Sex scene aside, Don't Look Now recalls recent fare as diverse as The Sixth Sense, The Blair Witch Project, and Frantic -- with Christie communing with two elderly psychics and Sutherland haunted by visions of his dead daughter's red raincoat. Sutherland and Christie are phenomenal, leaving the Roegian metaphysical mumbo jumbo in their wake as they show us how some real acting gets done.
Continue reading: Don't Look Now Review
Radford accepted the assignment, and Troisi assumed the title role of Mario, a simple Everyman whom Neruda slowly cultivates from tongue-tied wallflower to smooth Romeo. With Neruda's advice and introduction to poetry, Mario is able to overcome his awkwardness and enchant the woman of his dreams, the darkly beautiful Beatrice (Maria Grazia Cucinotta), and subsequently he convinces her to marry him. His transformation complete, Mario finds inside himself the romanticism and courage that we all wish for.
Continue reading: The Postman (Il Postino) (1995) Review
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Ford attributes his career success to films that pass 'from generation to generation'.