In 1914 Milan, fiery socialist journalist Benito Mussolini (Timi) meets and marries Ida Dalser (Mezzogiorno), who gives up her life to support her husband, and soon gives birth to a son (Costella and later Timi). But during the Great War, Benito disappears and then resurfaces with a new wife Rachele (Cescon) and a team of goons who forcibly keep Ida away, eventually locking her away in a mental institution and sidelining her son. But as Benito shifts into fascism and rises to enormous power, she refuses to give up without a fight.
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Inherently dramatic, Good Morning, Night has a strong premise addressing issues of responsibility and the dynamics of power. The Red Brigade terrorist group kidnaps Italian President Aldo Moro (Roberto Herlitzka) and holds him in their cell -- a small house in a suburban neighborhood. The youngest member of the group, and the only female, is Anna (Maya Sansa), who takes on the role of housewife for her three revolutionary companions and has a soul-stifling job at the local library. As days pass and the terrorists negotiate with the authorities, Anna questions her role in the political machinations. Though she never really grows more self-aware, she feels a sense of guilt over the possibility of killing Moro.
Continue reading: Good Morning, Night Review
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