Rebecca Miller - Shots of a variety of stars as they took to the red carpet for the Museum Of The Moving Image as they honored Julianne Moore at 583 Park Avenue in New York City, New York, United States - Tuesday 20th January 2015
Pippa (Wright) is married to the much-older Herb (Arkin), a publisher who hates that he's now retired. But it's Pippa whose world is starting to unravel, as she reaches the point where she needs more than being a trophy wife and mother to two now-grown kids (Kazan and McDonald). Her sleepwalking antics indicate that her subconscious has already figured this out, but it'll take a look at her childhood (played by Lively and youngster Madeline McNulty) to help her see what she needs to do next.
Continue reading: The Private Lives Of Pippa Lee Review
Reissued on DVD to take advantage of writer/director Rebecca Miller's new cachet courtesy of Personal Velocity, this inauspicious debt longs to be Heavenly Creatures -- or less explicably, Like Water for Chocolate, is the DVD case heralds. Too bad it's a third-rate indie, well photographed but ultimately not worth watching for either its precocious stars or its ham-fisted stars.
Continue reading: Angela Review
Reissued on DVD to take advantage of writer/director Rebecca Miller's new cachet courtesy of Personal Velocity, this inauspicious debt longs to be Heavenly Creatures -- or less explicably, Like Water for Chocolate, is the DVD case heralds. Too bad it's a third-rate indie, well photographed but ultimately not worth watching for its precocious stars or its ham-fisted stars.
Continue reading: Angela Review
First there's Delia (Kyra Sedgwick, consistently underrated for far too long), a tough cookie from hard knocks who must manage to break the cycle of family abuse without losing control in front of kids that have already seen Mommy cut down to size. Next is Greta (Parker Posey, fantastic in her most human role to date) who accidentally works her way up the corporate ladder, but also possibly out of a marriage that has lost all spark. Finally, Paula (Fairuza Balk, always interesting to watch) is living from one sign-from-above to the next after realizing she's pregnant.
Continue reading: Personal Velocity Review
Familiarity with Auburn's stage presentation may breed contempt for this version, which feels distinctly off-kilter from its first frames. Mysteries that held water longer in the theater instead land like Doc Marten's on a flimsy piece of plywood here. Director John Madden samples a chatty, analytical approach to his literal translation but gets swept up in stagy, awkward, and all-too-deliberate line readings. Much like last year's ill-conceived Phantom of the Opera, this movie has few cinematic qualities that elevate it above a tedious and emotionless play rehearsal shot on location.
Continue reading: Proof (2005) Review
A couple of problems threaten to spoil the remote idyll. Jack has a terminal heart condition and they both know his days are numbered. What each wants to do about it differs monumentally. For her part, Rose is devoted to the idea of committing suicide as soon as dad leaves his mortal coil, feeling she couldn't face life without him. In the wisdom of maturity and a wider scope of options, Jack would like to live out the remainder of his life with a companion who, at the same time, would become a replacement adult supervisor for teenager Rose when he's gone. Nice plan -- one that even a normal father might well dream up. And, since he's been dating Kathleen (Catherine Keener) during his rare visits to the mainland, and likes her, he asks her to come live with him and Rose.
Continue reading: The Ballad of Jack and Rose Review