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Celebrities arrive at LAX (Los Angeles International) airport

Piper Perabo and Stephen Kay - Celebrities arrive at LAX (Los Angeles International) airport - Los Angeles, California, United States - Friday 20th December 2013

Piper Perabo and Stephen Kay
Piper Perabo and Stephen Kay
Piper Perabo and Stephen Kay
Piper Perabo and Stephen Kay
Piper Perabo and Stephen Kay

Fan Expo Canada Day 4

Piper Perabo - Day 4 of Fan Expo Canada 2013 at Toronto Metro Convention Centre. - Toronto, Canada - Sunday 25th August 2013

Peter Gallagher and Piper Perabo
Piper Perabo
Piper Perabo

HFPA Annual Luncheon

Piper Perabo - Hollywood Foreign Press Association's 2013 Installation Luncheon - Los Angeles, CA, United States - Tuesday 13th August 2013

Piper Perabo

Hollywood Foreign Press Association's 2013 Installation Luncheon

Piper Perabo - Hollywood Foreign Press Association's 2013 Installation Luncheon - Beverly Hills, California, United States - Wednesday 14th August 2013

Piper Perabo

Hollywood Foreign Press Association's 2013 Installation Luncheon

Piper Perabo - Hollywood Foreign Press Association's 2013 Installation Luncheon Held at The Beverly Hilton Hotel - Beverly Hills, California, United States - Tuesday 13th August 2013

Piper Perabo
Piper Perabo
Piper Perabo
Piper Perabo
Piper Perabo

Looper Review


Excellent

For a time travel thriller, this film is remarkably free of head-scratching anomalies in the plot, instead concentrating on richly developed characters and goosebump-inducing action. This is an unusually intimate action blockbuster, which gives the cast a chance to do something more resonant than we expect. And writer-director Rian Johnson takes a Christopher Nolan-style approach to the story, using intelligence and strikingly inventive filmmaking to draw us in.

Johnson is also reuniting with his Brick star Gordon-Levitt. He plays Joe, a looper in 2044 Kansas whose job is to kill men who are sent back 30 years in time by the mob, even though time travel has been outlawed. Joe knows that one day his victim will be his older self, sent back to close his loop, giving him 30 years of retirement. But when the older Joe (Willis) appears, he escapes, and now a manhunt is on. If Joe doesn't catch his older self, his boss (Daniels) will do something even more drastic than a vicious henchman (Dillahunt) has in mind. So Joe hides out in a rural farmhouse with single mother Sara (Blunt) and her young son Cid (Gagnon), with whom Joe creates an unusual bond.

The film is beautifully shot and edited, with a noir tone established by a knowing narration and the fact that most characters are addicted to a drug they take as eye-drops. And while it opens with some lively humour and witty edginess, things become darker as the story unfolds, especially when older Joe starts hunting Terminator-style for the younger version of an evil man who has too much power in the future. The hitch is that this man is a 5-year-old in the present day.

Continue reading: Looper Review

Looper Trailer


Joe Simmons is a looper from Kansas City in 2042; a hitman hired to assassinate victims sent to him by a gang of mobsters from thirty years into the future through the outlawed method of time travel. The only rule put to him is that the targets must not escape. One day, on his regular duties, a new victim shows up who happens to be without the customary sack over his head. When he looks up, Joe recognises the man as an older version of himself and his sudden shock gives his future self the opportunity to disarm him and make a break for it. When Joe's criminal employees find out about the escape, they set out to destroy him for his failure. It doesn't take long for him to convince himself that he must kill his future self despite the fact that he is being used in order for the lawless organisation to 'close the loop'.

Continue: Looper Trailer

Carriers Review


OK
Well-made but not particularly inventive, this post-apocalyptic thriller is like a college road movie crossed with Mad Max. The cast is much better than this thin script deserves, but the film does generate some great jolts.

Brainy Danny (Pucci) and his more action-oriented brother Brian (Pine) are driving through Colorado with Brian's girlfriend Bobby (Perabo) and their friend Kate (VanCamp) when they encounter a man (Meloni) who's trying to get his sick daughter (Shipka) to a clinic. She has the highly contagious disease that has killed off almost everyone, so extreme measures are needed to prevent infection. As they continue across the Southwest, heading for a Gulf Coast beach they remember from childhood, they encounter various other survivors and are forced to make some brutal decisions.

Continue reading: Carriers Review

Carriers Trailer


Trailer for the film Carriers

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Beverly Hills Chihuahua Review


Grim
Of all the misguided movie genres, the modern family film is the most disingenuous. While it argues that it's merely providing "quality" entertainment to those underserved by Hollywood's obsession with sex and violence, the truth is that most G- to PG-rated fare is far more insidious. Applying a sugar-coated Saturday morning superficiality to what's supposed to pass for pleasantries, the Tinsel Town machine still finds a way to manufacture out all the fun. Disney's disappointing live action comedy Beverly Hills Chihuahua can be accused of a great many faults -- indirect racism, single digit IQ writing, past-tense pop culture awareness -- but one thing it cannot claim is an ability to reach beyond its typical tween demographic.

