Rena Sofer - Photographs from the 83rd Annual Hollywood Christmas Parade which was attended by a variety of stars and their children in Los Angeles, California, United States - Monday 1st December 2014
A deftly updated homage to the screwball comedy stylings Howard Hawks, George Cukor and Billy Wilder, "Keeping the Faith" acknowledges right away that its plot, about two men of the cloth falling in love with the same girl, sounds like a lame bar joke.
It opens with the fantastic and versatile Edward Norton ("Fight Club," "American History X") playing a spiritually conflicted -- and at the moment, completely sauced -- Catholic priest, pouring his soul out to a patient bartender. "So there's this priest and this rabbi, and they're best friends, see...," he slurs into his beer.
The rest of the story goes something like this: Ben Stiller co-stars as the padre's rabbi rival for the affections of the magnetic Jenna Elfman, a long-lost friend from their shared Brooklyn childhood who pops back into their lives 20 years later, all grown up, sexy, sweet and irresistible.
Continue reading: Keeping The Faith Review
"Traffic" is a socially and politically grandstanding soap opera about the narcotics trade and the futility of the "war on drugs." It's a film about how that war is propagated by bureaucratic demagogues in the United States government, not because they think they can stem the flow of illegal substances but because they think saying they want to is a way to win elections.
OK. Point taken.
"Traffic" is also gritty and realistic feat of cinematic logistics, following no less than 15 major characters (and more than 50 speaking parts) through several complex, well-acted storylines about all sides of the drug trade -- from kingpins to cops to policy wonks to addicts. So my hat is off to the picture's ever-brilliant director, Steven Soderbergh ("Erin Brockovich"), who certainly does a fine juggling act, involving the audience in every story on a personal level.
Continue reading: Traffic Review