The drama stars Rami Malek and Christian Slater and has received widespread acclaim from critics and fans.
Amazon Prime has won the right to stream US drama 'Mr Robot', as part of an exclusive pact with NBCUniversal, which will bring the hit series to the UK for the first time. Winning the right to air the show is a huge coup for the streaming service, which is currently battling Netflix and Hulu for subscribers.
‘Mr Robot’ stars Christian Slater as a mysterious insurrectionary anarchist.
Announcing the acquisition, Brad Beale’s, Amazon VP of digital video content said, “‘Mr. Robot’ is one the most compelling new dramas on television. Rami Malek delivers a mesmerizing performance and leads a great cast with an intriguing story full of dark twists.”
Continue reading: Amazon Prime Is Bringing Hit US Drama 'Mr Robot' To The UK
USA Network postponed the season finale of ‘Mr. Robot’ as it includes a scene which is similar to the recent shootings of two journalists in Virginia earlier this week.
The season finale of Mr. Robot has been postponed as it reportedly bears some striking similarities to the recent shootings in Virginia in which two people died. The season finale was supposed to air on USA Network on Wednesday (26th August) but viewers were surprised to have found it replaced with another show.
Continue reading: ‘Mr. Robot’ Season Finale Postponed In Wake Of Virginia Shootings
Now in its third instalment, it's clearer than ever that this franchise is based on one joke that has been stretched far beyond the breaking point. And not too cleverly at that. Fortunately, this movie retains much of the deranged idiocy that made the second part rather enjoyable. So it's watchable even if there aren't many new ideas, and even if filmmaker Shawn Levy is far too happy to settle for unnecessary digital effects work where a bit of character comedy would have been much more engaging.
Back on the job as a night watchman in New York, Larry (Ben Stiller) is now orchestrating the museum exhibits when they come to life to provide spectacular shows for visitors who think this is all a special effect. Even his boss (Ricky Gervais) isn't sure what's really going on. But when a glitch in the magical Ancient Egyptian powers causes chaos, Larry learns that he needs to travel to London so he can reunite Ahkmenrah (Rami Malek) with his father (Ben Kingsley), who's on display at the British Museum. Larry's teen son Nick (Skyler Gisondo) comes along, as do his revived pals Teddy Roosevelt (Robin Williams), tiny soldiers Octavius and Jedediah (Steve Coogan and Owen Wilson) and others. But in London, while sneaking around local night guard Tilly (Rebel Wilson), Larry's team awakens a statue of the knight Lancelot (Dan Stevens), who dives into their quest with rather a bit too much gusto.
Until Lancelot turns up, everything about the film feels oddly tired, from the starry cameos to effects work that strains to be clever. Then Stevens injects a badly needed jolt of blue-eyed charisma and warped comical timing that makes the rest of the movie rather good fun. Rebel Wilson's side-plot is also rather amusing, with some wonderfully ridiculous touches. And even the cameos get better, notably a scene on a West End stage that's genuinely inspired silliness. Coogan and Wilson offer some raucous banter to accompany everything that happens, and Stiller kind of hangs on for dear life. But the filmmakers don't really care about these characters; they're just trying to create something visually impressive that's also goofy fun.
Continue reading: Night At The Museum: Secret Of The Tomb Review
Larry Daley, the former security guard at the American Museum of Natural History in New York, is facing his biggest challenge yet. While he's used his exhibit friends coming to life at night, they are normally very well-behaved during the new sunset opening hours, but it seems something's started making them a little crazy. The magic of The Tablet of Ahkmenrah seems to be waning, putting them at risk of being still forever. Larry must find a way to restore the tablet before it's too late, and so he decides to venture to the Natural History Museum in London to find out how to fix it. There, Larry and his ancient friends face enormous snakes, dinosaur skeletons and bronze lions that are all coming to life, as well as the feisty head of security Tilly.
Following on from the discovery that New York Natural History Museum's exhibits come to life after dark, security guard Larry Daley (Ben Stiller) is faced with a new problem. After confronting the curator, Dr. McPhee (Ricky Gervais), about the exhibits steadily losing consciousness, Daley and friends must travel to England to try to restore power to The Tablet of Ahkmenrah - the ancient artefact that grants life to the museum. In an adventure which spans the globe, Daley and company must meet up with new characters in an attempt to restore the magic before the figures lives end permanently.
