The film is shot in pseudo-documentary format and follows five women's lives as domestic laborers and their bleak existence outside of their jobs. One thing they all share is a deep hatred of their employers, who oddly are never shown in the film. While they all have different reasons for ending up in their current occupation, the most frequent explanation is that the women were born into it. In fact, the most profound statement of the entire movie is the very first line, when a housemaid talks about a long lineage of maids dating back to the days of slavery. Frighteningly, the lack of upward mobility associated with their jobs still eerily mirrors a form of indentured servitude.
Continue reading: Domésticas Review
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