Chloe (the voice of Drew Barrymore) is the most pampered pooch in all of sunny LaLa Land. Her owner (Jamie Lee Curtis) is a rich cosmetics titan who indulges her pet's every non-human whim. When the mogul needs to fly off to Europe to launch her new line, she must rely on her prissy, high strung niece Rachel (Piper Perabo) to mind her valuable canine. Showing just how responsible she is, our substitute sitter instantly accepts an invitation to weekend in Mexico, and takes Chloe along for the unnecessary ride. Dognappers eventually hijack the hound, and it's up to an ex-cop German Shepherd (voiced by Andy Garcia), a good natured landscaper (Manolo Cardona), and his frisky Chihuahua Papi (voiced by George Lopez) to rescue the four footed female before it's too late.

Continue reading: Beverly Hills Chihuahua Review

Perception Review


Grim
In too good of a mood today? Park yourself in front of Perception for 104 minutes and you'll be drinking yourself to sleep come nightfall.

As melodrama goes, Perception is filled to the absolute brim with it. What seems like it will start off as a lighthearted, quirky comedy soon becomes something entirely else. Piper Perabo stars as Jen (not "Jennifer"), who's just returned to New York after a failed stint at living in L.A. Here, we find her parents are in rapid mental decline. Her semi-girlfriend (Heather Burns) is clingy and, well, stupid. Her ex-boyfriend (Seth Meyers) keeps coming around. And then Jen, in one of the big "holy crap!" moments of cinema, gets run over by a truck.

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First Snow Review


Weak
What is it about Guy Pearce that makes him so attractively insular, even when he's playing an obnoxious halfwit who sells bargain basement linoleum? Last year, he started strong with his brooding performance in John Hillcoat's brutal The Proposition and ended as the only graceful note as Andy Warhol in the otherwise abysmal Factory Girl. Though it premiered at last year's Tribeca Film Festival, it's taken close to a year for someone to pick up First Snow, along with both Lonely Hearts and Comedy of Power, which also premiered at Tribeca last year. With the 2007 edition of the festival a paltry month away, a look at one of its more well-attended and well-received pieces is apt.

Pearce plays Jimmy Starks, a walking grease bucket of a salesman who is waiting for his car to get fixed when we first meet him (as if the name left any room for ethical clarity). Jimmy is trying to sell everyone: He attempts to sell a jukebox to a bar owner (he already has one), tries to sell his intellectual cynicism to a fortune teller (J.K. Simmons, playing it surprisingly low key), and tries to sell his respect to his colleagues and coworkers (William Fichtner and Rick Gonzalez, respectively). When the fortune teller tells him that he will go tits-up when the first snow hits, Starks responds with impervious flaunting and jittery paranoia. Self-aware and gaunt with confusion and doubt, Starks begins to take action to ensure he won't die. Not an easy charge with a vexed ex-partner (Shea Whigham), sneering and prodding through late night phone calls.

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The Prestige Review


Essential
That's four swings and four home runs for Christopher Nolan, who remains perfect having helmed an amnesic identity crisis (Memento), an atmospheric Northwestern noir (Insomnia), and the rebirth of a cherished superhero (Batman Begins). If the writer-director answers every nagging question that's raised - and the more I think about it, the more convinced I am that he does - then The Prestige is the wunderkind director's latest in a growing line of masterpieces.

Prestige refers to the third act of a magic trick, the point when the performer reveals a sleight of hand before a baffled crowd. Finding the perfect prestige is what drives turn-of-the-century magicians Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale).

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Because I Said So Review


Terrible
How did we get here? Michael Lehmann's career seemed like one of those no-brainers, destined to slowly pour a mixture of cyanide, ammonia, and pop rocks into the drinking well of modern teen romps and romantic comedies. A debut film tends to state a director's intentions, and Heathers was the sort of debut that said "lock up your prom dresses and get out your garter belts, this ain't gonna be pretty." Somewhere, these intentions were lost like a mentally ill turtle that surprisingly found itself in the toilet bowl.

Heathers sashayed into theaters in 1989 and since then, Lehmann has turned in nothing but guilty pleasures and unfathomable duds. In hindsight, one could have never seen the man behind Hudson Hawk, My Giant, 40 Days and 40 Nights, and The Truth About Cats & Dogs also being responsible for one of the most influential films of the 1980's. But here we are: 18 years after Heathers, Lehmann reduces his talent to a spasmodic headache about... sweet Jesus, you got me.

Continue reading: Because I Said So Review

Imagine Me & You Review


Terrible
A massive cinematic industry has been cultivated on the idea that people aren't exactly in control of whom they fall in love with. But movie charades of predetermination often squelch the lure of this subject matter. Such is the fate of Imagine Me & You, a sit-comish Brit romance that waffles between Four Weddings and a Funeral's fuzzy cuteness and Notting Hill's middling novelty. The clever thing here is the homosexual relationship... you'd think. But, nowadays, even the gay angle has become a titillating surrogate for originality.

The mediocrity begins with florist Luce (Lena Headey) meeting Rachel (Piper Perabo) at her wedding to lifelong friend-become-lover Heck (Mathew Goode channeling Hugh Grant). They become smitten girlfriends since Rachel remains sexually confused. And, though Luce tells Heck she's gay -- and he tells womanizer buddy "Coop" (Darren Boyd) -- Heck remains blind to her and his wife's mutual attraction.

Continue reading: Imagine Me & You Review

Piper Perabo

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