Richard Moll

Richard Moll

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Richard Moll Saturday 17th April 2010 The TV Land Awards 2010 at Sony Studios Culver City, California

Richard Moll
Richard Moll

The Flintstones Review


Weak
As asinine as Hollywood gets, only destined to see at least one sequel. Goodman gets Fred right, all the way down to the tiptoe bowling approach... but to what end? A silly plot about fraud at "The Quarry"? A fitting denoument to Liz Taylor's career...

Shadow Hours Review


Terrible
Bad movies described as "a swift descent into sinful pleasure, decay, and debauchery" are hard to watch. Bad 2000s movies that resemble bad 1980s films are even harder to watch. Shadow Hours falls into the latter category, a mish-mashed train wreck of B-movie actors (including Michael Dorn, aka Star Trek's Worf), an uninteresting plot, vain attempts at capitalizing on the "underground" scenes of seedy Los Angeles, and really, really bad directing and horrendous music video-esque ballistic editing that was taught to me in film school right before I decided to drop out.

The film revolves around the life of Michael Holloway (Balthazar Getty) who is trying to restart his life with his one-dimensional wife Chloe (Rebecca Gayheart) after a nasty bout of drug and alcohol addictions. Michael takes a job of working the graveyard shift at the local gas station and is bombarded by the ugliness and weirdness of the nightlife of L.A. One night, he meets a strange gent named Stuart (Mr. Buckaroo Banzai, Peter Weller). He drives a Porsche, smokes French cigarettes, and drones on about life, eventually coaxing Mike into exploring the "underbelly" of L.A. together, a tour of punk bars, S&M clubs, and bare-knuckle fights.

Continue reading: Shadow Hours Review

Snide And Prejudice Review


Weak
Quite an assembly of talent is ultimately wasted in this near-pointless look at a mental patient (that guy from the TV remake of Jason and the Argonauts) who thinks he's Hitler. A bunch of his fellow patients seem to think they're members of his staff, too. Essentially this is a re-imagining of Marat/Sade, adding in a head shrink (that guy from one of the Star Trek shows) who may be crazy too. Hitler's psychosis (the real Hitler, I mean) has been examined with substantially more depth and to a more powerful effect numerous times before.

But I'm A Cheerleader Review


Weak
Take director John Waters and give him a really good actress like Natasha Lyonne, a paltry budget of, say, $1 million, and ask him to make a satire about a "gay rehab camp," and you might come up with something like But I'm a Cheerleader.

Then again, Waters might have come up with something funny, like Pecker. With such a meaty topic as Family Values ripe for a send-up, you'd think it would be easy to milk Cheerleader for comic value. Unfortunately, first-time feature director Jamie Babbit (whose few credits including directing the MTV series Undressed and acting as script supervisor on The Game) doesn't appear to have much ability behind the camera, which becomes painfully apparent after only a few minutes.

Continue reading: But I'm A Cheerleader Review

Shadow Hours Review


Terrible

In "Shadow Hours" -- a bottom-feeder shocksploitation flick full of vapid, infernal biblical metaphors -- writer-director Isaac Eaton expects the audience to identify with a worthless, weak-willed, reprobate recently out of rehab who abandons his gorgeous, loyal, pregnant wife to follow a rich stranger into a hellish fantasy version of L.A.'s seamy underbelly.

Balthazar Getty -- the poor man's Charlie Sheen -- stars as an grumpy skid row gas jockey working the graveyard shift when a mysterious slickster (Peter Weller) pulls up in a Porsche, dark sunglasses and a $2,000 suit. He's looking for some gritty, down-and-out soul to torture as a "research assistant" on a book, apparently about the joys of social malignancy.

Soon Weller is dragging our complaisant hero around to strip bars, drug dens, graphically depicted S&M dungeons and dingy basements where they bet on bloody bare-knuckle brawls. But even after finding himself utterly appalled by his experiences, Getty's pump attendant -- already sickened by daily exposure to the dregs of humanity at his ghetto gas station -- continues to ride shotgun for the mystery man night after night.

Continue reading: Shadow Hours Review

Scary Movie 2 Review


OK

Technically speaking, "Scary Movie 2" is a real mess. The editing is pathetic, mostly because the script -- if you can call it that -- is just a series of unrelated horror movie japes put in almost random order and tied together by about two minutes of plot.

Characters disappear completely from the story without explanation and blatant continuity errors abound because some gags where left on the cutting room floor while the follow-up jokes were kept. In one scene a character is lying in a pool of blood, then a second later the blood is gone. Then it's back, then it's gone again, then it's back again. No attempt whatsoever is made to cover up this sloppy, choppy, rushed-into-production total lack of cohesion.

But comedically speaking, "Scary Movie 2" is an almost constant laugh riot of extreme gross-out humor and surprisingly limber lampoonery -- and this is coming from a guy who didn't think much of the first "Scary Movie" and was pretty irritated when the Wayans brothers (director Keenen Ivory and stars Shawn and Marlon) broke their promise not to make a sequel.

Continue reading: Scary Movie 2 Review

Richard Moll

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Richard Moll Movies

Shadow Hours Movie Review

Shadow Hours Movie Review

Bad movies described as "a swift descent into sinful pleasure, decay, and debauchery" are hard...

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But I'm A Cheerleader Movie Review

But I'm A Cheerleader Movie Review

Take director John Waters and give him a really good actress like Natasha Lyonne, a...

Shadow Hours Movie Review

Shadow Hours Movie Review

In "Shadow Hours" -- a bottom-feeder shocksploitation flick full of vapid, infernal biblical metaphors --...

Scary Movie 2 Movie Review

Scary Movie 2 Movie Review

Technically speaking, "Scary Movie 2" is a real mess. The editing is pathetic, mostly because...

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