Sir Michael Caine, Rachel Weisz , Harvey Keitel - The BFI London Film Festival Premiere of 'Youth' held at the Vue West End - Arrivals at Vue West End - London, United Kingdom - Thursday 15th October 2015
The actor has been learning to sail in preparation for his role as yachtsman Donald Crowhurst.
Colin Firth was last seen saving the world as veteran spy Harry Hart in Kingsman: The Secret Service, and now the versatile star has become a sailor in preparation for his role in a currently untitled Donald Crowhurst biopic.
First Kingsman, now yachtsman for Colin Firth
Attending a yacht party at the Cannes Film Festival, the Academy Award winner told the New York Post's Page Six that he has been taking sailing lessons before filming on the drama begins in England on Monday. He revealed he will captain a "41ft trimaran" with a cabin so tight, "there's very little room to act in."
Continue reading: Colin Firth Takes Sailing Lessons For Film Role
Farrell is making his first ever appearance at the annual film festival.
Colin Farrell and Rachel Weisz have touched down at the Cannes Film Festival to promote their latest movie, The Lobster, a surreal comedy which pokes fun at the dating game. Directed by Yorgos Lanthimos the film was largely shot in County Kerry and is already generating buzz as the possible Palme d’Or winner.
Colin Farrell and Rachel Weisz at The Lobster premiere in Cannes.
Farrell, who gained a few extra pounds for the role, stars as an architect who arrives at a hotel where the guests must find a partner within a certain time frame or be transformed into the animal of their choice. If worst comes to worst Farrell decides he would like to live on as a lobster. Yes this one is not your usual romantic comedy.
Continue reading: Colin Farrell And Rachel Weisz Hit Cannes For 'The Lobster' Premiere
After Leighton and Adam heres 10 other couple's who's weddings have taken us by surprise.
We were all a bit surprised with the news that Leighton Meester and Adam Brody had tied the knot in a secret wedding ceremony over the weekend, but this isn't the first time a celebrity couple have pulled a fast one on us. Here's 10 other celebrity weddings that we didn't see coming.
Weisz and Farrell to take centre stage in Yorgos Lanthimos' new movie alongside Ben Whishaw and Léa Seydoux.
Colin Farrell and Rachel Weisz have been cast in Yorgos Lanthimos' new science fiction romance, The Lobster, alongside the previously-announced Ben Whishaw ('Cloud Atlas'), Léa Seydoux ('Blue Is The Warmest Colour'), Olivia Colman ('Broadchurch'), Ariane Labed ('Attenberg,' 'Alps') and Angeliki Papoulia ('Dogtooth,' 'Alps'). The dystopian drama will be the first English language film from the Oscar-nominated Dogtooth director and will begin shooting in Ireland on the 24th March, according to Deadline.
Rachel Weisz Has Been Cast In A Key Role In Yorgos Lanthimos' 'The Lobster.'
Weisz ('The Mummy') and Farrell ('In Bruges') will lead the cast in the unconventional love story, in which a group of people who are told to find respective partners, or they will be turned into animals, reports Digital Spy.
The husband and wife team have won rave reviews for their performances in the Harold Pinter-penned stage production, 'Betrayal.'
How do you make a play about marital infidelity even more gripping, engaging and believable that it already did when it first left the pen of Nobel Prize-winning scribe Harold Pinter? By hiring a real-life husband and wife duo to take on the lead roles. That is what director Mike Nichols did when it came to casting the newly launched Broadway show, and with the help of husband and wife duo Daniel Craig and Rachel Weisz, his plan has proved to be a success.
Craig leaves the Ethel Barrymore Theatre after performance earlier this month
The steamy erotic setting would have been enough to get people through the turnstiles in their droves anyway, but with Craig and Weisz on board the play became a runaway success before the first round of reviews had been published. the play, which also stars Rafe Spall, set a box-office record at the Barrymore Theater earlier this month when it grossed $1,100,818 from just seven performances, the New York Times reported at the time, and as tickets continue to sell at an unprecedented speed, those worrying that the hype may have led them to over pay for the performance have had their minds put at ease with continually positive feedback from critics.
Continue reading: Daniel Craig & Rachel Weisz Stun In Broadway Production Of 'Betrayal'
Betrayal - Harold Pinter's tale of adultery and disappointment, is set to premiere this fall.
Rafe Spall will join Rachel Weisz and Daniel Craig on Broadway later this year in one of Harold Pinter’s seminal works, Betrayal. The production will mark the reunion of Scott Rudin and Mike Nichols, the producer/director team, which was responsible for one of the most successful productions last season, the revival of Death of a Salesman.
