The rivalries over Garance become so fierce that a man actually ends up nearly killed. That's the entire first half of the movie (which runs a dizzying 3 hours, 10 minutes). Of Garance's lovers, we are meant to root for the mime (Jean-Louis Barrault) (and there are endless scenes of pantomime), but in part two, we find he and Garance both trapped in loveless marriages to other people. They eventually meet again. Tragedy ensues. Three hours to reinvent Romeo and Juliet without any of the color.
Continue reading: Children Of Paradise Review
Jeff (Alain Delon) is the main character in Jean-Pierre Melville's Le Samouraï, a nuanced, surprising crime film from the days of the French New Wave. The film takes a minimalist look at a hitman's doomed existence, following Jeff through a hit and the unexpected outcomes of that action. He is picked up and questioned by an uncompromising police inspector (Francois Périer) and is let go after exasperating tests and questioning. The only witness to his crime is the piano player, Valerie (Caty Rosier), who denies seeing him at the club at all. Jeff doesn't squeal, but his employer sets a price on his head which is almost carried out, but not to full expectations. He offers Jeff another hit worth $2 million. Carrying out this hit ignites a strange but enthralling chase scene and ultimately leads him to his doom.
Continue reading: Le Samouraï Review
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