Raymond Waring

Raymond Waring

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Intruders Trailer


Juan is an 8 year old boy living in Madrid who loves to tell stories using his vivid imagination. At night, his sleep is disrupted every night by increasingly horrific dreams. His mother is concerned that his storytelling is providing the fuel for these dreams and doesn't believe what Juan tells her; that a faceless demon is appearing to him every night. As his health declines, Juan's mother starts to realise that Juan is not being haunted by an imagined threat brought on by nightmares, as she first thought but an all too real danger that could put an end to Juan's life.

Continue: Intruders Trailer

White Lightnin' Review


Good
Loosely based on a real person, this unhinged drama gets increasingly lurid and grisly as it progresses. It's riveting, inventive filmmaking, but not remotely easy to watch.

In rural Appalachia, Jesco White (Campbell) is such a wild child that his daddy D-Ray (Watson) chains him to his bed so he won't sniff lighter fluid. Seeing his son as destined for a life in mental hospitals, D-Ray teaches him folk-dancing as an outlet. And after D-Ray is murdered, Jesco (now Hogg) uses makes a living as a dancer. Amid a life of drunken bar brawls, he falls for an older married woman (Fisher) who leaves her family for him. But Jesco is too obsessed with avenging D-Ray's death to have a normal life.

Continue reading: White Lightnin' Review

Lucky Break Review


Good
Prison flick meets musical comedy in this oddball conflagration of genres, a British feel-good flick that just so happens to be the follow-up film director Peter Cattaneo made after The Full Monty. Four years went by, Cattaneo's name became all but forgotten, and films like this became Cattaneo's legacy. (Four years after Lucky Break, Cattaneo is finally shooting his next film.) The lovely Olivia Williams shoulders a lot of love here as the object of one prisoner's sights -- at least when he isn't doing double duty as a showman in the warden's play and planning his big escape. Lively enough to keep you paying attention through to the end, even if the whole affair is a bit absurdly silly.

Yes Review


Weak
I usually give Sally Potter a lot of slack; I've enjoyedall three of her feature films so far ("Orlando," "The TangoLesson" and "TheMan Who Cried"), even if I've been alonein doing so. She's an intelligent and sensitive filmmaker who usually establishesbreathing room for her deeply felt characters.

However her latest film, "Yes," is a failed experiment.Joan Allen plays an Irish-born woman stuck in a loveless, childless marriageto a philandering husband (Sam Neill). She meets a Lebanese cook (SimonAbkarian) who was once a surgeon in Beirut, and begins a love affair. Writtenentirely in verse, "Yes" requires the actors to suffer throughlong passages of blathering talk, and the scenes routinely dry out longbefore they end.

Potter attempts to add layers to the film by hinting atpolitical paranoia and showing scenes through surveillance cameras, butthe verse angle nullifies these attempts. The superb Allen is capable ofextremes: from icy control to dropping her emotional guard, yet she cannotmake this film's rhythms work.

Shirley Henderson, playing a maid who observes the actionand breaks the fourth wall by speaking directly to the camera, shows justhow the film might have played. With her silky, slithering delivery, sheplays with the words like a snake might toy with a mouse.

Raymond Waring

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Raymond Waring Movies

Intruders Trailer

Intruders Trailer

Juan is an 8 year old boy living in Madrid who loves to tell stories...

White Lightnin' Movie Review

White Lightnin' Movie Review

Loosely based on a real person, this unhinged drama gets increasingly lurid and grisly as...

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Yes Movie Review

Yes Movie Review

I usually give Sally Potter a lot of slack; I've enjoyedall three of her feature...

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