Rebecca Pidgeon

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Rebecca Pidgeon and David Mamet - HBO's Annual Primetime Emmy Awards Post Award Reception at The Plaza at the Pacific Design Center - Los Angeles, California, United States - Sunday 22nd September 2013

Rebecca Pidgeon and David Mamet
Rebecca Pidgeon and David Mamet

Rebecca Pidgeon, David Mamet, Broadway, The Anarchist, Golden Theatre and Arrivals. New York City Sunday 2nd December 2012 Arrivals. New York City, USA

Rebecca Pidgeon, David Mamet, Broadway, The Anarchist, Golden Theatre and Arrivals. New York City
Rebecca Pidgeon, David Mamet, Broadway, The Anarchist, Golden Theatre and Arrivals. New York City
Rebecca Pidgeon, Broadway, The Anarchist, Golden Theatre and Arrivals. New York City
Rebecca Pidgeon, David Mamet, Broadway, The Anarchist, Golden Theatre and Arrivals. New York City

Rebecca Pidgeon Monday 7th February 2011 AARP The Magazine's 10th Annual Movies for Grownups Awards held at the Beverly Wilshire Hotel - Arrivals Los Angeles, California

Rebecca Pidgeon
Rebecca Pidgeon
Rebecca Pidgeon
Rebecca Pidgeon
Rebecca Pidgeon

Red Review


OK
Based on the graphic novel, this action-comedy has a wacky tone that's entertaining but never involving. At least the strong all-star cast makes the most of the vivid characters, and the film's visual style keeps us watching even if there's nothing to it.

When "Retired, Extremely Dangerous" Frank Moses (Willis) has his quiet life disrupted by trigger-happy commandos he goes on the run, kidnapping a hapless pension clerk (Parker) to protect her from a ruthless high-tech hitman (Urban) who's chasing him. He then reassembles the old team from his black ops days, including smooth womaniser Joe (Freeman), paranoid nutjob Marvin (Malkovich) and seductive Victoria (Mirren). He even gets in touch with his former Russian nemesis Ivan (Cox). It all has something to do with a scandal involving the American Vice President (McMahon).

Continue reading: Red Review

Rebecca Pidgeon Monday 11th October 2010 Special screening of Summit Entertainment's 'RED' held at The Grauman's Chinese Theatre Hollywood, California

Rebecca Pidgeon
Rebecca Pidgeon
Rebecca Pidgeon
Rebecca Pidgeon
Rebecca Pidgeon
Rebecca Pidgeon

How To Be Trailer


Watch the trailer for How To Be

Continue: How To Be Trailer

The Lodger Review


Bad
Marie Belloc Lowndes' 1913 novel, The Lodger, based on the grisly Jack the Ripper killings in turn-of-the-century London, has been grist for the movie pulp mill ever since its publication. Knockoff versions of the story trace the history of film, from Pabst's Pandora's Box and all the way to mad psycho James Spader in Jack's Back and Daffy Duck taking on the Shropshire Slasher in Deduce You Say. The most famous version of the novel itself was the first Hitchcock-style Hitchcock film, the 1927 silent The Lodger starring Ivor Novello, who later recreated his role in a 1932 sound remake. The most atmospheric version of the tale was John Brahm's 1944 Fox redux with the creepy Laird Cregar as the notorious murderer.

Now writer/director David Ondaatje has come along with a contemporary version of the story, updated to the mean streets of L.A. in 2009. And this new version of The Lodger also has atmosphere in spades.

Continue reading: The Lodger Review

Rebecca Pidgeon - Friday 25th April 2008 at Tribeca Film Festival New York City, USA

