Ellie (Stasey) is a typical 17-year-old in small-town Wirrawee, begging her parents to let her and her pal Corrie (Hurd-Wood) take a weekend camping trip to an isolated valley called Hell. They assemble a group with Corrie's boyfriend Kevin (Lewis), prankster Homer (Akdeniz), posh girl Fiona (Tonkin), Thai prodigy Lee (Pang) and good girl Robyn (Cummings). After a great few days, they come home to find their hometown overrun by an invading Asian army, with their family and friends being held in a prison camp. Now what? Do they run, hide or fight back?
Continue reading: Tomorrow, When the World Began Review
Dorian (Barnes) is an orphan who inherits a sprawling mansion when his tyrant grandfather dies. Young and eligible, he's quickly taken under the wing of Lord Henry (Firth), who introduces him to the licentious ways of late 19th century London. But the sex and drugs sabotage his relationship with an innocent young actress (Hurd-Wood), and Dorian pledges his soul to the devil in exchange for eternal youth. Now instead of aging, a portrait painted by his friend Basil (Chaplin) shows the scars of his depraved life.
Continue reading: Dorian Gray Review
Since birth, Jean-Baptiste Grenouille (newcomer Ben Whishaw) has had a curiously strong sense of smell, bordering on superhuman. Born and continuously dropped-off under bad signs, Jean-Baptiste eventually makes his way to Paris where he becomes the apprentice of Baldini (Dustin Hoffman), an elderly perfumer who was once famous for his flourishing scents. Baldini wants to be able to compete with modern perfumers, but Jean-Baptiste has loftier ambitions. After murdering a young fruit girl, Grenouille becomes obsessed with cultivating the scent of women by any means possible. He leaves Baldini and heads for Grasse, the supposed kingdom of scent, where he encounters Antoine Richis (Alan Rickman) and his fiery, redheaded daughter (Rachel Hurd-Wood). It is here that Grenouille perfects away of capturing the scent of women and begins collecting the 12 women that will compose his ultimate scent... by paying with their lives.
Continue reading: Perfume: The Story of a Murderer Review
The movie covers the only recorded event of a human being dying from a spirit, which took place in Red River, Tennessee in the early 1800s. The events unfold after John Bell (Donald Sutherland) is cast off by his church for committing usury. The victim of Bell's shady business practices, an alleged witch, then threatens Bell: "I swear a dreadful darkness will fall upon you, and your precious daughter, too." That statement, by the way, should be amended to include the audience.
Continue reading: An American Haunting Review
Though it goes against everything he stands for, this rejuvenated Pan actually shows signs of growth and maturity. Special effects advancements help Peter and his cohorts pop off the screen. Cinematographer Donald McAlpine expands the rich color palette he utilized in such vivid films as Moulin Rogue and Romeo + Juliet. And director P.J. Hogan slips in subplots of unrequited love, develops pangs of loneliness, and mixes fleeting flights of happiness with his heroism.
Continue reading: Peter Pan (2003) Review
In an era of severely dumbed-down children's movies, the first live-action "Peter Pan" picture since the silent era does something extraordinary -- it un-Disneyfies the story, revives the deeper themes of J.M. Barrie's original book and play, and emerges as an appropriately wily family-fare delight.
From its exquisite, Maxfield-Parish-inspired Neverland of golden sunlight, lush green forests and cotton-candy clouds to the quintessently pubescent and enigmatically tingly chemistry between Peter (the strangely pretty 14-year-old Jeremy Sumpter) and Wendy (the even prettier 13-year-old Rachel Hurd-Wood), the film is a vivid and surprisingly visceral experience.
Director P.J. Hogan ("My Best Friend's Wedding") evokes the true wonder of childhood in the eyes of his young stars as Peter Pan, the mythical leafy-clad boy who refused to grow up, hovers with the power of happy thoughts and fairy dust outside the third-story window of Wendy Darling on a snowy night in 1900s London, engrossed in the stories of adventure that the girl spins with wide-eyed zeal for her little bothers John and Michael.
Continue reading: Peter Pan Review