Li stars as Ling Wei, a member of a religious sect trying to get out of the world of violence. Of course, the sect stumbles upon a war and find themselves embroiled in it, replete with supernatural battles and high-flying choreography.
Continue reading: The Legend Of The Swordsman Review
Master of just about any kung fu style out there and massive opponent of imperialism, the legendary Wong Fei is pretty much there whenever China needs him, and, when one of China's anti-imperialist generals goes off to resist the French Occupation of Vietnam, Wong Fei is set to train a local militia to ensure that the West doesn't overrun the country while the General is away. Wong, with the help of many a militiaman with a strange-translated nickname (like Porky or Buck Teeth), attempts to do so, but this being a movie, something had to go wrong. In this case, his militia men get involved in a street fight with a local mobster, Leung Fu (Biao Yuen), and just happen to fight their way into Wong Fei-hung's diplomatic dinner with the Americans.
Continue reading: Once Upon A Time In China Review
Sometimes, the mix results in a mind-blowing spectacle unlike any other. Quality action with amazing and exciting stunt work, as in 1999's The Matrix, can be a real gem. But too often Hollywood gets it wrong, even when they pay off Chinese directors. Flying ninjas and floating karate masters have been replaced by soaring Bronx detectives and slow motion kicking scientists. Mostly it's laughable. In Hollywood's rush to emulate the success of The Matrix, trademark Asian stunt choreography has become more of a joke than an art form. But Iron Monkey, the latest Asian import, shows us how to get it right.
Continue reading: Iron Monkey Review
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Tristan Corrigan on the difficulties of making music within a genre that is so popular.
From 'Happy' to 'Banana Pancakes', these are soaked in positivity.