Kung Fu Hustle (written by Chow, Tsang Kan Cheong, Xin Huo, and Chan Man Keung) follows despondent wannabe gangsters Sing (Chow) and Brother Sum (Kwok Kuen Chan) - two inept bunglers with dreams of criminal fame and fortune - as their attempts to impress the Axe Gang bring chaos to the working-class town of Pig Sty. There, a screaming landlady (Qiu Yuen) and her licentious husband (Wah Yuen) maintain order and obedience with an iron fist. However, after the arrival of the Axe Gang - a group of suit-wearing toughs whose leader (Hsiao Liang) likes to orchestrate choreographed line dances after killing his adversaries - the town's landlords, as well as three seemingly ordinary men, reveal themselves to be superpowered kung fu masters. What ensues is inventive, frenzied combat of the fantastical variety, highlighted by a Wachowski-esque battle involving innumerable (and identical looking) Axe Gang members swarming Pig Sty's enclosed courtyard for a chance to vanquish the unretired martial arts heroes. Throughout such visually hectic set pieces, Chow's direction proves a model of efficiency, presenting every special effects-enhanced roundhouse kick, aerial jump and flaming fireball with a lucidity that allows for spatial coherence. Assured and exhilarating, the filmmaker's dynamic staging and blocking allows him to stretch the boundaries of his confiding frame, culminating in a high-flying, earth-shattering climax that virtually leaps off the screen.
Continue reading: Kung Fu Hustle Review
Artfully orchestrating the action is legendary Hong Kong director Cory Yuen, who shows no signs of tiring with this, his 34th directing job in 21 years (in addition to his 32 gigs as an action choreographer). Yuen, whose credits include most of Jet Li's best films, including High Risk and The Enforcer, has more recently entertained Western audiences with The Transporter (also starring Qi Shu). A genius in his cinematic genre, Yuen knows how to make screen action look fantastic, with just the right pacing and skillful editing. His films are visual feasts, even if the plots sometimes fall by the wayside.
Continue reading: So Close Review
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