Reece Ritchie - GREAT British film reception honoring the British nominees of the 87th Annual Academy Awards at The London West Hollywood - Arrivals at Academy Awards - Los Angeles, California, United States - Friday 20th February 2015
Reece Ritchie - Global Green USA's 12th Annual Pre-Oscar A host of stars were snapped as they attended a party which was held at the Avalon in Hollywood, California, United States - Wednesday 18th February 2015
Afshin Ghaffarian was severely punished at school in Iran for expressing himself through dance in the classroom. When his mother warns him that dance is forbidden by law and that he should keep his talent secret, he discovers an unauthorised dance group at the Saba Arts Center. In his later years, he informs his friends of his desire to begin his own dance group and though they are sceptical at first given the severity of the country's laws, they eventually agree to join him and help him set up an underground secret space to practise. Eventually, tired of the confined space they have built themselves, they take to the apparently isolated desert in order to practise for a stage performance, but it isn't long before the military police get wind of the group and they are forced to cover their tracks.
Continue: Desert Dancer Trailer
Far more entertaining than it has any right to be, this is a big, messy blockbuster retelling of the Greek myth that thankfully has a sharp sense of humour and some surprising twists up its sleeve. The cast is also packed with veteran performers who know how to make the most of some eyebrow-raising innuendo, generating intrigue while keeping the audience laughing with them rather than at them.
The premise takes a revisionist approach, grounding the legend of the demigod Hercules (Dwayne Johnson) in real stories that have been exaggerated by his nephew Iolaus (Reece Ritchie), who travels with him as a kind of toga-era marketing expert. Their team of mercenaries includes wryly fatalistic seer Amphiaraus (Ian McShane), quick-witted blade-thrower Autolycus (Rufus Sewell), bow-wielding amazon Atalanta (Ingrid Bolso Berdal) and loyal mute warrior Tydeus (Aksel Hennie). When they're offered a fortune by Lord Cotys (John Hurt) to quell a rebellion, they find themselves in the middle of a massive battle that doesn't go the way they expected. And as events take unforeseen turns, Hercules and his gang have to dig deep to turn the tide in their favour.
Johnson is a natural in the role, so massively pumped up that he looks like he could be popped with a pin. His hulking physique and just enough back-story give the character's reputation some weight, both literally and figuratively, so even if he's not half-god his achievements are still pretty impressive. (There are also plenty of hints that he may turn out to be a god after all.) And the surrounding characters add to this with cleverly written roles that are expertly played by British scene-stealers Hurt, McShane, Sewell, Mullan and Fiennes. McShane is so good that he essentially walks off with the whole movie. But relative newcomers Ritchie, Hennie and Berdal more than hold their own.
Continue reading: Hercules Review
Following his deadly ordeal of being put through the Twelve Labours by his father Zeus and his people, all Hercules wants from life is to rest quietly with a loving family. Unfortunately for him, now is not the time for resting as the gods have delivered another bout of chaos to the world. Being well known by all as a man with all the strength of a god, Hercules is forced to lead a battle against a new menace as the King of Thrace gets him and some like minded warriors to band together as the world's most formidable army. They must defeat a powerful rival general as the vicious descendents of Hades infect the land. It's a deadly mission, the minions of hell being immortal and ruthless, and their defeat can only be accomplished by someone with power above the mortal realm.
Continue: Hercules - Extended Trailer
A host of TV stars made their way to the blue carpet at the FOX Upfronts presentation held at The Beacon Theater in New York. Among guests were stars from FOX Network shows as well as many others.
Hercules is a bitter and haunted demi-god filled with resentment for the people and the gods (including his father Zeus) who put him through the Twelve Labours; a series of arduous tasks that saw him dance with death on a number of occasions. Now, alone and with no family of any kind to turn to, his only comfort in the world is fighting to the death in battle, alongside a group of other like-minded warriors who similarly have nothing left to live for. However, they face a challenge of a more ominous kind when the King of Thrace enlists them to train up as the most formidable army ever created in a bid to overthrow a powerful general. This is a fight of a different kind for Hercules; he may have more strength than the average man, but just how far will that take him?
