It may not be very clever, and the plot may be full of holes, but this sequel's clammy atmosphere is so unnerving that it manages to keep us squirming in our seats. Credit has to go to director Tom Harper for making this work, because Jon Croker's script is strung together on the thinnest logic imaginable. Instead, it's the inner lives of the characters combined with the almost ridiculously freaky setting that work to keep the audience in a state of perpetual freak-out. As long as we don't try to make sense of it.
It's set 40 years after the first film, as bombs are falling in 1941 London and schoolteacher Eve (Phoebe Fox) evacuates eight students north away from the threat. Travelling with headmistress Jean (Helen McCrory), they meet charming airman Harry (Jeremy Irvine) on the train. He's headed to a new post near Eel Marsh House, where the children will be living. At the train station, they meet Dr. Rhodes (Adrian Rawlins), who escorts them to the insanely isolated, falling-down wreck of a clearly haunted mansion, cut off from the mainland at high tide. But Eve and Jean get on with making it feel like home, while Harry looks in on them from time to time. Then one of the boys, Edward (Oaklee Pendergast), who hasn't spoken a word since a bomb killed his family, sees a malicious ghost (Leanne Best).
From here things get startlingly nasty. This is definitely not a thriller for pre-teens, like the first film. These children are in genuine peril, and begin to die in pretty ghastly ways, like a slasher movie with victims who are only 10 years old. Much of the worst violence remains off-screen, so Jean amusingly refuses to admit that there's any real problem until things really cut loose. Clever acting touches add to the drama, as Irvine and Fox provide a whiff of doomed romance, McCrory maintains her stiff upper lip just a bit longer than she should, and the kids get to create seriously creepy moments of their own.
Continue reading: The Woman In Black: Angel Of Death Review
Bob Muldoon and Ruth Guthrie are a young couple desperately in love but living a dangerous life of crime. When one day they are cornered by a group of cops after Ruth seriously injures one of them, they are arrested and Bob insists it was he who fired the shot. Ruth is let off to carry on with her life, intent on waiting for her lover while pregnant with their first child. Four years later, Bob manages to make an escape, and sets out on a journey to be reunited with Ruth and the daughter he has not yet had chance to meet, while being pursued by every cop in the county. He has had a lot of time to yearn for things to be back the way they were, but life has changed for Ruth; will Bob's return be the repose she's been hoping for, or will it just bring more drama?
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In early 1900s London, single dad Arthur (Radcliffe) is a young lawyer in trouble with his boss (Allam), so his next case is make-or-break. To settle an estate, he heads to an isolated Northeast village that gives him a cold-shouldered welcome. And when he gets to the abandoned seaside mansion, he sees the spectre of a woman (White) lurking in the corners. A friendly local (Hinds) is cynical about this, even though it also haunts his wife (McTeer), who is grieving over their son's death. And dying children are a theme in this village.
Continue reading: The Woman In Black Review
Rob Roy is not, unfortunately, a film about bartending. Rather, it's the first of three upcoming swashbuckler movies for 1995. Liam Neeson is Robert Roy McGregor, the famed Scottish highlander with a heart of gold. Jessica Lange is his headstrong wife. After half an hour of proving what a Great Guy he is, Rob plans to make a bundle of profits on driving some cattle across Scotland. He borrows some money from a nobleman to fund this campaign, only to have it is stolen by Bad Guy Cunningham (Tim Roth).
Continue reading: Rob Roy Review
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