The drama stars Rami Malek and Christian Slater and has received widespread acclaim from critics and fans.
Amazon Prime has won the right to stream US drama 'Mr Robot', as part of an exclusive pact with NBCUniversal, which will bring the hit series to the UK for the first time. Winning the right to air the show is a huge coup for the streaming service, which is currently battling Netflix and Hulu for subscribers.
‘Mr Robot’ stars Christian Slater as a mysterious insurrectionary anarchist.
Announcing the acquisition, Brad Beale’s, Amazon VP of digital video content said, “‘Mr. Robot’ is one the most compelling new dramas on television. Rami Malek delivers a mesmerizing performance and leads a great cast with an intriguing story full of dark twists.”
Continue reading: Amazon Prime Is Bringing Hit US Drama 'Mr Robot' To The UK
USA Network postponed the season finale of ‘Mr. Robot’ as it includes a scene which is similar to the recent shootings of two journalists in Virginia earlier this week.
The season finale of Mr. Robot has been postponed as it reportedly bears some striking similarities to the recent shootings in Virginia in which two people died. The season finale was supposed to air on USA Network on Wednesday (26th August) but viewers were surprised to have found it replaced with another show.
Continue reading: ‘Mr. Robot’ Season Finale Postponed In Wake Of Virginia Shootings
Now in its third instalment, it's clearer than ever that this franchise is based on one joke that has been stretched far beyond the breaking point. And not too cleverly at that. Fortunately, this movie retains much of the deranged idiocy that made the second part rather enjoyable. So it's watchable even if there aren't many new ideas, and even if filmmaker Shawn Levy is far too happy to settle for unnecessary digital effects work where a bit of character comedy would have been much more engaging.
Back on the job as a night watchman in New York, Larry (Ben Stiller) is now orchestrating the museum exhibits when they come to life to provide spectacular shows for visitors who think this is all a special effect. Even his boss (Ricky Gervais) isn't sure what's really going on. But when a glitch in the magical Ancient Egyptian powers causes chaos, Larry learns that he needs to travel to London so he can reunite Ahkmenrah (Rami Malek) with his father (Ben Kingsley), who's on display at the British Museum. Larry's teen son Nick (Skyler Gisondo) comes along, as do his revived pals Teddy Roosevelt (Robin Williams), tiny soldiers Octavius and Jedediah (Steve Coogan and Owen Wilson) and others. But in London, while sneaking around local night guard Tilly (Rebel Wilson), Larry's team awakens a statue of the knight Lancelot (Dan Stevens), who dives into their quest with rather a bit too much gusto.
Until Lancelot turns up, everything about the film feels oddly tired, from the starry cameos to effects work that strains to be clever. Then Stevens injects a badly needed jolt of blue-eyed charisma and warped comical timing that makes the rest of the movie rather good fun. Rebel Wilson's side-plot is also rather amusing, with some wonderfully ridiculous touches. And even the cameos get better, notably a scene on a West End stage that's genuinely inspired silliness. Coogan and Wilson offer some raucous banter to accompany everything that happens, and Stiller kind of hangs on for dear life. But the filmmakers don't really care about these characters; they're just trying to create something visually impressive that's also goofy fun.
Continue reading: Night At The Museum: Secret Of The Tomb Review
Following on from the discovery that New York Natural History Museum's exhibits come to life after dark, security guard Larry Daley (Ben Stiller) is faced with a new problem. After confronting the curator, Dr. McPhee (Ricky Gervais), about the exhibits steadily losing consciousness, Daley and friends must travel to England to try to restore power to The Tablet of Ahkmenrah - the ancient artefact that grants life to the museum. In an adventure which spans the globe, Daley and company must meet up with new characters in an attempt to restore the magic before the figures lives end permanently.
It's difficult to understand how a movie about fast cars, tough guys and feisty women could be so little fun to watch. But the filmmakers, working from a popular videogame, have managed to make something only a gaming nerd could love. It's strikingly well shot, with a likeable cast and an eye-catching use of real stuntwork, but the limp script leaves it utterly joyless. Just a tiny hint of self-awareness goes a long way in these kinds of movies.
