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Rage Review


Nicolas Cage acts his socks off in this thinly plotted thriller, which is set in the same moral universe as the Taken movies, where mass murder is excusable if your daughter's been kidnapped. Despite a low-budget aesthetic, director Paco Cabezas invests each scene with straight-faced emotion, never acknowledging the general implausibility and irresponsibility of the story itself. But with Cage's rampant performance and Cabezas' visual style, the film almost works as melodramatic escapism.

Cage plays slick businessman Paul, who has finally put his criminal past behind him. But when his over-protected 16-year-old daughter (Aubrey Peeples) is kidnapped, he digs out his old leather jacket and turns to his boyhood partners in crime (Max Ryan and Michael McGrady) for help. While Paul's new young wife (Rachel Nichols) urges him to sort out this mess, his old police detective pal (Danny Glover) warns Paul against taking the law into his own hands. But he can't help it. Especially when it becomes clear that the Russian mobster (Pasha D. Lynchikoff) he clashed with nearly 20 years earlier might be involved in an attempt to get revenge.

While the plot itself doesn't have any real surprises, it at least tries to twist and turn its way through the story. And along the way, Paul's experience gets increasingly emotional, giving Cage the chance to indulge in everything from slow-burn frustration to tear-stained grief to full-on mad-dog violence. Rage indeed! Cage explodes with fury so many times that he seems in danger of transforming into the Hulk at any moment. And the actors around him wisely back up and let him have the stage to himself. Otherwise, there isn't much to the film, with a series of average car chases and fist-fights that are brutal but forgettable.

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2013 CNN Heroes: An All Star Tribute

Rachel Nichols - 2013 CNN Heroes: An All Star Tribute - Red Carpet Arrivals - Manhattan, New York, United States - Wednesday 20th November 2013

Rachel Nichols
Rachel Nichols

Cory Monteith's Final Film Project, 'McCanick', To Premiere At Toronto Film Festival

Cory Monteith David Morse Mike Vogel Zoe Bell Glee Rachel Nichols Ciaran Hinds

Cory Monteith's final film McCanick is due to premiere at the Toronto International Film Festival on September 9th. In one of his final roles, Monteith plays Simon Weeks a drug addict and recently released prisoner. According to reports by MTV, Weeks is suspected of a murder he committed whilst in his teens, he is tracked down by two detectives: Eugene 'Mack' McCanick (David Morse) and Floyd Intrator (Mike Vogel).

Cory Monteith
Cory Monteith at the 2012 San Diego Comic-Con, appearing in the Glee press room.

The trailer suggests Monteith's character is likely innocent of the suspected crime. One character warns the irritable McCanick "he's done bad things but he is not a killer", whilst the detective retorts "you don't know him as well as you think." This could be a red herring in itself, but we shall have to wait and see!

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Picture - Matthew Fox, Tyler Perry and... , Monday 15th October 2012

Matthew Fox, Tyler Perry, Rachel Nichols, Edward Burns and ArcLight Cinemas - Matthew Fox, Tyler Perry and Rachel Nichols an Edward Burns Monday 15th October 2012 Premiere of Summit Entertainment's 'Alex Cross' at the ArcLight Cinemas Cinerama Dome - Arrivals

Picture - Rachel Nichols , Monday 15th October 2012

Rachel Nichols Monday 15th October 2012 Premiere of Summit Entertainment's 'Alex Cross' at the ArcLight Cinemas Cinerama Dome - Arrivals

Rachel Nichols
Rachel Nichols
Rachel Nichols
Rachel Nichols
Rachel Nichols

Picture - Simon Barry, Victor Webster, Rachel... , Saturday 25th August 2012

Simon Barry, Erik Knudsen, Rachel Nichols and Victor Webster - Simon Barry, Victor Webster, Rachel Nichols, Erik Knudsen, of Continuum Saturday 25th August 2012 Fan Expo Canada held at the Metro Toronto Convention Centre

Simon Barry, Erik Knudsen, Rachel Nichols and Victor Webster

Conan The Barbarian Review

With a complete lack of self-awareness, this po-faced remake looks more like a trash-TV series (a la Spartacus or Camelot) than a proper movie. Mainly because the filmmakers continually opt for gratuitous gore rather than actual storytelling.

Born in battle, Conan (Howard, then Momoa) is set on vengeance. His people, the Cimmerians, were slaughtered by the evil Khalar Zym (Lang), who was looking for the barbarian-held pieces to a mythical all-powerful mask. Once the mask is reassembled, Khalar Zym and his fiendish daughter Marique (McGowan) need a pure-blood of Acheron to activate it and, as luck would have it, the last one is hot babe Tamara (Nichols). So of course Conan and Tamara team up to fight off the villains and save the pre-historic world.

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G.I. Joe: The Rise of Cobra Review

Frankly, this is what summer movies should be like. The filmmakers have harvested the coolest elements from blockbusters over the past five or six years and thrown them all into one wildly entertaining, thoroughly over-the-top action thriller.