It's difficult to understand how a movie about fast cars, tough guys and feisty women could be so little fun to watch. But the filmmakers, working from a popular videogame, have managed to make something only a gaming nerd could love. It's strikingly well shot, with a likeable cast and an eye-catching use of real stuntwork, but the limp script leaves it utterly joyless. Just a tiny hint of self-awareness goes a long way in these kinds of movies.
Our hero is Toby (Paul), a super-talented driver and mechanic stuck in small-town New York while his high school rival Dino (Cooper) makes millions on the racing circuit. Dino has also stolen Toby's ex-girlfriend (Johnson), and rubs salt in the wound by asking Toby to fix up a wildly valuable Mustang for him. Toby needs the cash to save his garage, so takes on the job with his pals (Cudi, Malek and Rodriguez). But things take a dark turn when Dino leaves Toby to take the fall for manslaughter. And when he gets out of prison two years later, Toby vows to get revenge, working with hellcat racing chick Julia (Poots) to enter the underground winner-take-all race organised by a radio deejay (Keaton).
Despite trying to fool us with various plot twists, the film's script is so by-the-books that we can predict everything that will happen next. So as it heads to its jaw-droppingly implausible finale, there isn't a single moment that surprises us. All we can do is try to engage with the characters, but they take themselves so seriously that this isn't easy. Clearly, director Waugh is much more interested in the cars than the people. So at least the driving scenes are visceral and sometimes thrilling in that choreographed stunt-driver sort of way. And they're notable because there isn't a digital effect in sight.
Continue reading: Need For Speed Review
Documentary-style authenticity gives this understated drama a real kick as it explores the fallout of child abuse from an angle we'd never expect. But this isn't the usual devastatingly gloomy approach, as filmmaker Cretton creates people and situations that are so honest that we have no trouble identifying with them. And he remains realistic and hopeful about the future.
The story centres on Grace (Larson), a counsellor at a short-term group home for at-risk teens. She's secretly in a relationship with her colleague Mason (Gallagher), and has a shock when she learns that she's pregnant. The real surprise is how this news dredges up memories of her own troubled childhood. But she doesn't have much time to take care of herself, because she, Mason and their coworkers (Malek and Beatriz) have a variety of kids who need their help. These include Marcus (Stanfield), who's about to turn 18 and move out on his own, and new arrival Jayden (Dever), who keeps trying to run away to see her abusive father.
Writer-director Cretton reveals Grace's personal history only as she's willing to face it herself. This allows Larson to deliver a remarkably transparent performance, as we see her confronting things she won't admit to herself. Her scenes with Gallagher are packed with jagged emotion as all of these issues swell up around them. And we can see that Mason's past in much more stable foster homes has given him more tools to handle these things.
Continue reading: Short Term 12 Review
The latest clip from 'Oldboy' featuring a very unstable and mentally damaged Joe Doucett on his release from his 20 years imprisonment is now available to watch online. When Joe finds himself trapped in a cell with no window and barely more than a bed, a TV and a bible, it's only the beginning of a nightmare that would potentially be endless. He discovers that he is wanted as the prime suspect in the brutal murder of his ex-wife who leaves behind a daughter. All he can do is work out, grieve over her death and ponder the whereabouts of his beloved little girl. Eventually, 2 decades later, he is released with a wad of cash in his jacket though it seems he is not free from the taunts of his captor who forces him to wonder just why he was released.
'Oldboy' is a twisted thriller based on the original 2003 South Korean movie of the same name which was written by Garon Tsuchiya and Nobuaki Minegishi. This adaptation has been directed by the Oscar nominated Spike Lee ('Malcom X', 'Do The Right Thing') and written by Mark Protosevich ('I Am Legend', 'The Cell'). It is due to be released on November 27th 2013.
'Oldboy' is an intense mystery thriller about a man who is locked up for 20 years before being suddenly released with a pocket full of cash and no explanation. Main star Josh Brolin, his co-star Michael Imperioli, director Spike Lee and screenwriter Mark Protosevich among others talk about the flick in a short featurette.
Continue: Oldboy - Featurette
Tobey Marshall is a highly skilled street racer who’s recently been released from a long sentence in prison after being framed for a crime he never committed by a scheming rich businessman. When he sets out on a revenge mission to take part in a race across country, his former friend and ex-partner betrays him and he is forced to escape the law once again.
Continue: Need For Speed Trailer
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