Our hero is Toby (Paul), a super-talented driver and mechanic stuck in small-town New York while his high school rival Dino (Cooper) makes millions on the racing circuit. Dino has also stolen Toby's ex-girlfriend (Johnson), and rubs salt in the wound by asking Toby to fix up a wildly valuable Mustang for him. Toby needs the cash to save his garage, so takes on the job with his pals (Cudi, Malek and Rodriguez). But things take a dark turn when Dino leaves Toby to take the fall for manslaughter. And when he gets out of prison two years later, Toby vows to get revenge, working with hellcat racing chick Julia (Poots) to enter the underground winner-take-all race organised by a radio deejay (Keaton).
Despite trying to fool us with various plot twists, the film's script is so by-the-books that we can predict everything that will happen next. So as it heads to its jaw-droppingly implausible finale, there isn't a single moment that surprises us. All we can do is try to engage with the characters, but they take themselves so seriously that this isn't easy. Clearly, director Waugh is much more interested in the cars than the people. So at least the driving scenes are visceral and sometimes thrilling in that choreographed stunt-driver sort of way. And they're notable because there isn't a digital effect in sight.
Continue reading: Need For Speed Review
Documentary-style authenticity gives this understated drama a real kick as it explores the fallout of child abuse from an angle we'd never expect. But this isn't the usual devastatingly gloomy approach, as filmmaker Cretton creates people and situations that are so honest that we have no trouble identifying with them. And he remains realistic and hopeful about the future.
The story centres on Grace (Larson), a counsellor at a short-term group home for at-risk teens. She's secretly in a relationship with her colleague Mason (Gallagher), and has a shock when she learns that she's pregnant. The real surprise is how this news dredges up memories of her own troubled childhood. But she doesn't have much time to take care of herself, because she, Mason and their coworkers (Malek and Beatriz) have a variety of kids who need their help. These include Marcus (Stanfield), who's about to turn 18 and move out on his own, and new arrival Jayden (Dever), who keeps trying to run away to see her abusive father.
Writer-director Cretton reveals Grace's personal history only as she's willing to face it herself. This allows Larson to deliver a remarkably transparent performance, as we see her confronting things she won't admit to herself. Her scenes with Gallagher are packed with jagged emotion as all of these issues swell up around them. And we can see that Mason's past in much more stable foster homes has given him more tools to handle these things.
Continue reading: Short Term 12 Review
Bob Muldoon and Ruth Guthrie are a young couple desperately in love but living a dangerous life of crime. When one day they are cornered by a group of cops after Ruth seriously injures one of them, they are arrested and Bob insists it was he who fired the shot. Ruth is let off to carry on with her life, intent on waiting for her lover while pregnant with their first child. Four years later, Bob manages to make an escape, and sets out on a journey to be reunited with Ruth and the daughter he has not yet had chance to meet, while being pursued by every cop in the county. He has had a lot of time to yearn for things to be back the way they were, but life has changed for Ruth; will Bob's return be the repose she's been hoping for, or will it just bring more drama?
Continue: Ain't Them Bodies Saints Trailer
Not long since the harrowing and almost fatal birth of their daughter Renesmee, newly born vampire Bella Cullen nee Swan and her new husband Edward have even more deadly drama to contend with. With prestigious Italian vampire coven the Volturi led by Vampire Irina accusing the rapidly growing Renesmee of being a demon child, Bella and Edward have no time to enjoy married life and bring her up together like regular parents. When their homelife is threatened by those who wish only to protect themselves, they realise that they must band together a formidable army to fight the Volturi down in a battle if they wish to save the life of their mortal child.
This much-adored vampire love story finally comes to a close in one of the most dramatic conclusions of fantasy fiction ever written. Based on the best-selling novels by Stephenie Meyer, 'The Twilight Saga: Breaking Dawn: Part 2' has been directed by 'Part 1's director Bill Condon ('Dreamgirls', 'Gods and Monsters') with screenwriter Melissa Rosenberg (who has written all of the other screenplays for the blockbuster series) working alongside him. This final instalment is set to become a major box office hit with its release on November 16th 2012.
Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Mackenzie Foy, Peter Facinelli, Dakota Fanning, Kellan Lutz, Maggie Grace, Ashley Greene, Nikki Reed, Michael Sheen, Elizabeth Reaser, Jackson Rathbone, Jamie Campbell Bower, Boo Boo Stewart, Joe Anderson, Billy Burke, Lee Pace, MyAnna Buring, Christopher Heyerdahl, Noel Fisher, Alex Meraz, Rami Malek, Cameron Bright, Mia Maestro, Charlie Bewley, Christian Camargo, Angela Sarafyan, Julia Jones, Daniel Cudmore, Tinsel Korey, Judith Shekoni, Chaske Spencer, Casey LaBow, Kiowa Gordon, Bronson Pelletier, Omar Metwally, Tracey Heggins, Andrea Gabriel, Toni Trucks, Lisa Howard, Patrick Brennan, Tony Bentley, Valorie Curry & JD Pardo.
This jagged, meandering exploration of a Scientology-style movement is hauntingly mesmerising and packed with meaty performances. As he did in There Will Be Blood, writer-director Anderson is exploring how people control and influence each other, this time focussing on a twisted mentor-protege relationship that's strikingly well-played by Hoffman and Phoenix.
The story takes place just after the war, as seaman Freddie Quells (Phoenix) struggles to overcome his physical and psychological injuries and fit back into society. After drifting across America, he stows away on a boat captained by Lancaster Dodd (Hoffman), who is known as the Master to followers of the Cause. He takes Freddie under his wing and coaches him to tap into his eternal soul by exploring who he was in past lives. So Freddie becomes part of the family with Dodd's strong-willed wife (Adams), doubtful son (Plemons) and more gung-ho daughter and son-in-law (Childers and Malek). And Freddie's stubbornness both annoys and challenges Dodd.
It's fascinating to watch these two men develop a tight connection while quietly jostling for power. The cycles of interaction make the film lurch in fits and starts as Freddie tries to elevate himself using Dodd's process, but continually finds another way all his own. In other words, both men are using each other to work out their own inner turmoil. While Hoffman gives a layered performance that bristles with quiet shadows and superficial bravado, Phoenix contorts his body and face into a man who has literally been crumpled up by his past. Meanwhile, the darkly intense Adams sneaks up and steals every scene she's in.
Continue reading: The Master Review
After their reckless marriage ceremony and the traumatic near-death-experience that was the birth of their daughter Renesmee in 'The Twilight Saga: Breaking Dawn Part 1', newly turned vampire Bella Swan and Edward Cullen think they have overcome the worst. However, 'Breaking Dawn Part 2' forces them to face a vicious battle with the Volturi after they hear a false claim the rapidly growing Renesmee is an immortal child; the conception of which is outlawed due to fact that immortal children can become out of control and dangerous. Bella and Edward must protect their daughter and themselves from assassination from the Volturi and find a way to prove that Renesmee is not in fact immortal.
Now in its third instalment, it's clearer than ever that this franchise is based on...
Larry Daley, the former security guard at the American Museum of Natural History in New...
Following on from the discovery that New York Natural History Museum's exhibits come to life...
It's difficult to understand how a movie about fast cars, tough guys and feisty women...
Documentary-style authenticity gives this understated drama a real kick as it explores the fallout of...
The latest clip from 'Oldboy' featuring a very unstable and mentally damaged Joe Doucett on...
Tobey Marshall is a highly skilled street racer who’s recently been released from a long...
Although set in the 1970s, this dramatic thriller has a distinctly Western vibe to it,...
Bob Muldoon and Ruth Guthrie are a young couple desperately in love but living a...
When Joe Doucett suddenly wakes up one morning to find himself imprisoned in a cell...
Not long since the harrowing and almost fatal birth of their daughter Renesmee, newly born...
This jagged, meandering exploration of a Scientology-style movement is hauntingly mesmerising and packed with meaty...