NBC is winning the battles, though will CBS win the war?
NBC stormed to its second straight weekly ratings victory, taking first place in the key 18-49 demographic - the most important to advertisers.
The network bested ABC, CBS and Fox in the lucrative demo, averaging a 2.76 rating for the week of September 30, compared to CBS' second place rating of 2.14, ABC's 2.13 and Fox's paltry 1.7.
The victory came despite the fact that NBC's three premieres for the week - Ironside, Welcome to the Family and Sean Saves the World - screened to frankly awful numbers, 1.4, 1.2 and 1.6 respectively, according to The Wrap.
Continue reading: NBC Storms Ahead In Key Demographic, Despite Miserable Premieres
The master craftsmanship on display (placing virtually the entire film within the confines of the apartment of hobbled photographer L.B. Jeffries -- the inimitable James Stewart -- referred to as "J.B. Jeffries" on the back of the DVD case) has few parallels in modern cinema. The story by John Michael Hayes is one of Hitch's simplest yet most gripping: Jeffries spies the cleanup of a supposed murder across the way from his Manhattan apartment -- a sinister Raymond Burr cleaning knives and whatnot. He tells his girlfriend (Grace Kelly) and she laughs. His nurse (the unforgettable Thelma Ritter) mocks him also, urging him to marry instead of peeping out the window at strangers. But slowly, the truth is revealed, and even his most ardent naysayers join in the plot to uncover the reality of what happened in the apartment across the way. By the end of the picture, Kelly is prepared to break into Burr's apartment via fire escape because she's certain of what has happened inside.
Continue reading: Rear Window Review
Seeing the restored "Rear Window" on the big screen again gave me goose bumps. This voyeuristic mystery is a masterpiece of meticulous detail -- the kind of detail that just doesn't come across on a TV, I don't care how big the screen or how sharp the picture.
All but four of the characters spend the entire movie 50 feet away from the audience's vantage point. They have little audible dialogue. Yet Alfred Hitchcock, genius that he was, managed to portray the littlest nuances of their personalities as James Stewart -- our bored, peeping hero, laid up with a broken leg in his sweltering New York flat -- spies on them all in their apartments from his window.
The story, of course, centers around stir-crazy Stewart's intense scrutiny of one of these neighbors, after witnessing the aftermath of a possible murder. Raymond Burr (sporting badly dyed gray hair), plays a scowling, barrel-chested salesman who steps out several times late one night carrying very heavy luggage and returns with the same bags much lighter. When his bickering, bed-ridden wife is conspicuously absent the next morning, Stewart's analytical imagination goes into overdrive.
Continue reading: Rear Window Review
With a fourth solo album having just dropped and his 50th birthday celebrations behind him, John Grant kicked off the UK leg of his latest tour in...
Tristan Corrigan on the difficulties of making music within a genre that is so popular.
They've just announced their 2019 70-date world tour and they've dropped a new single and video just to get fans even more excited.
Seven months after the release of his second album 'Staying At Tamara's', George Ezra unveils the video to his newest single 'Hold My Girl'.
Kesha's latest single is 'Here Comes The Change' from the soundtrack of an important new biographical drama entitled 'On the Basis of Sex'.
Former My Chemical Romance frontman Gerard Way unveils a solo single for the Halloween season entitled 'Baby You're A Haunted House'.
It's been four months since her split from Liam Payne, and now she's poured her heart out into a brand new single entitled 'Love Made Me Do It'.
From 'Happy' to 'Banana Pancakes', these are soaked in positivity.