Pinter’s semi-autobiographical Betrayal centers around the elicit affair between the wife of a successful London publisher and his best friend. The play uses reverse chronology to uncover the cracks in a disintegrating marriage and the relationships that come into play in adultery. This will be the first time real-life husband and wife Craig and Weisz will share the stage and, rather appropriately, they will be playing the married couple. It’ll be interesting to see whether the pair can portray the right kind of chemistry and exactly how Spall’s performance will fit into the mix.
While this will not be Craig’s first turn on Broadway (he last worked with Hugh Jackman on Steady Rain in 2009), both Weisz and Spall have performed exclusively on a London stage up until this point. Both actors have been nominated for an Olivier award, with Weisz winning for her portrayal of Blanche Dubois in A Streetcar Named Desire.
Continue reading: Daniel Craig And Rachel Weisz To Star In Pinter's Betrayal On Broadway
Craig, Weisz and Pinter - what a curious combo!
Betrayal will be directed by none other than Mike Nichols, who also helmed the production of the huge Broadway hit Death of a Salesman, starring Philip Seymour Hoffman and Andrew Garfield. That production won Tony Awards for best revival of a play and best direction. Expectations are definitely high for this one, but avid theatre-goers will have to wait a while before they can actually catch it on stage. Betrayal will play a limited 14-week engagement at the Ethel Barrymore Theatre. It begins performances Oct. 1, with opening night set for Nov. 3. Closing date is Jan. 5, 2014.
The play is considered to be among Pinter’s best. Based to some extent on the author’s real experience, it chronicles the seven year relationship between the wife of a London publisher and his best friend. The play uses reverse chronology to explore the complex interactions of the extramarital affair. A bit of trivia – Craig and Weisz, who will play the married couple, are also married in real life. Perhaps the casting was done with this in mind. In any case, it will be interesting to see whether the actors can portray the right chemistry on stage.
Continue reading: Daniel Craig To Join Rachel Weisz On Broadway In Pinter's Betrayal
Like Tim Burton's Alice in Wonderland, this film shows the overpowering strength of Disney and producer Joe Roth, as they once again bury a gifted filmmaker and cast in an effects extravaganza that's strong on visuals but short on story. There are glimpses of Raimi's genius here and there, most notably in his eye-catching use of 3D. And the actors manage to inject a bit of spark into their family-friendly characters. But the plot and the relentlessly simplistic tone will only please children or undemanding adults.
At least it looks amazing. And like the 1939 classic The Wizard of Oz, the film opens in black and white with a Kansas-set prologue, where the womanising conman Oscar (Franco) performs as the flashy magician Oz. Chased into a hot-air balloon by an angry husband, he is engulfed by a tornado and drops into the colourful land of Oz, where people are looking for a messianic wizard named Oz to save them from the witch who murdered their king. But which witch is the wicked one? Oscar first meets the naive Theodora (Kunis), who hasn't yet decided if she'll be evil or not, then her big sister Evanora (Weisz), the steely interim ruler, and then the too-good Glinda (Williams). And even though he's not a real wizard, he might have some tricks up his sleeve that can help.
The film mixes ideas from L Frank Baum's stories with references to the iconic 1939 film, plus much more epic landscapes of Oz recreated with eye-popping digital trickery. On the other hand, the plot is formulaic and predictable, with characters who are only superficially complex and are far too obvious in the way they interact, badly underestimating the sophistication of even very young children in the audience. But the real problem is that the film is focussed on visual spectacle rather than endearing characters. The sidekicks this time are a slightly creepy-looking flying monkey (Braff) and a feisty china doll (King), both rendered with elaborate motion-capture effects that never quite seem to be there on the set with the actors.
Continue reading: Oz The Great And Powerful Review
Rachel Weisz stars in Sam Raimi's new movie Oz: Great and Powerful.
Rachel Weisz has done incredibly well to maintain some level of privacy during her recent years in Hollywood. The A-list actress left film director Darren Aronosfsky before marrying James Bond actor Daniel Craig and yet relatively little is known of the British actress outside of her profession.
It's strange, given Weisz's seemingly indifferent views on privacy and celebrities in the media. In a new interview with The Telegraph - in promotion of her new movie Oz: Great and Powerful - the actress was asked how she reacts when a photographer looms up when she's on the school run. "They're just trying to make a living," she said, adding, "Photographers aren't there with the express intention of p*ssing me off. Yes, there are times when I've been caught without make-up and not even a pair of huge sunglasses to hide behind, but it's not worth getting exercised about."
Weisz announced her split from Aronofsky in November 2010 and began dating Craig in December of that year, marrying him in a private New York ceremony on June 22, 2011. Only four guests were in attendance, including Weisz's son Henry and Craig's daughter.