US soldiers Duke and Ripcord (Tatum and Wayans) are guarding a terrifying new nano-weapon when they're attacked and then defended by two outrageously high-tech assault forces. They of course eventually join the good side, the G.I. Joes, an elite team led by General Hawk (Quaid). These top commandos (including Nichols, Taghmaoui, Akinnuoye-Agbaje and Park) are hunting Duke's ex Ana (Miller), who has gone over to the dark side to help supervillain arms dealer McCullen (Eccleston) and his Vader-esque evil-doctor sidekick with their nefarious plan for world domination.

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Charlie Wilson's War Review

Director Mike Nichols and screenwriter Aaron Sorkin made two exceedingly smart choices in adapting George Crile's book Charlie Wilson's War. First, they consented to a brisk 95-minute running time, rather than fall prey to the "prestige" mentality that can saddle such projects, and that bloats them out to beyond two hours. The other choice was leavening their material with a snappy, devil-may-care attitude -- a sure-fire strategy to skim over their story's weakest areas of story and character development.

Charlie Wilson's War is entertaining, and that's about the extent of it. Nichols and Sorkin's end result is decidedly a gloss on Crile's account of how the eponymous Texas congressman managed to supply military support to the Afghan Mujahideen fighting the Soviet occupation in the 1980s. While their movie mostly avoids the Hollywood trappings of political correctness and underdog sentimentality, it also doesn't have the chutzpah of its own conniving characters to offer much in the way of an incisive interpretation of those events.

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P2 Review

Someone -- either screenwriters Alexandre Aja and Grégory Levasseur or director Franck Khalfoun -- is very, very proud of the name of their new movie. At every possible opportunity, they make a point to linger on the title when it appears on screen. It's like product placement for a movie within the movie itself. Even more inexplicable, the name is... P2. Because it strikes such fear in the heart?

It's unfortunately not the only baffling part: Who decided that a horrorfest set in an underground parking garage needed to be made, and what on earth possessed Wes Bentley to decide he needed to be in it? The list of questions is longer than the movie, so it's best to start at the beginning.

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The Woods Review

In 2003 director Lucky McKee put out a quiet and little-seen horror film called May. After much prodding, I finally watched the thing, and, well... that was what the fuss was all about?

McKee returned earlier this year with a follow-up, another "thinking man's" horror film that didn't garner the same attention. It barely got a theatrical release (which I could convince none of my critics to go see), and I can't find any reports of its box office gross aside from a blunt "$0."

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Dumb And Dumberer: When Harry Met Lloyd Review

Dumb and Dumberer: When Harry Met Lloyd is without doubt the worst movie I've seen in a long time! It hardly warrants the pity star I have to give it because we don't give anything lower! In fact, this movie is so bad that I should, in retrospect, give a half star bump-up to all of the previous films that I've given one star to because they just don't belong in the same company as this film.

Dumberer is the prequel to the hugely successful comedy Dumb and Dumber, starring Jim Carrey and Jeff Daniels as two social misfits on a road trip looking for love in their canine car. This time around, we see just how the pair met, and became friends. After being home schooled for years, Harry (Eric Christian Olsen) and Lloyd (Derek Richardson) are finally ready for public high school (either that or their parents got sick of their childishness). As fate would have it, on their first day of school, Harry and Lloyd literally run into each other. Attracted to the other one's stupidity, they not only become inseparable, they also become the first students of the school's new special needs class.

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The Amityville Horror Review

The original "Amityville Horror"bored critics in 1979, but created a box office bonanza and spawned sevensequels.

Now the studios have commissioned a straight-ahead remake.After all, why go to the bother of writing new stories, or for that matter,coming up with material for another sequel? This way no one needs to thinkof anything at all.

Written by Scott Kosar (the 2003 "Texas Chainsaw Massacre"remake), the new "Amityville Horror" begins in 1974 with a flashbackto the catalyst murders, steeped in darkness and lit by intermittent, flickeringflashes of lightning.

A year later, the Lutz family moves into the creepy housewith the big eye-like windows. George (RyanReynolds) is the second husband of Kathy (MelissaGeorge), who has three children from a previous marriage.

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Dumb & Dumberer: When Harry Met Lloyd Review


"Dumb and Dumberer: When Harry Met Lloyd" couldn't be dumberer if Harry and Lloyd had written the script themselves.

A cash-in prequel to 1994's guilty-pleasure gross-out comedy starring Jim Carrey and Jeff Daniels as two low-IQ nincompoops on a cross-country trip, this movie is an obtuse, half-assed, meandering, slapped-together, pointless and nearly plotless journey back to the high school days of the same two dolts.

Twenty-something actors Derek Richardson (aping Daniels' blank stare and frazzled Einstein hair) and Eric Christian Olsen (doing a sporadically passable Carrey impression, with the character's bowl haircut and chipped tooth) don't have much to work with as Harry and Lloyd. Having been co-written and absentee-directed by Troy Miller ("Jack Frost"), "Dumberer" has no hint of the low-brow wit of the first movie -- which was the debut of the writing-directing Farrelly Brothers ("There's Something About Mary").

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