In the late 80s, Richard Thorncroft (Julian Barratt) was the most famous police detective on television, but fast-forward to the present day and he's balding, ungroomed and trying to convince himself that he is exactly where he needs to be in life with desperate daily positive affirmations. Fate does have one more adventure in store for the actor, however. A suspected serial killer named Paul Melly (Russell Tovey) has escaped from a secure unit at Darkmoor Hospital and is now taunting Isle of Man police that more will die unless he can speak to Detective Mindhorn. The police are well aware that Mindhorn is just a TV character, but they try their luck and enlist the help of the actor who plays him nonetheless. Unfortunately, Thorncroft turns out to be much less efficient than his onscreen persona, as much as he'd like to believe otherwise.
Continue: Mindhorn Trailer
Rufus Wright and Richard McCabe - Opening night after party for Broadway play The Audience, held at URBO restaurant - Arrivals. at URBO restaurant, - New York City, New York, United States - Sunday 8th March 2015
The deceptively simple plot begins when uber-famous film star Anna Scott (Roberts) winds up in William's (Grant) book shop on Notting Hill, something of a British cross between a pre-Disney Times Square and a Moroccan street market. After William accidentally dumps orange juice down Anna's front, an on-again, off-again, on-again, off-again, on-again love affair blossoms.
Continue reading: Notting Hill Review
Collaborating with his City of God cinematographer César Charlone, Meirellas once again fetishistically focuses on destitution and suffering, shooting his squalid Kenyan locations in grimy, slightly overexposed colors and with expressionistic camera angles, turning the beautiful landscape into a harsh pit of fluorescent yellows, rotting greens, stark blacks, and blooming whites. It's a phony-baloney (if striking) visual aesthetic that, when married to the director's rollercoaster-ish hand-held cinematography, provides a sense of both immediacy and self-conscious artistry. Yet no amount of stylistic showing-off can offset the ludicrousness of a love scene between Justin and Tessa - shot in downy hues, it looks like a L'Oreal commercial with excessive zooms - or the preposterousness of Jeffrey Caine's clunky, preachy script, which gussies up its straightforward mystery with numerous flashbacks but fails to confront its central issues of African poverty and corporate malfeasance with anything approaching a rational mind.
Continue reading: The Constant Gardener Review
After nearly thirty years since his first solo record Mark Lanegan has just released one of his very best and there's not many artists who can claim...
Listen to their new single 'People Change'.
For the first, and almost certainly last, time Cambridge indie rockers Mallory Knox performed at The Booking Hall in Dover.
'Devour You' is a fantastic follow up to Starcrawler's debut album and represents a move on in terms of sound and, in part, direction.
Salvation Jayne's third birthday bash was a riot of colour and a celebration of a band very much enjoying what they do.
We're feeling the nostalgia this month.
American Thighs was released on this day in 1994.
Gloo is a new supergroup consisting of UK mystic-beat producers Iglooghost and Kai Whiston as well as nu-pop singer/producer BABii.