Piper Laurie

Piper Laurie

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Piper Laurie and Doris Roberts - The Borgnine Movie Star Gala at Sportsmen's Lodge Event Center - Studio City, California, United States - Saturday 23rd February 2013

Piper Laurie and Doris Roberts

Saving Grace B Jones Trailer


After being confined to a mental asylum for 17 years, Grace B Jones gets released following years of abuse and torment at the hands of mental health nurses. She goes to live with her brother Landy Bretthorse, his wife Bea and two young girls in Boonville, Missouri despite Bea's concerns about her instability particularly around the children.  Although Grace seems a nice, friendly person and treats the girls kindly, she has regularly bouts of hysteria which first come about after a boat accident during the calamitous 1951 flood. Is there enough of Grace left to save? Or will the household conclude that sometimes a broken woman is beyond repair?

'Saving Grace B Jones' is based on a true story surrounding first time feature film director Connie Stevens' childhood in the fifties when she was sent away from her home in Brooklyn to Missouri to live with family friends after witnessing a brutal murder. She was to find, that summer, that that terrible crime was not the thing that would have the biggest effect on her the rest of her life. This shocking drama has been co-written by Jeffry Elison in his screenwriting debut and first premiered in 2009 at the Philadelphia Film Festival/Cinefest. It is now available to see in theaters everywhere now.

Director: Connie Stevens

Continue: Saving Grace B Jones Trailer

Piper Laurie Tuesday 20th November 2012 arrives to the 'Hitchcock' Premiere at Academy of Motion Pictures Arts and Sciences in Los Angeles

Piper Laurie
Piper Laurie
Piper Laurie
Piper Laurie

Piper Laurie Sunday 26th February 2012 22nd Annual Night Of 100 Stars Oscar Viewing Gala held at The Beverly Hills Hotel

Piper Laurie

Hesher Trailer


Since T.J.'s mother died in a lethal car crash he and his father, Paul, have struggled to get on with life and are forced to live with T.J's grandma. When T.J meets a long-haired rocker by the name of Hesher, at first neither person is particularly taken by the other, there's a huge age gap for one thing but after an initial bad meeting Hesher begins to take on the role of a mentor for the young boy.

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Piper Laurie - Friday 12th June 2009 at Crystal And Lucy Awards Century City, California

Piper Laurie

Debbie Allen, Lupe Ontiveros, Piper Laurie and Blythe Danner - Debbie Allen, Lupe Ontiveros , Piper Laurie, Blythe Danner Friday 12th June 2009 at Crystal And Lucy Awards Century City, California

Debbie Allen, Lupe Ontiveros, Piper Laurie and Blythe Danner
Debbie Allen, Lupe Ontiveros, Piper Laurie and Blythe Danner

Twin Peaks: The Complete Series Review


Excellent
X-Files, Heroes, Lost? They all owe their very souls to a short-lived TV series that ran for just two seasons from 1990-1992. You might have heard of it: Twin Peaks.

I'll admit now that I wore an "I killed Laura Palmer" t-shirt thoughout my freshman year of college. Am I embarrassed by that now? Yes, but not as much as you'd think. Twin Peaks was a bona-fide phenomenon, the most subversively popular thing of its day and still a brainy-slash-guilty pleasure with few equals.

Continue reading: Twin Peaks: The Complete Series Review

Eulogy Review


OK
Michael Clancy's Eulogy is sort of a sitcom version of The Royal Tenenbaums, with its estranged family united by a dying (well, in this case, dead) patriarch who no one particularly likes (played here, briefly, by Rip Torn). The most sympathetic and grounded member of the family is Kate (Zooey Deschanel); she is chosen to deliver her grandfather's eulogy, and must extract scarce fond memories from her father Daniel (Hank Azaria) and his siblings Skip, Lucy, and Alice (Ray Romano, Kelly Preston, and Debra Winger, respectively).

Standard black-comedy stuff, then, though not without promise. Clancy doesn't have a strong directorial touch, operating only a level or two above the point-and-shoot techniques of an actual sitcom -- and a little lower when it comes to the laugh-track ready entrances and exits. But he does capture the feel -- the shabby decor, the lines of cereal boxes, the personal trepidation -- of a reluctant and unkempt family gathering. The Collins family is trapped in the family home until the funeral is over, foraging for emotional connections purely out of necessity. Whether this authenticity is achieved through close observation or a low budget is not immediately apparent; regardless, Eulogy's distaff family unit is more or less convincing -- as a whole, at least.

Continue reading: Eulogy Review

Children Of A Lesser God Review


Very Good
In my mind there are two types of metaphor movies: those that kick and those that scream. Those that scream take their metaphors and make them painfully obvious to the viewer. We can't help but notice them. Those that kick, on the other hand, have metaphors that are silent and effective. Children of a Lesser God was a metaphor movie that kicked.

Based on the stage play, Children of a Lesser God is a metaphor movie about a hearing man's romance with a deaf woman. On the surface, it functions as a sympathy grabber for the hearing disabled, and a movie we can smile at because of William Hurt's gallant attempt to help deaf children speak, live normal lives, and, even, sing (albeit to cheesy songs but in one of the most fun and touching scenes captured on film). That is the skin deep surface, which would have been enough to make it a crowd pleaser and would have kept it from being torn to pieces by the critics.

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The Hustler Review


Extraordinary
I think of it as a Streetcar Named Desire for the con man.

The Hustler has always stood out as not just a great movie about the con game, but as a great movie, period. Paul Newman's study of a pool hustler who goes through the highest highs and the lowest lows is so dazzling that an hour will go by before you look at the clock and realize... I'm watching a movie about pool.

Continue reading: The Hustler Review

Carrie (1976) Review


OK
I might be the only person in the world who thinks Brian DePalma's 1976 classic thriller Carrie (now out on DVD) is one of the most overrated, disappointing horror films of all time, but I stand behind my review, and I swear I can knock down just about any argument its defenders throw. This is my third viewing of the film. Every time I watch it, I find major problems in the story for all the same reasons.

Carrie is the tale of a high school senior named Carrie White, aptly played by Sissy Spacek, who spends her days at school as the center of nearly every cruel ridicule and her hours at home with a constricting, sadistic, fanatically religious mother (Piper Laurie). Let's just say the mother is like a female version of Sergeant Hartman in Kubrick's Full Metal Jacket, and Carrie is the distressed Private Pyle.

Continue reading: Carrie (1976) Review

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Piper Laurie Movies

Saving Grace B Jones Trailer

Saving Grace B Jones Trailer

After being confined to a mental asylum for 17 years, Grace B Jones gets released...

Hesher Trailer

Hesher Trailer

Since T.J.'s mother died in a lethal car crash he and his father, Paul, have...

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Eulogy Movie Review

Eulogy Movie Review

Michael Clancy's Eulogy is sort of a sitcom version of The Royal Tenenbaums, with its...

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