It’s become the case that as sure as night follows day, so the Jimmy Kimmel Live Show will run a bang up program post-Oscars awards show.
The show followed the immediate aftermath of the 2013 Oscars, which saw the likes of Argo and Ben Affleck, Jennifer Lawrence, Ang Li and Bradley Cooper walk off with the main honors, and Kimmel was once again quick to mock the Hollywood film industry with a show brimming with satire. MTV reports that Kimmel opened with a lively monologue which saw him throw barbs at E!’s Ryan Seacrest, saying that he “took home the award for Best Animated Short” as well as poke fun at John Travolta, who’d struggled to pronounce film name Les Miserables at the event itself.
Then there was the sequel to Movie the Movie, the fake movie trailer that has since gone on to become a Youtube favorite after its debut at last year’s Oscar post-show. The sequel was called Move the Movie V2 and switched between a multiple of genres and featured the likes of Rachel Weisz and Armie Hammer which most notably mocked The Twilight Saga. A zombie apocalypse meanwhile takes care of the likes of Jude Law, whilst Gerard Butler also appears for a cameo. Yet inspite of the undoubted hi-jinks, there was something lacking in Kimmel’s show last night, and it wasn’t his fault – more over it just seemed that the material he had to work with, the Oscars themselves, was a little dull this year.
Several British stars scored Golden Globe nominations on Friday morning (December 14, 2012), with Tom Hooper's Les Miserables looking the UK's best hope of scoring a statuette. The musical is in the running for Best Picture (Comedy of Musical), as well as a string of acting awards.
Though the Globes is considered a solid barometer for the Oscars, it has been criticised for shaping its nominations to attract as many big name stars as possible. In 2011, Johnny Depp was nominated for his role in the critically panned The Tourist, leading host Ricky Gervais to joke, "It seems like everything this year was three-dimensional.except the characters in The Tourist." Nevertheless, several lesser known movies from the past year received nominations, including Ewan McGregor and Emily Blunt's Salmon Fishing in the Yemen. Judi Dench received a nod for Best Exotic Marigold Hotel while Helen Mirren and Rachel Weisz will compete for the Best Actress (Drama) award for their roles in Hitchcock and The Deep Blue Sea respectively. "It's the first major red carpet occasion of awards season," said Nick James, editor of the film magazine Sight & Sound, "so the HFPA need the maximum number of dresses on that carpet, and the widest range of hot talent on their list. They probably have a small eye on that, but I don't think it's too bent in that direction."
Though British stars were listed in today's nominations, it is likely to be Ben Affleck, Steven Spielberg, Kathryn Bigelow, Daniel Day Lewis, Hugh Jackman and Anne Hathway who contest the major prizes.
Oscar Diggs is a magician in a circus in Kansas who has about as much moral fibre as he has accomplishments to his name; that being none whatsoever. However, all that changes when he is magically transported to the land of Oz after his hot air balloon gets caught in a ferocious storm. He is about to have his ethics and his trickery put to the test after initially seeing the colourful and sparkling new world as a way of gaining the fortune he so longs for. Things change when he meets three beautiful witches Theodora, Evanora and Glinda who doubt his so-called magical powers are genuine but do believe he could still be great and powerful like the rest of Oz believe him to be if he saved the land from the wicked witch and became the righteous man he truly ought to be.
This vibrant Disney adventure has been adapted by director Sam Raimi ('The Evil Dead', the 'Spider-Man' trilogy) and screenwriters Mitchell Kapner ('Romeo Must Die', 'The Whole Ten Yards') and David Lindsay-Abaire ('Robots', 'Inkheart', 'Rise of the Guardians'). It has been based on the 1900 novel 'The Wonderful Wizard of Oz' by L. Frank Baum and serves as the prequel to the 1939 movie 'The Wizard of Oz'. Due for release on March 8th 2013.
Directed by: Sam Raimi
Continue: Oz: The Great And Powerful Trailer
Daniel Craig and wife Rachel Weisz shared a rare moment of public intimacy at the 2012 Britannia Awards at the Beverly Hilton Hotel on Wednesday evening (November 8, 2012). The British couple were attending the BBC America sponsored event, at which Craig picked up the award for British Artist of the Year.
After being announced the winner, Craig leaned in and kissed his wife before making his way onto the stage as she applauded. The Skyfall actor mimicked his 007 persona by opting for a simple black tuxedo, while Weisz opted for a black ensemble. After picking up his gong, Craig was congratulated by director Stephen Spielberg and Oscar winner Daniel Day-Lewis, who also took home an award for his turn in Lincoln. The evening turned out to be a very Bond affair, with actresses Berenice Marlohe and Naomie Harris both in attendance, as well as director Sam Mendes. Goldeneye actor Alan Cumming hosted the event in a striking looking red suit.
