Ray Wise

Ray Wise

Ray Wise Quick Links

News Pictures Video Film RSS

The 42nd Daytime Emmy Awards

Ray Wise - The 42nd Daytime Emmy Awards held at Warner Brothers Studios in Burbank, California at Daytime Emmy Awards, Emmy Awards - Los Angeles, California, United States - Sunday 26th April 2015

Ray Wise
Ray Wise

42nd Daytime Creative Arts Emmy Awards

Fred Willard, Donna Mills and Ray Wise - A variety of celebrities were photographed as they attended the 42nd Annual Daytime Creative Arts Emmy Awards which were held at the Universal Hilton Hotel in Los Angeles, California, United States - Friday 24th April 2015

Fred Willard
Fred Willard
Fred Willard
Fred Willard, Donna Mills and Ray Wise

Cherry Pie And Damn Good Coffee: A Beginners Guide To Twin Peaks


David Lynch Kyle MacLachlan Sheryl Lee Ray Wise Twin Peaks

'Twin Peaks' may be returning for a third season with Kyle MacLachlan back as Dale Cooper, but after two and a half decades a new generation brings new potential viewers. So what do 'Twin Peaks' virgins need to know about this cult classic?

David Lynch at the Pennsylvania Academy of Fine Arts
David Lynch is bringing back 'Twin Peaks'

David Lynch is well-known for his quirky, often bizarre filmmaking, but his early 90s TV series 'Twin Peaks' has by far the biggest cult following of all. Set in a sleepy, fictional town in Washington, 'Twin Peaks' was an intriguing mix of murder mystery, psychological thriller and supernatural horror. Now, almost 25 years since the dramatic conclusion of series 2 which saw main character Special Agent Dale Cooper being replaced by an evil doppelganger after apparently rescuing his lover Annie Blackburn, it has been announced that a third series is getting under way. It's been a while, but here's ten things you need to know:

Continue reading: Cherry Pie And Damn Good Coffee: A Beginners Guide To Twin Peaks

'Twin Peaks - The Entire Mystery' release event - Arrivals

Grace Zabriskie and Ray Wise - 'Twin Peaks - The Entire Mystery' Blu-ray Disc collection release event held at the Vista Theater - Arrivals - Los Angeles, California, United States - Wednesday 16th July 2014

Grace Zabriskie and Ray Wise
Grace Zabriskie
Grace Zabriskie
Grace Zabriskie and Ray Wise
Grace Zabriskie and Ray Wise

Excision Review


Good

There's an element of parody to this jet-black comedy, but the film is so creepy that it gets under our skin. And even if it feels a bit ridiculous, the story challenges us with an exploration of bullying and social pressure that's deeply unsettling. All while writer-director Bates gleefully keeps us off-balance with a shifting mix of broad comedy and growing horror.

It's also a deranged coming-of-age tale about Pauline (McCord), a teen outcast who delusionally believes that she is destined to be a great surgeon. This is mainly because she wants to cure her sister Grace (Winter) of cystic fibrosis. So she teaches herself surgical skills by piercing her nose, among other things. She also propositions a hot classmate (Sumpter) about losing her virginity, partly because this is in her master plan and partly to annoy his mean-girl girlfriend (McCook), and he doesn't refuse. Meanwhile, her mother (Lords) makes it clear that she doesn't like Pauline, treating her husband (Bart) like dirt while doting on Grace.

The film's opening scenes are like a Todd Solondz movie, with grotesque characters saying staggeringly rude things to each other. And as events unfold, each person develops some complexity that makes them intriguing. It also helps that scenes are packed with lively side characters played by starry veterans. McDowell, Matlin and Wise play school employees who are baffled by Pauline's refusal to toe the line. And Waters is dryly hilarious as the sardonic priest Pauline is forced to see for counselling. 

Continue reading: Excision Review

Tim & Eric's Billion Dollar Movie Trailer


Tim Heidecker and Eric Wareheim are given one billion dollars to make a movie by the Schlaaang Corporation. Instead, the pair spend nearly all of the money and use what little they have remaining to make a three minute movie, which turns out to be a disappointment.

Continue: Tim & Eric's Billion Dollar Movie Trailer

X-Men First Class Trailer


It's 1962 and the world is on the brink of starting a new world war. As far as the general public are aware, mutants do not exist. Two of those very mutants still discovering their abilities are Charles Xavier and Erik Lensherr (Professor X and Magneto), two equally intelligent men who share a secret; they both hold incredible powers.

Continue: X-Men First Class Trailer

Twin Peaks: The Complete Series Review


Excellent
X-Files, Heroes, Lost? They all owe their very souls to a short-lived TV series that ran for just two seasons from 1990-1992. You might have heard of it: Twin Peaks.

