In exploring this relationship, and virtually all of the relationships in the film, Moncrieff and her actors don't shy away from awkward, uncomfortable truths. Strathairn does especially well with this material; although there are only a few scenes of him teaching in front of the whole class, he captures the reserved vibe of a talented, unflashy high school English teacher as instantly as a snapshot. The audience's perception of the Auster character is most open to change over the film's 90 minutes, and Strathairn is a rock of believability, refusing to bother with cheap signifiers when Auster's actions become morally ambiguous (it may help if you find, as I do, almost any cast member from Sneakers infinitely watchable by association). Newcomer Agnes Brucker is equally reluctant to indulge in theatrics; armed with Bruckner's unfussy expressiveness, Meg's every decision is understandable.
Continue reading: Blue Car Review
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