectations when it comes to the box offices; some movies flop...
The 'Sorry' hitmaker stepped out at the American Music Awards earlier this month wearing...
Falling For You is the new single from German house producer Teenage Mutants, the track features vocals from Brit Laura Welsh.