Roman Polanski's Repulsion has been rightly hailed as a chilling examination of a woman going mad. With unnerving intensity, it places us in the shoes of Catherine Deneuve's fragile beautician, whose unexplained trauma and sexual repression induce bizarre, frightening hallucinations that ultimately drive her to murder. But just as powerful is its notion of an outside world incapable of aiding her. Polanski's penchant for exploring helplessness and indifference has seen more overt expression in other films, but here it forms a haunting counterpoint to the central drama, a statement both on insanity and the banal monstrosities which enable it.
Continue reading: Repulsion Review
It is bizarre to see Guinness strutting about a fancy London flat, drumming on a silver tray like a tambourine and muttering in a throat-tangling, guttural roar, but he loves the role so much it's hard not to like him -- even if he is a jerk. Guinness adapted the book himself, earning a solo credit for the screenplay.
Continue reading: The Horse's Mouth Review
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