Rebecca Pidgeon
Rebecca Pidgeon

Edmond Review


Weak
There's a slight chance, very slight, that David Mamet is a genius. As a writer, his blunt, edgy, and constantly interrupted dialogue has earned him a lot of weight, so much so that he is considered one of the more important playwrights of the last 25 years or so. As a director, he is precise and extremely-well calculated, if not a bit lacking in aesthetic substance and style. When he directs his own work, it tends to go remarkably smooth, as it did in the fantastic Heist and his best film, State and Main. However, when put in the hands of others, sometimes it goes exceedingly well (James Foster's Glengarry Glen Ross) or exceedingly bad (Michael Corrente's American Buffalo). The latest is a retelling of his play Edmond by King of the Ants helmer Stuart Gordon.On his way home from work, Edmond Burke (William H. Macy) decides to stop at a fortune teller. She simply tells him this: "You are not where you're supposed to be." This causes him to leave his wife (a brief Rebecca Pidgeon) and to go out on the town to get an old fashioned piece of tail, as suggested by a stranger at a bar (the reputable Joe Mantegna). He goes through strippers, booth girls and expensive call girls, played by a who's who of young actresses ranging from Mena Suvari to Denise Richards. He finally settles on a waitress (Julia Stiles) who he picks up after attacking a pimp and finding a newfound love for life. This passion, however, leads to a terrible act that lands him in jail and doing things that he was scared of before, constantly saying "every fear hides a wish."Mamet's sly style of writing somehow seems lacking here. In Glengarry, he wrote with blood and thunder about the rigorous work of real estate salesmen and in Oleanna, he split the sexual harassment debate so thinly that you couldn't see his opinion without microscope eyes. With Edmond however, he lays everything out for the audience and world to see, allowing the character to often pontificate on basic musings like what it's like to feel alive and the mundane nature of normal life. There is a serious lack of subtext that gives off the feeling of extreme annoyance.Gordon directs with a simple enough structuralism and he gives impressive terror to the climactic scene where Edmond goes over the edge. However, this simplicity also leads to a considerable loss in mood and atmosphere, which seems devoid after the excellent opening scene in the fortune teller's room. The actors, chiefly Macy and Stiles, struggle to keep the story afloat and exciting, but it's a losing battle. Reliable character actors like Bai Ling and Dylan Walsh (so good in Nip/Tuck) are given scant screen time to show their prowess, but Bokeem Woodbine works wonders as Edmond's bunkmate when he enters prison. None of this, however, allows Edmond to make more than a small ripple in the water. It's a fussy little movie that wants to be much more controversial and important than it is. Did I say those chances were very, very slight?The dead hooker's under the card in the middle.

The Winslow Boy Review


Extraordinary
David Mamet scores again, and in the unlikeliest of films.

I've known and respected Mamet's directorial work since the gritty House of Games (1987) and have remained a fan through last year's The Spanish Prisoner. Without fail, Mamet works on gritty, hard-edged con-artistry-related flicks like these. So it's with no small amount of skepticism that I greeted the G-rated Winslow Boy.

Continue reading: The Winslow Boy Review

State And Main Review


Extraordinary
In order to see one of 2000's real treasures, most of you are going to have to wait until January of 2001, when the masterful State and Main comes to a theater near you.

State and Main, written and directed by David Mamet (The Spanish Prisoner, The Winslow Boy, House of Games), follows a Hollywood film crew into the sleepy town of Waterford, Vermont, for the shooting of a would-be blockbuster. William H. Macy plays the director -- part ballbuster, part smooth-talker -- who comes to Waterford after the production kicked out of another lost-in-the-past New England locale.

Continue reading: State And Main Review

Heist Review


Good
David Mamet is a good director. Mamet's an even better screenwriter and playwright. The guy's authored some of the best film and theatre works in the past decade -- The Verdict, House of Games, Wag the Dog, State and Main, and the guy even won a Pulitzer Prize for his play Glengarry Glen Ross. With that said, it's such a shame that his latest crime caper, Heist, falls apart by employing too many of the well-known devices of a Mamet production -- double-crossing femmes fatale, overtly memorable characters, and deceptive plot lines.

But movies like The Spanish Prisoner, Things Change, and The Winslow Boy display a roundness to Mamet's innate abilities. And it's almost a crime to witness how all of that goes awry in his latest film, Heist.

Continue reading: Heist Review

The Spanish Prisoner Review


Extraordinary
"What I learned while watching The Spanish Prisoner," by Christopher Null.

1. Don't trust nobody.

Continue reading: The Spanish Prisoner Review

The Winslow Boy Review


Excellent

OK, let's just get this part out of the way right now:Who'd have imagined David Mamet -- that controversial master of brash,profanity-laced male head-butting -- could (or would even want to) directa G-rated masterpiece about the prim and proper society folk of EdwardianEngland?