Dwayne Johnson stars as Hercules in the latest adaptation of the Greco-Roman myth. Based on the graphic novel 'Hercules: The Thracian Wars' by Steve Moore, the movie has been directed by Brett Ratner ('Rush Hour', 'X-Men: The Last Stand', 'Red Dragon') and written by Ryan Condal ('The Sixth Gun') and Evan Spiliotopoulos ('The Nutty Professor', 'Battle for Terra'). 'Hercules' is scheduled for UK cinematic release on August 8th 2014.
On the day of their colourful wedding, Atul and Vina (Ritchie and Karan) are endlessly delayed by family business, traditions and the drunken antics of Atul's father Eeshwar (Patel), which his patient mother Lopa (Syal) just about tolerates. And being in a room next to his parents makes their wedding night less than satisfying. But it gets worse when their honeymoon is cancelled. And the growing pressure - from helpful parents, nosey neighbours, work colleagues and Atul's cheeky title brother (Mohan) - to consummate the relationship is just too much to bear.
Continue reading: All In Good Time Review
Reece Ritchie Tuesday 7th September 2010 GQ Man of the Year Awards held at the Royal Opera House - Arrivals. London, England - 07.09.10 GQ Man of the Year Awards held at the Royal Opera House - Arrivals. London, England
Dastan (Gyllenhaal) is the adopted youngest son of Persian King Sharaman (Pickup). With his two brothers (Kebbell and Coyle) and their ambitious uncle (Kingsley) he invades the holy city of Alamut. But things go badly wrong, and Dastan ends up on the run with the local Princess Tamina (Arterton), bickering over a ceremonial dagger that turns out to have time-shifting properties. With the help of a local sheik (Molina), they return to the city and try to thwart a dark conspiracy to take over the kingdom.
Continue reading: Prince Of Persia: The Sands Of Time Review
This film is packed with involving performances, even though Jackson takes a bloated approach to what should be a quietly emotional drama. And in the end, the production design is so lush that it swamps the story's themes.
In 1973, Susie (Ronan) is a happy 14-year-old just beginning to blossom. Her crush on a fellow student (Ritchie) is about to culminate in her first kiss, but she's instead brutally murdered by a creepy neighbour (Tucci). Her parents (Wahlberg and Weisz) are distraught, and Grandma (Sarandon) needs to come help care for Susie's younger siblings (McIver and Christian Thomas Ashdale). Susie watches all of this from "my heaven", longing for her parents to recover their balance and aching for some form of revenge.
The central theme is that Susie's yearning for vengeance is preventing her parents from moving on, and it's also keeping her from resting in peace. As the months and years pass, she struggles to let go of her connections to her family and also to dislodge her killer's hold on her. This intriguing idea is more suited to a small-budget filmmaker forced to find subtle, creative ways to depict the interaction between the afterlife and the living world.
Jackson, of course, has no budgetary constraints, and indulges in constant eye-catching effects that are drenched in colour and symbolism. This luxuriant approach seems odd for a story this fatalistic; it's not likely to be a commercial hit no matter how glorious the digital artistry is. While some viewers will connect with the raw emotional tone, concepts of the cruelty of fate and the fragility of life are lost.
Even so, Ronan delivers another knock-out performance packed with nuance and meaning even though many of her scenes only require reaction shots. It's in her eyes that the film comes truly to life, as it were. The other standouts are Sarandon, who brazenly steals scenes in what's essentially a thankless role, and Tucci, who never resorts to stereotype in his portrayal of a sinister loner. Jackson, on the other hand, continually applies cliches around him, from shadowy angles that generate palpable suspense to a ludicrously over-the-top coda that erases any subtlety the film might have.
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