Ricardo Mestres

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101 Dalmatians (1996) Review


Unbearable
Well, another new Disney movie is coming out and with it comes the theaters packed with screaming babies, very restless kids kicking your seat, and throngs of grownups providing running commentary of everything on the screen (to themselves, not the kids).

This is not a good thing. This time, the Disney movie is 101 Dalmatians, the live-action version, and if any movie could make me long for a quick and painless death, this is it.

Continue reading: 101 Dalmatians (1996) Review

101 Dalmatians Review


Unbearable
Well, another new Disney movie is coming out and with it comes the theaters packed with screaming babies, very restless kids kicking your seat, and throngs of grownups providing running commentary of everything on the screen (to themselves, not the kids).

This is not a good thing. This time, the Disney movie is 101 Dalmatians, the live-action version, and if any movie could make me long for a quick and painless death, this is it.

Continue reading: 101 Dalmatians Review

Just Visiting Review


OK
In 1993, director Jean-Marie Poiré created a small comedy sensation about two 12th century Frenchmen (played by Jean Reno and popular French comic actor Christian Clavier) who are mistakenly transported to the modern world. The film made nearly $100 million worldwide and was never released theatrically in the US.

It's eight years later, and Poiré has directed another small comedy about two 12th century Frenchmen (hmm, played by Jean Reno and that same popular French guy) who are mistakenly transported to Chicago 2000. Hey, wait a minute!

Continue reading: Just Visiting Review

Flubber Review


Terrible
See Inspector Gadget. Add anthropomorphic green goo. Same movie. Similarly stupid and vapid.

101 Dalmatians Review


Unbearable
Well, another new Disney movie is coming out and with it comes the theaters packed with screaming babies, very restless kids kicking your seat, and throngs of grownups providing running commentary of everything on the screen (to themselves, not the kids).

This is not a good thing. This time, the Disney movie is 101 Dalmatians, the live-action version, and if any movie could make me long for a quick and painless death, this is it.

Continue reading: 101 Dalmatians Review

The Hunted Review


Grim
Director William Friedkin has a great track record for examining his characters' inner turmoil as they battle the forces of good and evil. Friedkin is best known for pitting a mother, a detective, and a priest against the devil inside the little body of Linda Blair in The Exorcist. But some of Friedkin's best work can be seen in the action thriller The French Connection, where he transcends the raw power of the action film genre into something highly sophisticated and thought provoking. Thematically, The Hunted is comparable to Connection. However, those expecting Friedkin to deliver another quality action picture like Connection will be sorely disappointed.

The film opens during the war in Kosovo as highly trained hand-to-hand combat assassin (or "tracker") Aaron Hallam (Benicio Del Toro) carries out his military assignment to murder a high-ranking official. He receives a silver star for his valor, but he is scarred and haunted by the widespread images of genocide. Like Rambo, his adjustment to civilian life is difficult as he finds himself unable to turn off his instinctual killing machine. He ends up hunting the forest outside Portland, Oregon looking for and killing in cold blood anyone betraying the credo of PETA.

Continue reading: The Hunted Review

Jack Review


Grim
Robin Williams gets to play at being a kid again -- and this time it's not a metaphor: He's a 10-year-old child who has aged at four times the normal rate. Watch for J. Lo as Jack's teacher, then try not to fall asleep. Not exactly Francis Ford Coppola's (who directed this film simply because he could do so in his neighborhood) crowning achievement.
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