Best known for his dialogue-driven, testosterone-saturatedstage plays ("Glengarry Glen Ross") and screenplays ("TheEdge"), Mamet seems the most unlikely directorfor a project such as "The Winslow Boy," a deceptively simpledrawing room drama about a family defending its sacred honor to the financial,emotional and medical detriment of its members.

The film is adapted from Terrence Rattigan's 1946 play-- loosely based on real events -- about the pursuit of justice for anupper-crust 13-year-old boy kicked out of a prestigious private schoolfor stealing a five schilling postal order.

Continue reading: The Winslow Boy Review

Heist Review


Good

One would think there could be no way to freshen up a plot as shopworn as the "one last big heist before retirement." By all rights, this should be the stuff of straight-to-video B movies by now.

But this year has seen three such pictures so intelligent, intricate and resourceful that by their very diversity they prove there's a lot of life left in the genre -- if a movie is in the right hands.

Robert De Niro, Edward Norton and Marlon Brando staged a break-in at the Montreal Customs House in thrilling, high-gloss "The Score." Ben Kingsley and Ray Winstone faced off as rival cockney toughs working a bank job in the edgy, oily "Sexy Beast." And now comes "Heist" -- a gritty, exhilaratingly tense thriller that benefits from a most elaborate array of rapid-fire twists and the sharp, delicious, cadence of dialogue by writer-director David Mamet.

Continue reading: Heist Review

Rebecca Pidgeon

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Drake Launches Intense New Short Film 'Please Forgive Me'

Drake Launches Intense New Short Film 'Please Forgive Me'

The rapper teams up with Apple Music on his latest project.

The Cast Of 'Will And Grace' Have Reunited, But What Are They Up To?

The Cast Of 'Will And Grace' Have Reunited, But What Are They Up To?

The NBC series ended a decade ago, but Will, Grace, Karen and Jack haven't changed a bit.

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Idina Menzel Flashes Gigantic Sparkler Following Engagement

Idina Menzel Flashes Gigantic Sparkler Following Engagement

Now THAT'S an engagement ring. Good job, Aaron Lohr!

Robbie Williams Announces New Album 'Heavy Entertainment Show'

Robbie Williams Announces New Album 'Heavy Entertainment Show'

The album is Williams’ first release since 2013’s ‘Swings Both Ways’.

Dev Patel Is A Lost Boy In Touching True Story Drama 'Lion'

Dev Patel Is A Lost Boy In Touching True Story Drama 'Lion'

There's already an Oscars buzz surrounding this movie.

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Rebecca Pidgeon Movies

Red Movie Review

Red Movie Review

Based on the graphic novel, this action-comedy has a wacky tone that's entertaining but never...

How To Be Trailer

How To Be Trailer

Watch the trailer for How To BeArt is a young guy trying to make his...

The Lodger Movie Review

The Lodger Movie Review

Marie Belloc Lowndes' 1913 novel, The Lodger, based on the grisly Jack the Ripper killings...

Edmond Movie Review

Edmond Movie Review

There's a slight chance, very slight, that David Mamet is a genius. As a writer,...

The Winslow Boy Movie Review

The Winslow Boy Movie Review

David Mamet scores again, and in the unlikeliest of films.I've known and respected Mamet's directorial...

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State and Main Movie Review

State and Main Movie Review

In order to see one of 2000's real treasures, most of you are going to...

Heist Movie Review

Heist Movie Review

David Mamet is a good director. Mamet's an even better screenwriter and playwright....

The Spanish Prisoner Movie Review

The Spanish Prisoner Movie Review

"What I learned while watching The Spanish Prisoner," by Christopher Null.1. Don't trust nobody.2. If...

The Winslow Boy Movie Review

The Winslow Boy Movie Review

OK, let's just get this part out of the way right now:Who'd have imagined David...

Heist Movie Review

Heist Movie Review

One would think there could be no way to freshen up a plot as shopworn...

State & Main Movie Review

State & Main Movie Review

Playwright, filmmaker and satirical dialogue savant David Mamet ruthlessly runs Hollywood through with a poison...

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