Though amongst the world's most famous movie stars, Craig and Weisz have managed to keep their relationship largely private. She broke off her engagement to director Darren Aronofsky in 2010 before marrying Craig in June 2011.
Genetically altered government agent Aaron Cross (Renner) is part of Outcome, a parallel programme to Treadstone, which created Jason Bourne. Since Bourne's antics have lifted the lid on Treadstone, Outcome director Eric (Norton) decides to terminate his programme by brutally killing everyone involved. But Aaron slips through the net, as does geneticist Marta (Weisz), whom Aaron needs for the meds that keep him going. As Eric's team hunts them down, they head to Manila to find a solution.
Continue reading: The Bourne Legacy Review
In Vienna, British businessman Michael (Law) has arranged to meet Slovakian prostitute Blanka (Siposova) on her first night on the job. But the situation shifts, and Michael ends up thinking about his wife (Weisz) in London.
Meanwhile, she's having a fling with a Brazilian (Cazarre) whose girlfriend (Flor) is fed up with his infidelity. On her flight home, she meets a troubled British man (Hopkins) and a recovering sex-offender (Foster). Meanwhile, an Algerian dentist (Debbouze) in Paris is in love with his Russian employee (Drukarova), whose husband (Vdovichenkov) works for a hotheaded gangster (Ivanir).
Continue reading: 360 Review
The CIA is confronted with the consequences of previous events that have taken place involving Jason Bourne. They decide that they must shut down Operation Outcome (the subsequent operation to Operation Treadstone) which will involve the assassination of Outcome agent Aaron Cross and Doctor Stephanie Snyder who helped produce the agents. They must find an escape or be killed.
Continue: The Bourne Legacy Trailer
Will (Craig) has just quit his job as a Manhattan editor to spend more time with his wife (Weisz) and young daughters (Geare and Geare) in their suburban home. But something isn't right. A suspicious man (Koteas) is lurking in the night, while the ex-husband (Csokas) of the neighbour (Watts) across the street oozes pure rage. Then Will starts to realise that nothing is what it seems to be. And he'll need to face reality if he hopes to sort things out.
Continue reading: Dream House Review
In 4th century Alexandria, Hypatia (Weisz) is a noted philosopher who teaches at the famed library. But the world around her is changing, as Greek and Egyptian beliefs conflict with Christians and Jews. And with the Roman Empire gaining power, the Christians have the edge. As Hypatia continues to explore her far-advanced theories about the earth and the universe, she finds herself caught between two men who love her: loyal servant Davus (Minghella) and the civic leader Orestes (Isaac). And the fundamentalist Romans aren't happy with her radical thoughts.
Continue reading: Agora Review
This film is packed with involving performances, even though Jackson takes a bloated approach to what should be a quietly emotional drama. And in the end, the production design is so lush that it swamps the story's themes.
In 1973, Susie (Ronan) is a happy 14-year-old just beginning to blossom. Her crush on a fellow student (Ritchie) is about to culminate in her first kiss, but she's instead brutally murdered by a creepy neighbour (Tucci). Her parents (Wahlberg and Weisz) are distraught, and Grandma (Sarandon) needs to come help care for Susie's younger siblings (McIver and Christian Thomas Ashdale). Susie watches all of this from "my heaven", longing for her parents to recover their balance and aching for some form of revenge.
The central theme is that Susie's yearning for vengeance is preventing her parents from moving on, and it's also keeping her from resting in peace. As the months and years pass, she struggles to let go of her connections to her family and also to dislodge her killer's hold on her. This intriguing idea is more suited to a small-budget filmmaker forced to find subtle, creative ways to depict the interaction between the afterlife and the living world.
Jackson, of course, has no budgetary constraints, and indulges in constant eye-catching effects that are drenched in colour and symbolism. This luxuriant approach seems odd for a story this fatalistic; it's not likely to be a commercial hit no matter how glorious the digital artistry is. While some viewers will connect with the raw emotional tone, concepts of the cruelty of fate and the fragility of life are lost.
Even so, Ronan delivers another knock-out performance packed with nuance and meaning even though many of her scenes only require reaction shots. It's in her eyes that the film comes truly to life, as it were. The other standouts are Sarandon, who brazenly steals scenes in what's essentially a thankless role, and Tucci, who never resorts to stereotype in his portrayal of a sinister loner. Jackson, on the other hand, continually applies cliches around him, from shadowy angles that generate palpable suspense to a ludicrously over-the-top coda that erases any subtlety the film might have.
Date of birth
7th March, 1970
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