I'll admit now that I wore an "I killed Laura Palmer" t-shirt thoughout my freshman year of college. Am I embarrassed by that now? Yes, but not as much as you'd think. Twin Peaks was a bona-fide phenomenon, the most subversively popular thing of its day and still a brainy-slash-guilty pleasure with few equals.

Continue reading: Twin Peaks: The Complete Series Review

RoboCop Review


Extraordinary
RoboCop was released in 1987, and it's the sort of film that looks like it was made by somebody who knew America only from what he read in newspapers. Which may be close to the truth; Dutch director Paul Verhoeven had been living in the U.S. for less than a decade when he made this, his first big-budget Hollywood film. The script gleefully takes on every myth told about the U.S. during the Reagan '80s: Cities are dens of evil and full of constant gunplay, authority has been brought to heel by capitalism, technology has crushed our humanity to atoms, the media destroys the morals of children. RoboCop plays all of this out as a bloody farce - it's both funny and violent as hell -- but it also knows that there are kernels of truth in all those statements. Great science fiction sheds light on the real world by recreating it radically, and RoboCop is great science fiction - it's one of the best dystopian fantasies about America put to film.

The place is Detroit, the time sometime in the near future. The part of the city known as "Old Detroit" is a cesspool of grime, slums, and toxic sludge; "New Detroit" is an empty promise of a shining new city that we see only on billboards. The police force is privatized, and one of its officers, Alex J. Murphy (Peter Weller) is grotesquely wounded during a fight with a gang. OCP, the company running the force, has had back luck creating a purely mechanical cop. So it claims Murphy's nearly-dead body and transforms it into a man-machine hybrid that's programmed to perform police work ethically. On his first night on the beat, he stops a rape in progress, shooting the rapist in the crotch and telling the woman in a chill monotone: "You have suffered an emotional shock. I will notify a rape crisis center."

Continue reading: RoboCop Review

The Battle of Shaker Heights Review


OK
We're two movies into Matt Damon and Ben Affleck's Project Greenlight, and I'm ready to call the experiment a success. At what, I'm still not sure. The behind-the-scenes antics captured each week for the multi-part HBO series provide an unprecedented insight into a movie's arduous journey from script to screen. Week to week, it provides excellent reality television.

But the end results - from Stolen Summer to this year's The Battle of Shaker Heights - haven't proven strong enough to separate themselves from the series. They struggle to stand on their own two independent feet.

Continue reading: The Battle of Shaker Heights Review

Twin Peaks: Fire Walk with Me Review


Weak
You can almost plot David Lynch's lunacy on a graph. From perfect form in 1990, with the original Twin Peaks TV show, to borderline schizophrenia with the second season in 1991, to absolute lunacy in 1992, with the prequel movie, Twin Peaks: Fire Walk with Me.

Filled with non-sequitur imagery and symbolism, Fire ostensibly tells how Laura Palmer came to be wrapped in that sheet of plastic which so fatefully washed ashore in the first episode of the TV series. But Fire doesn't really tell any story at all. There are scenes of exposition, but these are sandwiched between the endless dream sequences, the lunatic characters (like the woman in red and the one-armed man) who appear and vanish just as suddenly, and bonus raunch added just for the purpose of titillating the audience.

Continue reading: Twin Peaks: Fire Walk with Me Review

Rising Sun Review


Weak
Wildly improbable (read: typical Crichton) tale about a murder in a Japanese office building. It's action heroes Connery and Snipes on the case, so look out! Plenty of Japanese subculture to be examined and often mocked, which led to charges of racism against the book and the movie.

Good Night, and Good Luck Review


Excellent
One doesn't need much more of a reason to go to the movies than this: Edward R. Murrow taking on Senator Joe McCarthy (at the height of his power), crisp black-and-white cinematography, the clink of ice cubes over scotch, voluptuous clouds of cigarette smoke hanging in the air, a nation's conscience dangling in the balance. So it is with George Clooney's Good Night, and Good Luck, a film where the mood - just shy of too cool for its own good - sets the scene for Murrow, the patron saint of journalism, to cajole and castigate the audience in a time of complacency. It also has a great jazz soundtrack.

The story of the witch-hunt has endlessly retold, usually laden with the same self-satisfied 20/20 hindsight that afflicts stories of the civil rights movement, and fortunately Clooney and co-writer Grant Heslov see no need to go through it all again. With admirable precision, they've sliced away most all the accoutrements often used to open up the era for the modern viewer, ala Quiz Show. This is a film that takes place almost entirely inside a CBS studio and newsroom, with occasional trips to hallways, elevators, and a network executive's wood-paneled office. Once, they all go out to a bar. It's best in the studio, because that's where we find Murrow - incarnated with almost indecent accuracy by David Strathairn - looking and sounding like as though Rod Serling had decided to rejoin the human race, his manner clipped and astringent, cigarette cocked in one hand like a talisman warding off evil.

Continue reading: Good Night, and Good Luck Review

Ray Wise

Ray Wise Quick Links

News Pictures Video Film RSS